Haiku Society of America

The Haiku Society of America is a non-profit organization composed of haiku poets, editors, critics, publishers and enthusiasts that promotes the composition and appreciation of haiku in English. Founded in 1968, it is the largest society dedicated to haiku and related forms of poetry outside Japan,[1] and holds meetings, lectures, workshops, readings, and contests, throughout the United States. The society's journal, Frogpond, first published in 1978, appears three times a year. As of 2022, the HSA has over 1,000 members.[2]

Haiku Society of America
Formation1968
TypePoetry society
Location
Membership
Haiku poets and enthusiasts from any part of the world
Official language
English
President
Jay Friedenberg
Websitewww.hsa-haiku.org

Activities

The HSA web site includes information on how to get involved with its regional chapters, as well as information on contests, society meetings, and publications including Frogpond.[3] The society also publishes a monthly email newsletter with news on regional, national, and international haiku events.[2] The Haiku Society of America is well known for its annual contests for haiku, senryū, haibun, renku, and renga, as well as the Merit Book Awards for the best haiku books published each year.[2]

History

The Haiku Society of America was founded in 1968 by Harold G. Henderson and Leroy Kanterman in New York City, and was the first formal organization dedicated to haiku outside of Japan.[4] Twenty-one charter members attended its first meeting.[2] Bringing together poets study, discuss, and write haiku,[4] the organization's stated goals were to:

  • promote the creation and appreciation of haiku and related forms (haibun, haiga, renku, senryū, sequences, and tanka) among its members and the public
  • foster association, friendship, communication and mutual support among haiku poets in the United States and around the world[2]

Early members included Nicholas A. Virgilio, Elizabeth Searle Lamb, L.A. Davidson, Virginia Brady Young, Alan Pizzarelli, and Anita Virgil.[5] American poet Cor van den Heuvel first attended a meeting in 1971.[5] Annual readings and lectures featured translators such as Cid Corman, Donald Keene, and Hiroaki Sato, as well as speakers from Japan including scholar Kenkichi Yamamoto, and haiku poet Sumio Mori.[5] For a period, the official magazine of the society was called Haiku West, and was edited by Leroy Kanterman.[5]

In the early 1970s, the Haiku Society of America formed a committee to agree on a definition of haiku, which they submitted to the publishers of several English dictionaries,[6] and became the first widely accepted definition,[4] which has continued to be revised over the years.[7] In 1975, HSA held sessions focusing on renga, and published the 36-verse kasen format in its newsletter.[6] By 1989, the society had a few hundred members located throughout North America, Europe, and Japan, and was publishing a quarterly magazine, with no paid staff.[5]

In 1994, the society produced A Haiku Path, an important work documenting the history of Western haiku.[4] Frogpond was one of the two most prominent haiku journals, along with Modern Haiku, and many poets were published in both.[4]

In 1996 and 1997, the Haiku Society of America and the Haiku International Association held reciprocal conferences in Chicago and Tokyo.[4] By 1997, HSA membership had grown to 700, having more than doubled in the space of 12 years.[8]

In 2014, it published Take-Out Window, an anthology of 291 poems written by members.[9]

Past presidents

From 1979 to 1981, Hiroaki Sato, a translator of Japanese poetry into English, served as president of the Haiku Society of America.[6] Other past presidents have included poet, historian, and editor Elizabeth Searle Lamb;[10] poet Cor van den Heuvel;[11] poet Lee Gurga, a translator of contemporary Japanese poets and editor of Modern Haiku; and John Stevenson, who was also an editor of Frogpond.[4]

See also

References
  1. Kiuchi, Toru; Hakutani, Yoshinobu (2022). Haiku, Other Arts, and Literary Discipline. Rowman & Littlefield. p. 126. ISBN 9781793647214.
  2. "About The Haiku Society of America". Haiku Society of America. Retrieved 2022-10-26.
  3. McGee, Margaret D. (2009). Haiku – The Sacred Art: A Spiritual Practice in Three Lines. SkyLight Paths Publishing. pp. 142, 149. ISBN 9781594732690.
  4. Kacian, Jim, ed. (2013). Haiku in English: The First Hundred Years. New York and London: W. W. Norton & Company. pp. 331–332, 355, 357, 360. ISBN 978-0-393-23947-8.
  5. Higginson, William J. (1989). The Haiku Handbook: How to Write, Share, and Teach Haiku. Tokyo and New York: Kōdansha International. pp. 69, 146–147.
  6. Sato, Hiroaki (1983). One Hundred Frogs: From Renga to Haiku in English. New York: Weatherhill. pp. x, 126, 179. ISBN 0834801760.
  7. Welch, Michael Dylan (October 1995). "The Haiku Sensibilities of E. E. Cummings". Spring (4): 95–120. JSTOR 43913213.
  8. Mulrine, Anna (June 30, 1997). "Saying It in 17 Syllables". US News & World Report. Vol. 122, no. 25. Retrieved 2022-10-26 – via EBSCOHost.
  9. Grayson, David (2016). Discovering Fire: Haiku & Essays. Winchester, Virginia: Red Moon Press. p. 37. ISBN 9781936848591.
  10. Cline, Lynn (January 28, 2000). "Elizabeth Lamb Reads Sounds of Beauty". The Santa Fe New Mexican. ProQuest 331429849. Retrieved 2022-10-26 – via ProQuest.
  11. McMurray, David C. (October–December 2000). "A whole universe in a few words". Japan Quarterly. 47 (4): 82–91. ProQuest 234914201 – via ProQuest.

Further reading
  • A Haiku Path: The Haiku Society of America, 1968 – 1988. Haiku Society of America, 1994. ISBN 9780963146700
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