Gordy

• Justin Garms as Gordy: A spunky young piglet who sets out from his home to find his missing family.
• Hamilton Camp as Gordy's Father: An adult pig who was taken up north to be slaughtered. Camp also voices Richard the Rooster, who warns Gordy that his family has been taken away.
• Jocelyn Blue as Gordy's Mother: The mother of Gordy and his five siblings. She and Gordy's siblings are also taken for slaughter.
• Frank Welker as the Narrator and Animals' vocal effects
• Tress MacNeille as Wendy, Richard's mate
• Earl Boen as Minnesota Red
• Frank Soronow as Dorothy the Cow
• Billy Bodine as Piglet
• Blake McIver Ewing as Piglet
• Julianna Harris as Piglet
• Sabrina Weiner as Piglet
• Heather Bahler as Piglet
• Jim Meskimen as the voice of Bill Clinton

The film was released on VHS on November 8, 1995 by Walt Disney Home Video.[9] It was released on DVD on June 4, 2002 by Walt Disney Home Entertainment,[10] along with a simultaneous VHS re-release on the same day.[11] It was re-released on DVD on April 12, 2011 by Echo Bridge Home Entertainment.[12] A second re-release by Lionsgate was released on October 7, 2014, which includes a digital copy.[13] A third re-release by Miramax was released on February 23, 2021.[14]

Along with generally negative reviews, the film was eclipsed by Babe, another family film about a talking piglet who becomes famous while avoiding being slaughtered for food. Review aggregation site Rotten Tomatoes gives it a "Rotten" score of 21% with an average rating of 4.3/10, based on 19 reviews.[15] Although it premiered on a limited release in Tucson in November 1994 and had its nationwide release a few months before Babe, it was far less successful critically and commercially. Meanwhile, Babe was both a critical and commercial success, won several awards (including an Academy Award for Visual Effects) and spawned a sequel titled Babe: Pig in the City.[16]

Roger Ebert of the Chicago Sun-Times gave the film 2 out of 4 stars, writing: "This is not the kind of film that rewards deep analysis. I rate it at two stars, but I'd recommend it for kids. I can't recommend it for people like me, but there are many other kinds of people in the world, some of them children who believe that pigs can talk, and for them, Gordy is likely to be very entertaining. You know who you are."[17]

Peter Stack of the San Francisco Chronicle claimed that "Gordy's strongest suit is the piglet's determination to reunite with his family, and that part of the convoluted plot develops into a folksy comic effort as Jinnie Sue, her dad, Hanky and Gordy race to save the family of pigs from becoming sausages. One would think the pork industry would be livid about this film as it portrays pig slaughter as an outrageous evil. The highlight comes when Gordy jumps into a backyard swimming pool—piglets really are cutest when they put their little trotters together and dive—and saves Hanky from drowning. Generally speaking, time would be better spent with Charlotte's Web than this forgettable hogwash."[18]

Chris Hicks of the Deseret News reviewed the film saying that "This may have sounded like a cute idea on paper, but as kids pictures go this is the worst to come along in memory. Charmless, humorless and dull as drying paint, Gordy is the kind of movie parents should save for video punishment. But if they take their kids to a theater, they'll be punishing themselves."[19]

Dave Kehr of the New York Daily News described the film as "a particularly dull and inept family film".[20]

Caryn James of The New York Times opined that "It is possible that some children will be tickled at the very idea of a talking pig, even one as bland as Gordy. They will probably be children who have never seen any movie, ever. Gordy is the film that asks, How you gonna keep them down on the farm after they've seen Simba?"[21]

Rita Kempley of the Washington Post called the film a "peculiar, seemingly pro-vegan tale". She later went on to say that "It's fairly obvious that Gordy's performance was inspired by Arnold Ziffel's precedent-setting work on the old TV series Green Acres. But then so was the movie, which was penned by series alumni Jay Sommers and Dick Chevillat. Their screenplay is as bland as an afternoon in Mister Rogers' Neighborhood, though the director, Australian animal-mockumentary-maker Mark Lewis, adds a touch of menace by using extreme close-ups, bizarre angles and other stylish camera work. One thing's for sure, Gordy will put little pea-pickers off their pork."[22]

Walter V. Addiego of The Examiner Staff stated that "The film tosses a few mild, satirical darts at public relations and advertising, but otherwise it's strictly hokum from the heartland. The director, I'm sorry to say, is Mark Lewis, the Australian responsible for the strange and funny documentary Cane Toads: An Unnatural History, which enlivened the S.F. Film Festival in 1988. Gordy will not enhance his résumé. It's surprisingly amateurish, due in no small part to clumsy scripting by Leslie Stevens."[23]

Tracy Moore of Common Sense Media gave the film two out of five stars, saying that "This fast-moving adventure about a talking pig's mission to find his family has a few fun elements -- some lively country music, a brush with fortune and fame, a bit of suspense, and lots of comically dodged mishaps. Kids will no doubt be entertained by the talking animals, cute pigs, and loads of adventure. Parents, however, should note the parent and child separation and the death of a grandparent as key concerns, as well as the scariness factor of the impending violence of the slaughterhouse, which is teased throughout the movie. If the audience is old enough to handle that potentially squeamish subject, Gordy is otherwise a passable 90 minutes of animal-talking antics."[24] TV Guide gave the film 1½ stars out of four.[25]

However, Louis Black of The Austin Chronicle wrote a favorable review of the film concluding that "A lot happens, it moves quickly, and the film is filled with minor characters who nicely round things out; my young companion watched the film from beginning to end, loving it. This is not a date movie."[26]

In its opening week in Tucson the film grossed $19,000.[8] It went on to gross $3.9 million in the United States and Canada.[2]