Girlfriend in a Coma (film)

Girlfriend in a Coma is a documentary about Italian and western decline directed, produced and co-written by Annalisa Piras, journalist and film-maker, co-written and narrated by Bill Emmott, former editor-in-chief of The Economist. It has been lauded as being ground-breaking in its creative combination of animation, interviews and hard facts, and has caused fierce controversy in Italy.

Girlfriend in a Coma
Directed byAnnalisa Piras
Written byAnnalisa Piras, Bill Emmott
Produced byAnnalisa Piras
Springshot Productions
Narrated byBill Emmott
CinematographyPatrizio Sacco'
Edited byFrancesco Caradonna, Matteo Bini
Distributed byMercury Media
Release date
Running time
98 minutes
CountryUnited Kingdom
LanguageEnglish/ Italian

Background

The "Girlfriend in a Coma" title is derived from a British musical hit by The Smiths from their album Strangeways, Here We Come (1987). It reflects Emmott's emotional involvement with Italy—the often exasperating "girlfriend" - and the country's present state of comatose paralysis. The film was inspired by Bill Emmott's book, Good Italy, Bad Italy: Why Italy needs to conquer its demons to face the future, published by Yale University Press in 2012.

Excerpts from Dante Alighieri’s Divine Comedy, read by Benedict Cumberbatch, are used to illustrate the vices and virtues of Italy, connecting today’s malaise to that of seven centuries earlier and placing it in the context of Italian history and culture. Animation by the London-based artist Phoebe Boswell provides a fil rouge through the film that is light in appearance but dark in nature.

Plot

The documentary, using the eyes of an English outsider directed by a passionate, but exiled, Italian insider, exposes the dire situation of Italian politics and the process of economic and social decline the country has suffered during the last two decades, treating the decline as a warning of what might happen elsewhere in the West. The decline has occurred amid a collapse of moral values and the victory of "Mala Italia" over "Buona Italia". Critical of Silvio Berlusconi, the former Prime Minister, for some of the actions his government undertook or failed to undertake, and for his inappropriate use of his media companies to influence the Italian electorate, the documentary also does not spare criticism of the Left.

Overall, the film identifies "ignavia", the sin of lack of moral courage denounced by Dante Alighieri in his Divine Comedy (1321), as one of the crucial issues behind Italians’ failure to act when faced with their country's constant decline over the past 20 years.

Features

The documentary features interviews with Mario Monti, Prime Minister of Italy in 2011–12, Elsa Fornero, a member of his Cabinet, Umberto Eco, philosopher and novelist, Nanni Moretti, movie director, Lorella Zanardo, activist and filmmaker, Toni Servillo, one of today's top Italian actors, John Elkann, Chairman of FIAT, Sergio Marchionne, CEO of FIAT, Carlo Petrini, founder of Slow Food, Roberto Saviano, the author of Gomorrah, Giovanni Ferrero, CEO of Ferrero, Emma Bonino, former European Commissioner and Italian foreign minister in 2013, Susanna Camusso, trade union leader, Nicola Gratteri, anti-mafia magistrate, but also many unsung heroes from civil society such as Don Giacomo Panizza, a priest who founded the "Progetto Sud" against organised crime in Calabria.

Production

It was produced in 2012 by Springshot, an independent production company, in HD in Italy and London during 2011 and 2012, and the duration is 98 minutes.

Release

The movie's premiere was held at the Institute of Contemporary Arts of London, on 26 November 2012.[1] The attendees included distinguished members of the world of arts, politics, diplomacy and business including John Elkann, Chairman of FIAT, and Vittorio Colao, Chief Executive of Vodafone. It has since been broadcast on BBC Four (300,000 viewers), Sky Italia and La7 in Italy (combined 750,000 viewers), as well as on many other European channels. Since then it has become a viral phenomenon and has been screened along with debates about the state of Italy and the West in public venues in Italy, across Europe and in North America. It is independently distributed on DVD and online.

Reaction

Girlfriend in a Coma has been described by the Italian press as a film about how Italy "has been left dying by the roadside" (La Stampa), as "marvellously indigestible" (Il Sole 24 Ore) and that "it freezes the blood in your veins" (L'Espresso).

The international press hailed the documentary as a "lettre d’amour désespérée à l’Italie"[2] (Le Monde), and was described as "an intelligent, imaginatively presented documentary" by Philip French, film critic for The Observer. Fiammetta Rocco, Arts Editor for The Economist, wrote: "Girlfriend in a Coma' is a terrific film. It's funny, sad, comic, deadly serious—and shows just how you can put across complex political and economic ideas when you decide to be creative. Like 'The End of the Line' and 'One Day In September', I think 'Girlfriend in a Coma' really sets a whole new standard for documentary-making."

Controversy

Originally scheduled for 13 February 2013 at the MAXXI National Museum of the 21st Century Arts of Rome, Giovanna Melandri, the president of the foundation running the museum, banned the planned Italian premiere from being held there during the electoral campaign for polls on 25 February. In a widely followed tweet and then an interview with The Guardian, Bill Emmott accused the Italian government of censorship.[3] Stefano Corradino, director of the website "Articolo21" (a reference to the Italian Constitution article on freedom of thought), launched a petition asking Giovanna Melandri to reconsider her decision.[4]

More than 30,000 people signed the petition. But the MAXXI decision was not reversed and the film's premiere in Italy instead took place at the Teatro Eliseo in Rome on 13 February 2013, hosted at short notice by L’Espresso magazine.

See also

References
  1. "London premiere of Girlfriend in a Coma". Retrieved 22 April 2013 – via YouTube.
  2. "Lettre d'amour désespérée à l'Italie". www.lemonde.fr. Archived from the original on 10 July 2017. Retrieved 26 March 2013.
  3. Davies, Lizzy (1 February 2013). "Film-maker accuses Italian government of censorship after premiere is called off". The Guardian. London. Retrieved 1 February 2013.
  4. "Il film di Emmott non deve essere censurato". Change.org.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.