Greville Texidor

Margaret Greville Foster (1902 — 20 August 1964), best known by her pen name Greville Texidor, was an English fiction writer, notable for her work written while living in New Zealand from 1940 to 1948.

Greville Texidor
BornMargaret Greville Foster
1902
Wolverhampton, England
Died20 August 1964(1964-08-20) (aged 61–62)
Blue Mountains, Australia
OccupationWriter of short stories, novellas
Literary movementExistentialism
Notable works"Home Front," These Dark Glasses

After traveling the world as a performer and fighting alongside her husband for the Republicans in the Spanish Civil War, Texidor went into exile in New Zealand with her family during the early years of World War II, pushed out of England due to her husband's German background and the couple's radical politics.

In New Zealand, she began writing fiction and joined Auckland's literary community. Her short stories and novellas, compiled posthumously in the collection In Fifteen Minutes You Can Say a Lot: Selected Fiction, are considered an important contribution to the existentialist period in New Zealand's literary canon.

Early life

Greville Texidor was born Margaret Greville Foster in 1902 in Wolverhampton, England.[1][2]

After her father, William Arthur Foster, took his own life in 1919 amid a legal scandal, Margaret dropped out of school and moved to London to join the art world in Hampstead. She was joined by her mother, Editha Greville Prideaux Foster, and sister, Kate, who were both painters.[1][3][4][5]

London life and world travel

In London, she began to work as a model and actress.[3] In 1924, she appeared in the silent film Moonbeam Magic, playing the role of Miriam and credited as Margot Greville.[6] She then toured Europe and the Americas as a chorus girl, picking up a contortionist boyfriend along the way.[3][7][8]

Her frequent travels brought her into contact with a variety of interesting men, and she was married three times: to a Brit, a Spaniard, and a German.[1] Her first marriage ended after only two weeks.[7]

Spanish Civil War

In Buenos Aires, 1929, Greville Foster married her second husband, Manuel Maria Texidor i Catasus—referred to by biographers as "the Spaniard"—and they had a daughter, Cristina. The family moved back to Spain, where they lived in Barcelona and Tossa de Mar.[6][7][9][10] While in Tossa de Mar, Greville had an affair with a teacher, the German Werner Otto Droescher. Greville asked Manuel Texidor for a divorce and later married Werner, while keeping the Texidor surname. Greville and Werner fought on the side of the Republicans in the Spanish Civil War.[1][5] Her sister Kate (now known as Kate Mangan) also came to Spain during this period and worked for the Republican Foreign Press Office under Constancia de la Mora.[11]

Both in Spain and back in England, Texidor and her husband worked to help resettle Spanish and German refugees.[1][6]

New Zealand years (1940–1948)

In 1940, Texidor moved to New Zealand along with Droescher, her sister, and her mother, who had grown up in New Zealand.[5] After Texidor and Droescher had returned to England from Spain, his German background and the couple's anarchist politics had pushed the family to the margins of World War II-era British society; Texidor spent a month in prison in this period.[1][7] Classified as "wartime enemy aliens," the family traveled to start a new life in New Zealand.[3]

During her time there, Texidor lived in Auckland, the Northland Peninsula, and on the North Shore.[1] While living in New Zealand, in 1947, she had a second daughter, Rosamund, with Droescher.[8][12][13]

Writing

Once in New Zealand, Texidor began writing fiction for the first time in her life.[1][7]

She became deeply involved in Auckland's literary scene at the time, receiving mentorship from the writer Frank Sargeson, who would go on to include her in his 1945 anthology Speaking for Ourselves.[1] Her relationships with members of the scene weren't always collaborative, however, and on one occasion she held a knife to the throat of the poet and publisher Denis Glover.[7][8]

She began to print her works of short fiction in publications across New Zealand, Australia, and England, including the Anvil and Here & Now.[1][14][15] Her 1942 story "Home Front" was her first work to be published in New Zealand; it has gone on to be widely anthologized.[16][17]

Her first book, the novella These Dark Glasses, was written during her time in New Zealand but published in 1949, after she left the country. These Dark Glasses deals with a communist writer who had been helping the Republicans in Spain, as she grows disillusioned with the intellectual scene of Southern France.[1][16] In the novella, Texidor envisions "existentialist symbols of hopeless struggle to climb insurmountable barriers."[18]

In her work, Texidor brought a critical, cosmopolitan eye to New Zealand's society of the period, which she found provincial.[1][16] Her work is characterized as part of New Zealand's existential literary movement.[18] Critics describe her writing as demonstrating a "hypersensitivity to desolation,"[2] and her stories are populated with "damaged characters [who] are beyond learning or teaching."[16]

In addition to her own writing, Texidor translated Spanish literature into English, including poems by Federico García Lorca.[3]

Death and legacy

Texidor left New Zealand for Australia in 1948, and in 1954 she returned to Spain. When her marriage ended in 1961, she moved back to Australia, and she died by suicide outside of Sydney in August 1964.[1][2][7]

Her stories and novellas were posthumously collected and published in 1987 as In Fifteen Minutes You Can Say a Lot: Selected Fiction.[1] The collection was republished in 2019 as a Victoria University Press Classic.[5]

While Texidor was British by birth, her work is most closely associated with New Zealand.[1] Her papers are held at the University of Auckland Library, and her work is broadly considered part of New Zealand's literary canon.[19][16]

Further reading
  • Schwass, Margot (2019). All the Juicy Pastures: Greville Texidor and New Zealand. Wellington: Victoria University Press. ISBN 978-1-77656-225-1.

References
  1. Jones, Lawrence (1 January 2006), Robinson, Roger; Wattie, Nelson (eds.), "Texidor, Greville", The Oxford Companion to New Zealand Literature, Oxford University Press, doi:10.1093/acref/9780195583489.001.0001, ISBN 978-0-19-558348-9, retrieved 2 March 2021
  2. Evans, Patrick (1990). The Penguin history of New Zealand literature. Auckland, N.Z.: Penguin. ISBN 0-14-011371-1. OCLC 22730097.
  3. Bluemel, Kristin (18 December 2019). "All the Juicy Pastures: Greville Texidor and New Zealand". The Journal of New Zealand Studies (NS29). doi:10.26686/jnzs.v0iNS29.6274. ISSN 2324-3740.
  4. "PRIDEAUX, Editha Greville (Mrs E. G. Foster) c.1869–1953". Nineteenth Century New Zealand Artists: A Guide & Handbook. Retrieved 2 March 2021.
  5. Edmond, Martin (29 November 2019). "The life and the work". New Zealand Review of Books Pukapuka Aotearoa. Retrieved 2 March 2021.
  6. Harvey, Siobhan (22 June 2019). "New books shed light on migrant New Zealand author Greville Texidor". Stuff. Retrieved 2 March 2021.
  7. Stephenson, Sharon (14 June 2019). "Greville Texidor: The finest writer you've never heard of". Stuff. Retrieved 2 March 2021.
  8. Schwass, Margot; Ricketts, Harry (17 June 2019). "Greville Texidor – All the Juicy Pastures". Victoria University Press. Retrieved 2 March 2021.
  9. Battlescarred (6 December 2007). "Texidor, Greville, 1902- 1964 and Werner Droescher 1911-1978". libcom.org. Retrieved 6 May 2021.
  10. "Texidor, Greville, 1902-1964". National Library of New Zealand. Retrieved 6 May 2021.
  11. Schwass, Margot (2017). "All the juicy pastures: Greville Texidor, Frank Sargeson and New Zealand literary culture in the 1940s". {{cite journal}}: Cite journal requires |journal= (help)
  12. Texidor, Greville (1987). In fifteen minutes you can say a lot : selected fiction. Kendrick Smithyman. Wellington [N.Z.]: Victoria University Press. ISBN 0-86473-046-2. OCLC 17962636.
  13. RIchards, Ian Murray (1995). "A Critical Biography of Maurice Duggan, 1922-1974" (PDF). Massey University. Retrieved 1 March 2021.
  14. Hamilton, Stephen (1 January 2006), Robinson, Roger; Wattie, Nelson (eds.), "Anvil", The Oxford Companion to New Zealand Literature, Oxford University Press, doi:10.1093/acref/9780195583489.001.0001, ISBN 978-0-19-558348-9, retrieved 2 March 2021
  15. Robinson, Roger (1 January 2006), Robinson, Roger; Wattie, Nelson (eds.), "Here & Now", The Oxford Companion to New Zealand Literature, Oxford University Press, doi:10.1093/acref/9780195583489.001.0001, ISBN 978-0-19-558348-9, retrieved 2 March 2021
  16. Benson, Dale (Autumn 1997). "Why Is Greville Texidor Part of the Canon?". Deep South. Retrieved 2 March 2021.
  17. Benson, Dale (1999). "'Visual Quality of a Very High Order': Greville Taxidor & the Canon". Journal of New Zealand Literature (JNZL) (17): 85–96. ISSN 0112-1227. JSTOR 20112310.
  18. Benson, Dale (1 January 2006), Robinson, Roger; Wattie, Nelson (eds.), "Existentialism", The Oxford Companion to New Zealand Literature, Oxford University Press, doi:10.1093/acref/9780195583489.001.0001, ISBN 978-0-19-558348-9, retrieved 2 March 2021
  19. Traue, James (1 January 2006), Robinson, Roger; Wattie, Nelson (eds.), "University of Auckland Library", The Oxford Companion to New Zealand Literature, Oxford University Press, doi:10.1093/acref/9780195583489.001.0001, ISBN 978-0-19-558348-9, retrieved 2 March 2021
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