Glenn Dicterow

In 1967 Dicterow appeared as soloist with the New York Philharmonic under the baton of Andre Kostelanetz in the Tchaikovsky Violin Concerto. He was then 18 years old. In 1980 he joined the Philharmonic as Concertmaster, and subsequently performed as a soloist with the orchestra at least once every year. (Prior to joining the New York Philharmonic, Dicterow had served for eight years as Associate Concertmaster and then Concertmaster of the Los Angeles Philharmonic.) During a New York Philharmonic tour of major American cities in 1986, Dicterow was featured in Leonard Bernstein's Serenade with the composer conducting. In 1982, Dicterow was a soloist in the Orchestra's concert at the White House, and in 1990 he played the Carmen Fantasy by Waxman under the direction of Zubin Mehta in a Live from Lincoln Center concert telecast.

Dicterow has been the featured soloist with the New York Philharmonic in Prokofiev's Second Violin Concerto with guest conductor Yuri Temirkanov, Gian Carlo Menotti's Violin Concerto under the direction of Kurt Masur, and Bruch's Violin Concerto No. 1 with Christian Thielemann. In 1993, he performed the world premiere of the Karel Husa Violin Concerto as part of the New York Philharmonic's 15Oth anniversary concert. During the Philharmonic's 1998 Asian Tour, he was soloist in the Barber Violin Concerto in Manila, Korea, and in Beijing, China, where he performed in The Great Hall of the People to an audience of more than 10,000 people.

Dicterow has been a guest soloist with the symphony orchestras of Los Angeles, Baltimore, Birmingham, San Diego, Miami, Indianapolis, Kansas City, Grant Park, Montreal, Mexico City and Bogota, to name a few. His engagements have included performances with the Leipzig Gewandhaus Orchestra, Hong Kong Philharmonic, and, in 2000, he soloed in the Bernstein Serenade with the Curtis Symphony Orchestra, as part of "Isaac Stern at Eighty: A Birthday Celebration" at Carnegie Hall. Other highlights include his 2002 performances of Miklós Rózsa's Sinfonia Concertante and the Wagner-Waxman Tristan and Isolde Fantasy with Leonard Slatkin and the National Symphony Orchestra. More recently, he has performed in China with the Guangzhow and Shanghai Symphony Orchestras.

On May 24, 2012, Dicterow announced that he would step down as concertmaster of the New York Philharmonic to join the faculty at the University of Southern California, as the first Robert Mann Endowed Chair in Violin and Chamber Music at USC's Thornton School of Music. The appointment began in the Fall of 2013, although Dicterow stayed with the New York Philharmonic through the end of the 2013-2014 season. In March 2022, the Thornton School of Music bestowed the highest honor possible to a faculty member in the Strings Department: Dicterow was named the Jascha Heifetz Chair in Violin.[3] [4][5][6]

Dicterow's discography includes Aaron Copland's Violin Sonata, Largo, and Piano Trio; Charles Ives's Sonatas Nos. 2 and 4 and Piano Trio; and Erich Wolfgang Korngold's Piano Trio and Violin Sonata, all for EMI. He is also featured in the violin solos in Richard Strauss's Ein Heldenleben and Also sprach Zarathustra with Zubin Mehta for CBS. Other compositions committed to disc are works of Wieniawski with Zubin Mehta and the Los Angeles Philharmonic; Lee Holdridge's Violin Concerto with the London Symphony Orchestra and Holdridge conducting; Shostakovich's Violin Concerto No. 1 with the New York Philharmonic conducted by Maxim Shostakovich on a Radiothon recording; and the Philharmonic's recording of Rimsky-Korsakov's Scheherazade with Yuri Temirkanov on the BMG label. He recorded a solo recital for Cala Records entitled New York Legends, featuring John Corigliano's Sonata for Violin and Piano, Erich Wolfgang Korngold's Much Ado About Nothing, the premiere recording of Leonard Bernstein's Sonata for Violin and Piano, and Bohuslav Martinu's Three Madrigals for violin and viola, in collaboration with violist Karen Dreyfus and pianist Gerald Robbins. Dicterow and his wife, Karen Dreyfus, also recorded the Mozart Sinfonia Concertante in E-Flat Major for Violin, Viola and Orchestra, K. 364, and William Thomas McKinley's Concert Variations with the Warsaw Philharmonic National Orchestra conducted by Carl St.Clair (MMC Recordings).

Dicterow can also be heard in the violin solos of the film scores for:

• The Turning Point
• The Untouchables
• Altered States
• Aladdin
• Beauty and the Beast
• Interview with the Vampire

Dicterow has an active teaching career. Besides his current duties at the University of Southern California's Thornton School of Music, he served for many years on the faculties of both The Juilliard School and Manhattan School of Music.

Dicterow has received considerable press coverage, with an emphasis on his work as a concertmaster. The Strad magazine ran an article in 1988, entitled “Flexible Leadership; Glenn Dicterow, Concertmaster of the New York Philharmonic, discusses his solo and orchestral activities,” by Barbara Sand. The New York Times wrote about him both in 1994 and 1995, with “Balancing Act for Violinist and Soloist,” by Barbara Hershonson, and “The King of the Strings; A Concert Master’s Craft,” by Jane H. Lii. The Wall Street Journal published a 2003 article about the role of concertmasters, entitled “The Orchestra’s Tightrope Walker,” by Barbara Jepson, focusing on Dicterow. In 2013, All Things Strings featured “Glenn Dicterow: The View From the Top,” by Corinne Ramey. He has been interviewed on PBS, while "America’s Concertmasters", by Anne Mischakoff Heiles, published by Harmonie Park Press in 2007, includes a chapter about his career.

• Dicterow's General Management Schmidt Artists International