Good Copy Bad Copy

A central point of the documentary is the thesis that "creativity itself is on the line" and that a balance needs to be struck, or that there is a conflict between protecting the right of those who own intellectual property and the rights of future generations to create.

Artists interviewed include Girl Talk and Danger Mouse, popular musicians of the mashup scene who cut and remix sounds from other songs into their own (notably the latter artist's The Grey Album featuring music of The Beatles and Jay Z).[2][3][4] The interviews with these artists reveal an emerging understanding of digital works and the obstacle to their authoring copyright presents.

The interviews featured in Good Copy Bad Copy acknowledge a recent shift towards user-generated content, mashup music and video culture. The documentary opens with explaining the current legal situation concerning sampling, licensing and copyright.

Good Copy Bad Copy documents the conflict between current copyright law and recent technological advances that enable the sampling of music, as well as the distribution of copyrighted material via peer-to-peer file sharing search engines such as The Pirate Bay. MPAA (Motion Picture Association of America) CEO Dan Glickman is interviewed in connection with a raid by the Swedish police against The Pirate Bay in May 2006. Glickman concedes that piracy will never be stopped, but states that they will try to make it as difficult and tedious as possible. Gottfrid Svartholm and Fredrik Neij from The Pirate Bay are also interviewed, with Neij stating that The Pirate Bay is illegal according to US law, but not Swedish law.

The interviews document attitudes towards art, culture and copyright in a number of countries, including the United States, Sweden, Russia, Nigeria, and Brazil.

The situation in Nigeria and Brazil is documented in terms of innovative business models that have developed in response to new technological possibilities and changing markets.

In Nigeria the documentary interviews individuals working within the Nigerian film industry, or Nollywood. Charles Igwe, a film producer in Lagos, is interviewed at length about his views on the Nigerian film industry, the nature of Nigerian films, and copyright in the context of digital video technology. Mayo Ayilaran, from the Musical Copyright Society Nigeria (MCSN), explains the Nigerian government's approach to copyright enforcement.

In Brazil the Tecno brega industry and its unique approach to copyright and sampling is documented, featuring interviews with amongst others Ronaldo Lemos, Professor of Law FGV Brazil. Lemos explains that CDs or recorded music is treated merely as an advertisement for parties and concerts that generate revenue.

Good Copy Bad Copy also includes interview segments with notable copyright activist and academic Lawrence Lessig.[5][6]

• Girl Talk, Producer
• Dr Lawrence Ferrara, Director of Music Department NYU
• Paul V. Licalsi, Attorney Sonnenschein
• Jane Peterer, Bridgeport Music
• Dr. Siva Vaidhyanathan, NYU
• Danger Mouse, Producer
• Dan Glickman, CEO MPAA
• Gottfrid Svartholm, The Pirate Bay
• Fredrik Neij, The Pirate Bay
• Rick Falkvinge, Pirate Party
• Lawrence Lessig, Creative Commons
• Ronaldo Lemos, Professor of Law Fundação Getulio Vargas (FGV) Brazil
• Charles Igwe, Film Producer Lagos Nigeria
• Mayo Ayilaran, Musical Copyright Society Nigeria (MCSN)
• Olivier Chastan, VP Records
• John Kennedy, Chairman International Federation of the Phonographic Industry (IFPI)
• Shira Perlmutter, Head of Global Legal Policy International Federation of the Phonographic Industry (IFPI)
• Peter Jenner, Sincere Management
• John Buckman, Magnatune Records
• Beto Metralha, Producer Belém do Pará Brazil
• DJ Dinho, Tupinambá Belém do Pará Brazil

Originally created for the Danish National Broadcasting Television network, the film was eventually released for free on the internet as a BitTorrent download. The filmmakers hope that releasing Good Copy Bad Copy for free will raise awareness and lead to other local broadcasting networks to show the documentary.[7][8]

The documentary first appeared on The Pirate Bay and then it was officially released under a Creative Commons Attribution-NonCommercial license on the Blip.tv video sharing site.[9]

On 8 May 2008, Good Copy Bad Copy was shown on Swedish television station SVT2.[10]

The documentary and an unofficial trailer are available on YouTube.[11][12]

• Alternative compensation system
• Fair use
• Mashup (music)
• Piracy is theft
• Plunderphonics
• Remix culture
• RiP!: A Remix Manifesto
• Steal This Film
• The Internet's Own Boy
• The Pirate Bay Away From Keyboard

• Good Copy Bad Copy at IMDb
• Good Copy Bad Copy is available for free viewing and download at the Internet Archive
• Official website