George Willoughby (theatre entrepreneur)

Late in 1901 Willoughby and Edwin Geach formed a company (took over from Charles Arnold Company?) which toured Australia with a string of George Howells Broadhurst comedies: The Wrong Mr. Wright, Why Smith Left Home and What Happened To Jones[5] Tragedy struck when two actresses, Sallie Booth and Ada Lee, died of bubonic plague on 27 and 28 February 1902 while staying at the Criterion Hotel, Pitt Street, Sydney.[6][7]

In 1902 George, together with Thomas William Broadhurst and George Howells Broadhurst, who owned the rights to the play The Wrong Mr. Wright sought to prevent Henry Bloomfield, director of the Ada Willoughby Company, from playing a version of this play.[8] The suit failed on the grounds that Willoughby had failed to prove that Charles Arnold was able to assign his rights to the play.[9] This was around the same time as George had applied for a divorce from his wife, whose stage name was Ada Willoughby. In 1903 he successfully sought an injunction to prevent Robert Henry Nichols, of the Henry Dramatic Company, from playing a farce (adapted from Jane) with an almost identical title.[10]

By 1904 Willoughby and Geach had taken over Sydney's Palace Theatre, with Adam Cowan (died 20 September 1908), Geach's trusted friend, as manager.[11] Sidney Wilner and Walter Vincent's Stranger in a Strange Land was added to their repertoire in 1904, at the end of which year the company disbanded. Stars of the Willoughby – Geach company included Roxy Barton, Ethel Appleton, Hardinge Maltby, Tom Cannam, Frank Denton, George Leopold,[12] Grace Gale[13] and Miss Roland Watts Phillips.[14]

He next formed an actor-management partnership with Hugh J. Ward and toured Australia and New Zealand with the ever-popular Broadhurst farces and "The Man from Mexico" (by Henry A. Du Souchet), the play in which Willie Collier, under the J. C. Williamson banner and with the young John Barrymore in the cast, had failed.[15]

In 1912 George was appointed managing director of George Marlow Ltd., owners of the Princess's Theatre, Melbourne, and lessees of the Adelphi, Sydney and King's Theatre, Fremantle[16] but with George Thomas Eaton, and Arthur Bernard Davies sought an injunction to prevent George Marlow (born Joseph Marks) from interfering with the operation of the company.[17]

In October 1913 Willoughby, Davies and Eaton bought out George Marlow's stake in the Adelphi and Princess theatres. But the war intervened and box office prices had to be reduced. In 1915 Willoughby and Co. were forced to sell their holdings back to Barlow and his backers, the Fuller brothers.[18]

• The Joan of Arc of Loos (1916) – film
• The Woman in the Case (1916) – film