Hafsa Zinaï Koudil

Hafsa Zinaï Koudil (born 1951) is an Algerian novelist, journalist and film director living in France.[1][2]

Hafsa Zinaï Koudil
Born (1951-09-13) September 13, 1951
Aïn Beïda, Oum El Bouaghi, French Algeria
OccupationNovelist
LanguageFrench
NationalityAlgerian

Life

Hafsa Zinaï Koudil was born on 13 September 1951 in Aïn Beïda in the East of Algeria.[3]

She worked for Radiodiffusion Télévision Algérienne until dispute over her first 16mm feature film.[2] Le démon au féminin treated the true story of Latifa, a confident professional Algerian who refused to wear a headscarf. At the request of her husband, Latifa was violently exorcised by Islamic fundamentalists in 1991: her torture lasted for six hours, leaving her with injuries which confined her to a wheelchair. While shooting the film between September 1992 and January 1993, Hafsa Zinaï Koudil received death threats. After an attempted kidnapping, she fled into exile in Tunisia and was followed by her family.[1] She needed a police escort at the Amiens International Film Festival, where her film shared the Prix du Public.[4][5]

Works

Novels
  • La fin d'un rêve [The end of a dream], 1984
  • Le pari perdu [The lost bet], 1986
  • Papillon ne volera plus [The butterfly will no longer fly], 1990
  • Le passé décomposé [The imperfect past], 1992.
  • Sans voix [Voiceless], 1997

Films
  • Le démon au féminin / al-Shaytan imra`a [Woman as the devil], 1993/1994.

References
  1. Rebecca Hillauer (2005). "Zinai-Koudil, Hafsa (1951-)". Encyclopedia of Arab Women Filmmakers. American Univ in Cairo Press. pp. 320–. ISBN 978-977-424-943-3.
  2. Roy Armes (2008). "Zinaï-Koudil, Hafsa". Dictionary of African Filmmakers. Indiana University Press. p. 134. ISBN 978-0-253-35116-6.
  3. Zinaï-Koudil Hafsa, afrocine.com. Accessed 5 October 2019.
  4. Lisa Nesselson, as the Devil, Variety, November 27, 1994. Accessed 5 October 2019.
  5. Reda Sadki, Hafsa Zinaï Koudil. «Je suis entrée le cinema par bravade", Libération, 20 February 1995. Accessed 5 October 2019.

Further reading
  • Anna Marie Miraglia, 'Maghrebian Women: Violence, Silence and Speaking Out', in Lorna Milne. ed., Postcolonial Violence, Culture and Identity in Francophone West Africa, the Maghreb and the Antilles, Berne: Peter Lang, 2007, pp.123-142
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