Getxo

The municipality officially encompasses the neighborhoods of Las Arenas, Algorta, Romo, Neguri, and Santa María de Getxo. But for the inhabitants of Getxo there is a more thorough division:

• Las Arenas: Las Mercedes, Santa Ana, Zugazarte y Antiguo Golf.
• Neguri: Neguri, San Ignacio.
• Algorta: Algorta centre, Alango, María Cristina, Sarrikobaso, Arrigunaga, Villamonte, La Humedad, Aldapas, Fadura, Ereaga, Usategui, Portu Zaharra / Puerto Viejo (the Old Port, the original core of Algorta) and Bidezábal.
• Aiboa
• Santa María de Guecho / Getxoko Andra Mari: Aixerrota, Malakate, Punta Galea, Avenida del Ángel, La Venta y Azkorri.
• Romo

Churruca pier

The founding nucleus of the town of Getxo, the elizate or anteiglesia is what currently is known as Santa María or Andra Mari, which was originally a group of country houses or "baserris" around Saint Mary's church.

Las Arenas and Neguri arose in the late nineteenth century as residential areas for the Basque industrial bourgeoisie. Neguri neighborhood is characterized by the palaces in which lived the elite of the bourgeoisie and where nowadays many of the people with more resources of Getxo live. The name of Neguri was coined by Resurrección María de Azkue, since previously it was called Aretxetaurre (before Aretxete). Neguri comes from the merger of two Basque words: negu and uri (winter and city respectively): Neguko hiri, Neguri, the winter city designed, as has been noted, for the Basque bourgeoisie.

The neighborhood of Algorta is the district of largest population of Getxo. The greatest expansion was in the 70s when middle-class families decided to find a more comfortable place to live rather than in the neighborhoods of the left bank of the Nervion.

Romo neighborhood was built in the beginning to house the working class, formerly separated by the train barriers from Las Arenas. Nowadyas is separated by Gobelas river from one side and reaches the traffic circle of Romo. Originally the district was shaped like a horseshoe. It borders the neighbourhood of Ibaiondo (which belongs to the municipality of Leioa), so much so that the road from the roundabout Romo until the bank of the estuary of Bilbao is the municipal border between Getxo and Leioa. One sidewalk belongs to each municipality.

The neighborhood of Santa María de Getxo stood longer as a mostly rural area until the last third of the 20th century. It still has several farmhouses, arable fields and pastures and but there are also many villas and houses built in the 1990s.

This romanesque church built in the 12th century took in the first inhabitants. This church suffered diverse reformations and the church that nowadays we can admire is mostly from the 17th century based on the Baroque period. Inside the church is a sculpture of the Virgin and her son.

This monument is the only antique windmill that nowadays still stands. The construction of the windmill was undertaken between 1726 and 1727 due to a huge drought and was focused on corn and feed production. The windmill, ones in lack of use, was set up as a home during all the 19th century. The name of Aixerrota comes from basque Aixe "wind" and errota "mill".[5] The construction of this windmill was motivated due to the drought that was originated in Biscay at the beginning of the 18th century.[6] It produces two types of flour: fine and ordinary. The first historic date make reference to the windmill property is in 1725. This land belongs to the small village Subyaga-Etxebarria. Nowadays belongs to a catering company and has been completely restored. Also, has a restaurant and an art gallery.[6]

This military building was constructed in the 18th century to protect the commercial traffic in Bilbao. Situated in a strategic place, this fort is located along the bay. "Galea" derives from the French word gale which means "cliff". This fort also was named "Prince´s Castle"; it is an interesting example of fortification, being a unique model of military construction in Biscay. The situation in which it is located in the past was privileged, thanks to the cliff, people could guard enemy fleets and could see the fleets that approached.[7] In 1740, the council ordered Jaime Sycre to create the fort as a measurement to reinforce the coast. The historic datum holds that this fort was never attacked. When the military fort was abandoned, lighthouse construction started in 1782. Nowadays the fort is a municipal property.[8]

In Las Arenas there are a number of buildings of the neogothic style in Biscay. By order of the Agirre family the chapel was built by Modesto de Echániz y Zavalla in 1864. Maximo Aguirre was a well-known business man that obtained lands in Las Arenas. Nowadays this chapel, is one of the best examples of neogotic in Biscay.[9] It is located in an urban area, surrounded of little green spaces and in a peaceful place. In the construction of the chapel bishop demanded build a bell. The chapel is rectangular. Since 1864 to 1876 was the unique worship place in Las Arenas and nowadays belongs to Maximo Aguirre's family. Concretely it belongs to MS. Carmen Jauregui. Nowadays is not usually open and this chapel is used for weddings.[9]

Located in Las Arenas it is the oldest bridge of its kind and it was designed by the architect Alberto Palacios y Elissague. It was built in 1893 with the purpose of communicating between both sides of the river and the municipalities of Getxo and Portugalete. It was made with the iron extracted from the mountains in the area and it is one of the main monuments from the industrial revolution, it is the main symbol of the region.

This massive stone structure was built in 1919 as a continuation of Getxo's defensive wall. It's an impressive sight, though it's in a bad state of decay. Long-term restoration, however, is underway. And while it's not open to the public, free one-hour guided visits in Basque and Spanish are offered throughout the year, with some English-language tours in August.

These galleries and viewing balconies are of extraordinary architectural, visual and environmental interest. Their floor plan is irregular, following the outline of the Punta Begoña promontory on which they stand. A fort defending the bay stood on this same spot from the 17th century to the 19th.

The galleries were designed by architect Ricardo Bastida in 1918 in an eclectic but mainly classical style. They were commissioned by Horacio Echevarrieta, a renowned businessman, and their main function was complete the containing wall holding back the cliff below Atxekolandeta, the area on which the mansion of Echavarrieta family stood (this English-style mansion designed by architect Gregorio lbarreche in 1910, is no longer standing). The owner fitted out the galleries with various rooms and passages designed as a leisure area.

They are built in a blend of masonry, ashlars and concrete on a high sloping masonry base, and comprise three gallery sections at different heights, ending in terraces and balustraded viewing balconies.