Gertrude Fiske

Gertrude Horsford Fiske (1879–1961)[1] was an American visual artist, figure painter, still life painter and landscape painter.[1] Fiske was part of the Boston School of painters in the early 20th century. She was the first woman appointed to the Massachusetts State Art Commission in 1929.[2]

Gertrude Fiske
Born1879
Boston, Massachusetts, U.S.
Died1961 (1962) (aged 82)
Weston, Massachusetts, U.S.
EducationBoston Museum School
Known forPainting
By the Pond, c.1916

Fiske was born in Boston and was the daughter of a prominent local lawyer. Before becoming an artist, she was a successful golfer.[1] Fiske enrolled at the Boston Museum School sometime around 1904 where she studied with Edmund C. Tarbell, Frank Benson and Philip Hale.[3] She also studied with Charles H. Woodbury in Ogunquit, Maine, and incorporated his recommendation to "paint in verbs not in nouns."[4] Her early work was greatly influenced by this aesthetic, but she later moved in other directions. Fiske was a co-founder of the Guild of Boston Artists in 1914 and of the Boston Society of Etchers in 1917.[5] Fiske was a well-established painter by the mid 1920s.[6] In 1928 she was also a co-founder of the Ogunquit Art Association.[5] During the Great Depression, Fiske maintained her full membership in the National Academy of Design.[7]

Fiske was known for her strong depictions of women in traditional scenes, such as women in interiors, with power, instead of gentility and fragility.[8] She included both men and women in her compositions, used bold colors, and was well respected for her likeness of male artists. She often portrayed distinctive New England characters (including florists, craftsmen, postmen, fishermen and clerics), in a style popular throughout the 1920s.[9] Fiske also painted landscapes, including of Revere Beach, a stone quarry in Weston, Massachusetts, and the Navy Yard in Portsmouth, New Hampshire. Later works included the introduction and adoption of modern technologies such as the telephone and automobile. Selected compositions include The Window (1916), The Carpenter (c. 1922), Sunday Afternoon (c. 1925), and Jade (c. 1930).[10] Her sense of composition was considered "harmonious" and "warm."[11] The Carpenter won the Thomas B. Clarke prize from the National Academy of Design.[12]

Fiske's works have been exhibited at the Pennsylvania Academy of the Fine Arts, the Art Institute of Chicago, the National Academy of Design, the Corcoran Gallery,[13] Cleveland Museum of Art,[6] the Farnsworth Museum, the Rhode Island School of Design,[6] and the Guild of Boston Artists. Prizes include the Shaw price for women artists (twice), the best figure composition (twice), the Proctor prize for portraiture from the National Academy of Design.[9]

The artwork of Gertrude Fiske was the subject of the exhibition Gertrude Fiske: American Master, April to September 2018 at Discover Portsmouth, Portsmouth, New Hampshire. The show was organized by the Portsmouth Historical Society and curated by Lainey McCartney. Fiske, says McCartney, "challenged established stereotypes for women with her extraordinary talent, dignity, and work ethic. Painting during a time when conservative traditions and social roles were firmly set for women, Fiske forged her own path."[14]

Fiske died in 1961 in Weston, Massachusetts.[15]

References
  1. Erica E. Hirschler. A Studio of Her Own: Women Artists in Boston, 1870–1940. MFA Publications, 2001 (p179); Gertrude Fiske (1879–1961), Boston: Vose Galleries, 1987.
  2. "Gertrude Horsford Fiske". MME Fine Art. Archived from the original on 7 September 2017. Retrieved 30 March 2016.
  3. "Gertrude Fiske". Vose Galleries. Archived from the original on 11 August 2022. Retrieved 30 March 2016.
  4. Erica E. Hirschler. A Studio of Her Own: Women Artists in Boston, 1870–1940. MFA Publications, 2001 (p141).
  5. "Gertrude Fiske Papers, 1915–1986, bulk 1915–1933". Archives of American Art. Smithsonian Institution. Archived from the original on 25 September 2022. Retrieved 30 March 2016.
  6. "Gertrude Horsford Fiske". National Academy of Design. Archived from the original on 4 March 2023. Retrieved 30 March 2016.
  7. Glass, J.P. (28 June 1931). "Gertrude Fiske, N.A., Forsees Art Interest Quickened by Recent Troubles". Syracuse Herald. Retrieved 30 March 2016 – via Newspaper Archive.
  8. Walker Aten, Carol (January 1990). Gertrude Fiske (1879-1961). Images of Women: 1904-1935 (Master thesis). hdl:2144/13115.
  9. "Concord Shows Works of Gertrude Fiske". Lowell Sun. 3 June 1962. Retrieved 30 March 2016 – via Newspaper Archive.
  10. See Gertrude Fiske: Oil Paintings 1910–1928 (New York: Robert Schoelkopf Gallery, 1969).
  11. "Boston". American Art News. 13 (27): 7. 10 April 1915. JSTOR 25588576.
  12. "Prize-Winning Pictures at the Academy of Design" (PDF). The New York Times. 26 March 1922. Retrieved 30 March 2016.
  13. "At the Corcoran Art Gallery" (PDF). The New York Times. 25 December 1921. Retrieved 30 March 2016.
  14. "Gertrude Fiske breaks the glass ceiling at Discover Portmouth". The Magazine Antiques. 3 April 2018. Archived from the original on 7 August 2020. Retrieved 12 April 2018.
  15. Dearinger, David Bernard (2004). Paintings and Sculpture in the Collection of the National Academy of Design. Hudson Hills. p. 190. ISBN 978-1-55595-029-3.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.