Golowan Festival

The Penzance Golowan was one of the last examples of this practice in Cornwall until its prohibition by the Penzance Borough Council in the 1890s due to increased insurance premiums in the town and perceived fire risk. The celebrations themselves were centred on the lighting of fireworks, tar barrels, and torches on the evening of 23 June every year (St John's Eve). Towards the end of these festivities the local youths of the town would take part in the ancient serpent dance and jump or pass themselves through the dying embers of the flames. During these celebrations it was also usual to elect a Mock Mayor or Mayor of the Quay. In 1864 it was recorded that the organising committee of the festival let off "258 dozen fire crackers and numerous Roman Candles, Jack-in-box and sky rockets"[3] The day after these celebrations, a 'Midsummer's Day' fair took place on Penzance quay; boat rides and other entertainments were included in these celebrations.

Mayor and Mock Mayor speeches at the modern Golowan Festival

The fire celebration and serpent dance at the revived Golowan Festival

Two descriptions of the fire festival in Victorian times follow below:

• In Penzance, and in nearly all the parishes of West Penwith, immediately after nightfall on the eves of St John and St Peter, the 23rd and 28th of June, lines of tar-barrels, occasionally broken by bonfires were simultaneously lighted in all the streets, whilst, at the same time, bonfires were kindled on all the cairns and hills around Mounts Bay, throwing the outlines in bold relief against the sky.

• Then the villagers, linked in circles hand-in-hand, danced round them to preserve themselves against witchcraft, and when they burnt low, one person here and there detached himself from the rest and leaped through the flames to insure himself from some special evil. The old people counted these fires and drew a presage from them." At dusk the mayor of Penzance sent the town-crier through the streets to give notice that no fireworks were allowed to be let off in the town; but this was done simply that he should not be held responsible if any accident happened, for all in Penzance knew quite well that the law would be set at defiance. Large numbers of men women and boys came up soon after from the quay and lower parts of the town swinging immense torches around their heads; these were made of pieces of canvas about 2 feet square fastened in the middle either to a long pole or a strong chain, dipped until completely saturated in tar.Of course they required to be swung with great dexterity or the holder would have been burnt. The heat they gave out was something dreadful and the smoke suffocating."

Porthleven and Newlyn in particular being centres for much of the celebration of St Peter's-tide because of St Peter's role as the patron saint of fishermen. St Peter's-tide is still celebrated in Porthleven however in a far more muted fashion Porthleven Petertide. M. A. Courtney in her book Cornish Feasts and Feasten Customs describes a delay to the Newlyn festivities in 1883 when the majority of the Newlyn fishing fleet were at sea, returning to celebrate the fire festival many days after the actual event. Mevagissey feast which occurs around St Peter's Eve continues to be celebrated.[4]

The people of St Just in Penwith had their own particular practices, Lake's Parochial history of Cornwall (1868) states:[5]

On Midsummer-day, in modern times, the inhabitants, of this parish were greeted with sounds resembling the discharge of musketry in different directions, proceeding from holes bored in rocks, which being charged with powder were exploded in succession; and on the same day a new flag was displayed on every mine, and the night was ushered in with noisy festivities, and bonfires blazing on many of the hills.

The modern Penglaz

During the evening of Mazey Eve and on 23 June (St John's Eve) every year Penglaz the Penzance 'Obby 'Oss appears. Penglaz owes its origins to the descriptions of the hobby horse that once accompanied the Christmas guise dancers in their perambulation of Penzance during the nineteenth century. The classic, contemporary account of the guise dancers' horse was given by Richard Edmonds who described the horse as being:

"represented by a man carrying a piece of wood in the form of a horse’s head and neck, with some contrivance for opening and shutting the mouth with a loud snapping noise, the performer being so covered with a horse cloth, or hide of a horse, as to resemble the animal whose curvettings, biting, and other motions, he imitated."

[7]

The horse was a character associated with 'Old Penglaze' in the guise dancers' games of forfeiture, described by William Sandys:

"Another essential character is Old Penglaze who has a blackened face and a staff in his hand, and a person girded round with a horse’s hide … to serve has his horse … The master then goes up to the delinqent and, taking up his foot, says: "Here is my seal, where is old Penglaze’s seal?” … Old Penglaze then comes in on his horse which winces and capers about grotesquely … The shoe of the "colt" is taken off and Penglaze gives him one or two hard blows on the sole of the foot, after which he rides off again, his horse capering more than ever before and sometimes throwing the old gentleman off."

[8]

Barbara Spooner in her work on the Padstow 'Obby 'Oss further describes the 'Obby 'Oss associated with "Old Penglaze".

"The Hobby Horse that went with the Land's End mummers not so very long ago was the sort that consists of a horse's skull held up on a stick by a hide covered or sheet draped man, and had its own name in the Cornish Language Penglas or 'Grey head'"

Her description is of the 'mast' type of hobby horse, and Spooner followed Robert Morton Nance in expressing the view that 'the May day games and Morris Dances, with their own type of hobby-horse, which includes a rider, had been brought in from England too recently to have acquired Cornish names.'It became imperative amongst the Celtic Revivalists of the early twentieth century that the Tourney horse (with its rider) should be seen as English, or foreign, whereas the mast horses were to be understood as native, Celtic beasts, complete with Celtic names. In fact, as Edwin Cawte demonstrated in his study of British and European hobby horse practices, the mast type of horse developed during the eighteenth century and was particularly popular during the nineteenth, whereas the Tourney variety predated it by several centuries.[9]

In his Cornish dictionary, Robert Morton Nance believed the character of Old Penglaze to be the horse and believed that Penglaze was a genuine Celtic noun for a hobby horse, something one of the above-mentioned quotations contradicts. Moreover, the writer of Bewnans Meriasek, the life of St. Meriasek (or Meriadoc) of Camborne, writing in Cornish, understood the hobby horse as feminine in gender, whereas Penglaze is masculine, potentially undermining its status as an example of Cornish language.[10]

Regardless of the accuracy of its linguistic origins and accuracy of naming, etc., the modern Golowan festival's Penglaz takes its appearance from the later quotations descriptions and resembles strongly the Mari Lwyd of Welsh tradition and was first introduced in 1992 at the second revived Golowan festival by Merv Davey Hon piper of Gorseth Kernow. The original horse now forming part of Cornish music group Pyba's Guise dance programme being renamed "Penguise". The current "Oss" being used for the first time in 1993 .[11]

The ancient Golowan celebrations were also the inspiration for the Old Cornwall Societies' midsummer bonfire celebrations. The hilltop bonfires that form a chain are currently held at Kit Hill, St Breock beacon, Castle An Dinas, and Redruth.