Gintaras Januševičius

Gintaras Januševičius was born in Moscow into the family of Lithuanian trumpeter Algirdas Januševičius and Tatar–Jewish composer Nailia Galiamova. The family left Moscow in 1987 and moved to Klaipėda. Gintaras began his musical training at the age of 4 at the Eduardas Balsys School of Arts in Klaipėda. In 1993 family decided to move to capital Vilnius, where his father was appointed the principal trumpeter at the Lithuanian State Symphony Orchestra, conducted by Gintaras Rinkevičius. Januševičius then entered the National M. K. Čiurlionis School of Art.

He took his first piano lessons with Valentina Potejenko in Klaipėda. Later he was taught by Valė Kulikauskienė (1993–1998) and Jurgis Bialobžeskis (1998–2003) at the National M.K. Čiurlionis School or Arts in Vilnius. After graduating in 2003, Januševičius entered the Lithuanian Academy of Music and Drama to study with Bialobžeskis. In 2004 he moved to Hanover, Germany where his professor was Vladimir Krainev. After his death in 2011 Januševičius joined the piano class of professor Bernd Goetzke at the Hochschule für Musik, Theater und Medien Hannover.

Since 2001 he also had lessons with numerous famous pianists, most notably with Lazar Berman and his wife Valentina, Naum Shtarkman, Malcolm Bilson, Jurgis Karnavičius, among others.[1]

Gintaras Januševičius made his orchestra debut at the age of 15, performing Capriccio Brillante of Felix Mendelssohn-Bartholdy with the Lithuanian State Symphony Orchestra under direction of Vytautas Lukočius. Same month, he entered a Great Hall of Moscow Conservatoire to perform Piano Concerto No. 23, K. 488 of Wolfgang Amadeus Mozart.

Januševičius rose to fame in May 2004, after the performance at the semi-finals of the Montreal International Musical Competition. His interpretation of Études-Tableaux Op. 39 by Rachmaninoff was publicly praised by pianists Jean-Philippe Collard, Akiko Ebi, Michel Dalberto, Lee Kum-Sing, etc. Christophe Huss of Classics Today wrote in his article:

Gintaras Januševičius glides, like an albatross. His semi-final and final performances were rare revelations for me; they fall outside the scope of competition <...> because they are neither rankable nor quantifiable. All eyes were on Januševičius after the semi-finals, on which he had left his imprint as a kind of apparition from another place, notably with his performance of Rachmaninoff's Études-tableaux Opus 39. <...> We saw him shake up the rhythms, moving forward, straight as a pin, with the simplicity of the master and the vitality of the young man he is. Never is it used for effect, never does the left hand try to gain the upper hand.[2]

Up to the date, Januševičius has performed with over 30 orchestras, including Montreal Symphony Orchestra, Lithuanian Chamber Orchestra, Lithuanian National Philharmonic Orchestra, Lithuanian State Symphony Orchestra, Shenzhen Symphony Orchestra, Estonian National Symphony Orchestra, Ural Philharmonic Orchestra, etc. and visiting famous halls, like Palau de la Música Catalana in Barcelona, Auditorio Nacional de Música in Madrid, Residenz Würzburg, Shenzhen Concert Hall, Salle Cortot in Paris etc. His solo recitals were organized across Germany and Lithuania, as well as New York City, Rio de Janeiro, London, Paris, Zürich, Warsaw, and others. He participated in famous festivals, including The International Chopin Piano Festival in Duszniki-Zdrój,[3] Besançon International Music Festival, Braunschweig Classix, Mozart Festival Würzburg, Dresdner Musikfestspiele etc. He performed Lithuanian premieres of piano concertos by Aram Khachaturian and Leroy Anderson, in addition to numerous solo and chamber music premieres.

Since 2013 Januševičius' main focus shifted to narrative piano solo recitals. He started combining music, narration, programming, and theater elements in his performances. His most notable programmes up to date were "Dreamcatcher" (2014), "Complete Waltzes by Chopin" (2015), and "The New Colossus" (2019), celebrated by audiences and critics in New York, Rio de Janeiro, Berlin, and other cultural centers of the world.[4]