Josephine Tey

MacKintosh was born in Inverness, the oldest of three daughters of Colin MacKintosh, a fruiterer, and Josephine (née Horne). She attended Inverness Royal Academy and then, in 1914, Anstey Physical Training College in Erdington, a suburb of Birmingham.[1] She taught physical training at various schools in England and Scotland and during her vacations worked at a convalescent home in Inverness as a Voluntary Aid Detachment nurse. A youthful romance ended with her soldier friend's death in the Somme battles.[2] In 1923, she returned to Inverness permanently to care for her invalid mother, and stayed after her mother's death that year to keep house for her father.[3]

The curriculum for "physical training" included much more than athletics. Tey used her school experience in Miss Pym Disposes when describing the subjects taught at the school, and the types of bruises and other injuries sustained by the pupils. When she graduated, Tey worked in a physiotherapy clinic in Leeds, then taught in schools, first in Nottinghamshire, then in Oban, where she was injured when a boom in the gymnasium fell on her face. Tey repurposed this incident as a method of murder in Miss Pym Disposes.

While caring for her father she began her career as a writer.[4] Her first published work was in The Westminster Gazette in 1925, under the name Gordon Daviot. She continued publishing verse and short stories in The Westminster Review, The Glasgow Herald and the Literary Review.

Her first novel, Kif: An Unvarnished History, was well received at the time with good reviews, a sale to America, and a mention in The Observer's list of Books of the Week. This work, inspired by a detachment of the 4th Cameron Highlanders, a Scottish Territorial battalion stationed at Inverness before the First World War and prominent in the city's affairs, was an early indication of Tey's lasting interest in military matters.[5] Three months later, her first mystery novel, The Man in the Queue, was published by Benn, Methuen. It was awarded the Dutton Mystery Prize when published in America. This is the first appearance of her detective, Inspector Alan Grant. It would be some years before she wrote another mystery.

MacKintosh's real ambition had been to write a play which would receive a run in London's West End. Her play Richard of Bordeaux was produced in 1932 at the Arts Theatre, under the Daviot pseudonym. Its success was such that it transferred to the New Theatre (now the Noël Coward Theatre) in 1933, for a year-long run.[1] The production made a household name of its young leading man and director, John Gielgud (who became MacKintosh's life-long friend).[6] (Tey writes of Inspector Alan Grant that "he had in his youth seen Richard of Bordeaux; four times he had seen it".)[7] She stated she was inspired by Gielgud's performance in Hamlet and by the Royal Tournament.[8] Two more of her plays were produced at the New Theatre, The Laughing Woman (1934) and Queen of Scots (1934, written in collaboration with Gielgud).[6]

She wrote about a dozen one-act plays and another dozen full-length plays, many with biblical or historical themes, under the name of Gordon Daviot but none of these received notable success.[1] How she chose the name of Gordon is unknown, but Daviot was the name of a scenic locale near Inverness where she had spent many happy holidays with her family.[4] Only four of her plays were produced during her lifetime.

Her only non-fiction book, Claverhouse, was written as a vindication of John Graham, 1st Viscount Dundee, whom she regarded as a libeled hero: "It is strange that a man whose life was so simple in pattern and so forthright in spirit should have become a peg for every legend, bloody or brave, that belonged to his time."

MacKintosh's best-known books were written under the name of Josephine Tey, which was the name of her Suffolk great-great grandmother.

In five of the mystery novels, all of which except the first she wrote under the name of Tey, the hero is Scotland Yard Inspector Alan Grant. (Grant appears in a sixth, The Franchise Affair, as a minor character.) The best known of these is The Daughter of Time, in which Grant, laid up in hospital, has friends research reference books and contemporary documents so that he can puzzle out the mystery of whether King Richard III of England murdered his nephews, the Princes in the Tower. Grant comes to the firm conclusion that King Richard was totally innocent of the death of the princes.

The Franchise Affair also has an historical context: although set in the 1940s, it is based on the 18th-century case of Elizabeth Canning. The Daughter of Time was the last of Tey's books published during her lifetime. Her last work, a further crime novel, The Singing Sands, was found in her papers and published posthumously.

Tey was intensely private, shunning all publicity throughout her life.[9] During her last year, when she knew that she was terminally ill, she resolutely avoided all her friends as well. Her penultimate work, The Privateer (1952), was a romantic novel based on the life of the privateer Henry Morgan. She died of liver cancer at her sister Mary's home in London on 13 February 1952.[9] Most of her friends, including Gielgud, were unaware that she was even ill.[10] Her obituary in The Times appeared under her real name: "Miss E. Mackintosh Author of 'Richard of Bordeaux'".[1]

Proceeds from Tey's estate, including royalties from her books, were assigned to the National Trust.[9]

• The heroine of Mary Stewart's The Ivy Tree (1961) uses Tey's book Brat Farrar as a model when impersonating the missing heir to an estate. She describes the book as "the best of them all".
• Paranoiac is a 1963 British feature film based on Brat Farrar.
• The Daughter of Time influenced later mystery writers, notably Barbara Mertz. Mertz, writing as Elizabeth Peters, refers explicitly to Tey in The Murders of Richard III (1974) which sets a country house murder mystery among a group who believe that Richard III was innocent.
• In 1989 Colin Dexter reprised the hospital-bound detective motif of Daughter of Time in his Inspector Morse novel The Wench is Dead, which was also made into an episode in the Morse television series.
• Tey appears as a main character in a series of novels by Nicola Upson called the "Josephine Tey Mysteries".[9] An Expert in Murder (2008), the first in the series, is a detective story woven around the original production of Richard of Bordeaux.
• Tey's Brat Farrar is mentioned extensively as a work vividly remembered and imagined by the narrator in the first section of Gerald Murnane's 2009 novel Barley Patch.
• Mary Miley's The Impersonator (2013) has a plot very similar to that of Brat Farrar, with the story transferred to 1920s America.

In 1990, The Daughter of Time was selected by the British Crime Writers' Association as the greatest crime novel of all time; The Franchise Affair was 11th on the same list of 100 books.

In 2015, Val McDermid argued that Tey "cracked open the door" for later writers such as Patricia Highsmith and Ruth Rendell to explore the darker side of humanity, creating a bridge between the Golden Age of Detective Fiction and contemporary crime novels, because "Tey opened up the possibility of unconventional secrets. Homosexual desire, cross-dressing, sexual perversion – they were all hinted at, glimpsed in the shadows as a door closed or a curtain twitched. Tey was never vulgar nor titillating.... Nevertheless, her world revealed a different set of psychological motivations."[11] In 2019, Evie Jeffrey discussed Tey's engagement with capital punishment debates in A Shilling for Candles and To Love and Be Wise.[12]

• The Man in the Queue: broadcast in 1955, adapted by H.B. Fortuin
• A Shilling For Candles: broadcast in 1954, 1963 and 1969, adapted by Rex Rienits; in 1998, adapted by John Fletcher
• Miss Pym Disposes: broadcast in 1952, adapted by Jonquil Antony; and 1987, adapted by Elizabeth Proud
• The Franchise Affair: broadcast in 1952, 1970 and 2005
• The Franchise Affair: televised in 1958 (Robert Hall), serials 1962 (Constance Cox) and 1988 (James Andrew Hall)
• Brat Farrar: broadcast in 1954, 1959 and 1980 (all adapted by Cyril Wentzel)
• Brat Farrar: televised in 1986, adapted by James Andrew Hall
• The Daughter of Time: broadcast in 1952 (scriptwriter not credited) and 1982 (Neville Teller)
• The Singing Sands: broadcast in 1956 (Bertram Parnaby); televised in 1969 (James MacTaggart)

• Works by Elizabeth Mackintosh at Faded Page (Canada)
• Works by Josephine Tey at Open Library
• Author Dana Stabenow's homage to Josephine Tey's The Daughter of Time — How My Mother and Josephine Tey Led Me into a Life of Crime
• Josephine Tey at IMDb
• Photo of Tey
• Josephine Tey – A Very Private Person
• "The Elusive Miss MacKintosh" — review in Quadrant