Goin' Out of My Head

In 1967, British band the Zombies recorded the song as a single, and was released as the group's final Decca Records single.[4] Throughout 1965 and 1966, their commercial success had been declining in the US,[5] while they had completely failed to reach the Record Retailer chart since 1965's "Tell Her No".[6] Decca primarily put this fault on the group's keyboardist Rod Argent and bassist Chris White, who composed virtually all of the group's music.[7] According to Decca, their own compositions were "too uncommercial", including "I Want You Back Again", which Decca cited among their least commercial singles.[8] Therefore, Decca chose covers for the band to record.[9] The first cover song the group released as a single in the UK was "Gotta Get A Hold Of Myself", which was a chart failure, not being noted on the chart at all.[6]

The group also suffered the issue of finding suitable material to cover, "Gotta Get A Hold Of Myself" happened by chance.[9] However, also by a stroke of luck, the band remember hearing Little Anthony and the Imperials perform alongside them on the Dick Clark tour, which they embarked on in April 1965.[10] One of the tracks on their setlist was "Goin' Out Of My Head", which the Zombies then promptly picked up and incorporated into their own setlist.[11] Decca then wanted the band to record it as a follow-up to "Gotta Get A Hold Of Myself", which the band, initially reluctant, did not want to do.[11] This was because the band at the time once again wanted to record original material, which was turned down by Decca.[11] The band eventually had to accept the offer after the record company threatened to drop the act from their label.[11]

For the first time since around May or June 1966, the Zombies returned to a studio to record in October of that year.[12] As the group did not want to record at Decca Studios, Kingsway Studios (later De Lane Lea Studios) was booked on 23 October, something Argent recalls quite clearly.[4] He states that the band met guitarist Jimi Hendrix on his way out of the studio before they entered.[4] Hendrix had just recorded his debut single "Hey Joe" at the studio.[4] The Zombies rendition was, although slightly different to the original, apparently a homage to Little Anthony.[4] Producer Ken Jones, who had been the group's standard producer for their Decca material,[7] was also present during recording.[4] Lead vocalist Colin Blunstone was overdubbed at Advision Studios in order to give the single "extra-kick.", since Jones felt that the vocals "weren't strong enough"[4]

The release of "Goin' Out Of My Head" was a highlight in the Zombies career, as they'd gotten incredibly popular in the Philippines.[13] This meant that they had started earning money as well as their commercial success once again started increasing.[13] In hearing this, Decca, who had been keeping "Goin' Out Of My Head" in their vaults for around half a year, decided to release it.[14] So on 17 March 1967, "Goin' Out Of My Head" was released in the UK.[15] As their contract with Parrot Records had expired, the song never got a release in the US.[15] It was backed by "She Does Everything For Me", which was a song Argent had composed.[12] Like all singles by the Zombies after "Tell Her No", it failed to reach Record Retailer.[6] This was to the disappointment of Decca, who thought it would become a big hit, while the Zombies did not attempt to promote it.[9]

The single received generally favorable reviews in the British press. In a review for Disc and Music Echo, critic Penny Valentine called the song "splendid treatment" of the original,[16] hoping it would reach the charts.[16] According to author Claes Johansen, this was expected, as she loved the Zombies music.[17] Derek Johnson of New Musical Express also praised the single, calling it an "exceptionally good tune."[18] He does however, state that it was "too recent" to the original for making the charts.[18] Other than that, he writes that song is "well worth hearing", noting the "colorful" harmonies and its "big-bash treatment".[18] He ends the review by stating that their rendition is "highly creditable."[18] Peter Jones of Record Mirror called the song their "best, performance wise."[19] He notes the vocal arrangement, but just like Johnson, negatively notes the song for being "too early."[19] All in all it was ranked four stars.[19]

The band members put the blame of the lack of chart success on producer Jones.[4] Without the band's consent, Jones dubbed over horns which in turn muddied out some of the vocals.[4] This was disliked by the band, even though they couldn't do anything against it.[4] As a result, some of the vocal harmonies on the record were also removed, which was another problem for some band members.[4] Argent stated that the demo version of the song they recorded weeks prior sounded better because the "harmonies were massive."[4] Decca's Tony Hall thought that Blunstone was low in the mix, which led to him forcefully having to overdub the vocals.[4] This, combined with the brass track, is largely the biggest contributor to the muddy vocals on the track.[4] Soon after the single, Decca dropped the act, which led to them signing CBS Records later on.[20]