Grant Williams (actor)

After his Air Force service, he studied under Lee Strasberg.[6]

During auditions held at the Town Hall Club in New York City in May 1953, Williams was selected for a summer scholarship at the Barter Theatre by Rosalind Russell.[7] The "Barter Colony" at Abingdon, Virginia, is a unique training ground for actors, providing instruction in all forms of stagecraft. It was a popular choice for many recently discharged veterans, such as John Vivyan and Ernest Borgnine, who found the communal lifestyle a comfortable buffer before rejoining the civilian world. Williams spent the entire summer of 1953 there, performing in plays (see Stage performances) that on occasion starred an established professional. According to contemporaneous Barter publicity, he had at least five previous stage credits in Golden Boy, Angel Street, The Heiress, All My Sons, and The Glass Menagerie, but for which the roles and venues are not known.[8]

Following his summer at Barter, Williams next performed in the Off-Broadway[fn 1] Blackfriars Guild Theatre. Late Arrival was staged in October 1953, wherein Williams played a suitor to the young female lead. Though he had used "Grant Williams" all throughout his Barter tenure, he was now billed as "John J. Williams".[9] He returned to using "Grant Williams" as the lead for a summer stock production of Rope during July 1954.[10]

Following small roles on television, Williams was spotted by a talent scout on Kraft Television Theater in 1954. He signed with Universal Pictures (U-I) in March 1955.[11] They assigned him to Away All Boats during May 1955.[12] Pleased with his work on that picture, U-I gave him a role as a "heavy" in Decision at Durango, later renamed to Red Sundown, during July 1955.[13] U-I then gave Williams a new contract in August,[14] and by September 1955 he was working on Gun Shy, later released as Showdown at Abilene.[15]

His next film was the noir thriller Outside the Law (1956), followed by some small uncredited roles, and by the CinemaScope romantic comedy Four Girls in Town (1957).[17]

Williams starred as Scott Carey in his seventh film, the Hugo Award-winning science fiction film The Incredible Shrinking Man (1957), with Randy Stuart playing his wife, Louise. Despite good reviews and the success of the film, his career continued with only lackluster roles. Universal Pictures dropped his contract in 1959,[18] and he signed in 1960 with Warner Brothers, where he had a continuing role as the private detective Greg McKenzie on Hawaiian Eye, co-starring Robert Conrad, Anthony Eisley, and Connie Stevens.

Several film and television roles followed. In 1959 Williams played Col. Geo. Custer on the show Yancy Derringer, later that year he played a killer cowboy named "Joe Plummer" on the TV Western Gunsmoke, and the role of the psychopathic killer in Robert Bloch's The Couch (1962), but fame still eluded him. He made two guest appearances on Perry Mason, in 1964 as columnist and murderer Quincy Davis in "The Case of the Ruinous Road,"[19] and as defendant Dr. Todd Meade in the 1965 episode "The Case of the Baffling Bug."[20]

He starred as troubled military psychologist Major Douglas McKinnon in The Outer Limits episode "The Brain of Colonel Barham" along with former Hawaiian Eye co-star Anthony Eisley. Also in 1965, Williams played the title character (Albert "Patch" Saunders) in the Bonanza episode "Patchwork Man," as well as the 1960 episode "Escape to Ponderosa."

Williams attempted a comedic role on the radio airwaves in the anthology program Family Theater (September 11, 1957, the show's last episode), and there was some light-heartedness to his delightful role as Mike Carter in the half-hour episode "Millionaire Gilbert Burton" (April 29, 1959) of the series The Millionaire. As his acting career declined, he opened a drama school in West Hollywood.[21] Williams continued to act occasionally in both movies and television, but without much conviction and in inferior products. His last released film appearance was in Doomsday Machine (1972); however, as it was actually shot in 1967, Brain of Blood (1972) was his last acting work for the screen. His last TV appearance was in 1983 on the game show Family Feud along with other former cast members from Hawaiian Eye, who played against, and lost to the former cast members from the television series Lost In Space.[22]

Filmmaker Jack Arnold, who directed Willams in three pictures, remarked on the trajectory of the actors’ career:

The studios didn’t give him the right parts and his career never quite took off. Hollywood wanted a Robert Taylor or a Rock Hudson, not a blond guy with blue eyes. And he was a bit too pretty for character roles. Universal should have moved him up to “A” pictures, but they kept him in the “B” pictures. The same thing happened when he went to Warner Bros.. He got typed—it’s happened to all of us in this business at one time or another.”[23]

At the time of his death in 1985 he was operating an acting school in Los Angeles.[6]