Hans Stüwe
Hans Stüwe (14 May 1901 – 13 May 1976) was a German film actor.
Hans Stüwe | |
|---|---|
| Born | 14 May 1901 |
| Died | 13 May 1976 (aged 74) |
| Nationality | German |
| Occupation | Actor |
| Years active | 1927–1955 |
Filmography
| Year | Title | Role | Notes |
|---|---|---|---|
| 1925 | Die Aßmanns | Assessor von Bühren | |
| 1926 | Des Königs Befehl | ||
| 1927 | Prinz Louis Ferdinand | Luis Ferdinand | |
| 1927 | Potsdam | ||
| 1927 | Feme | Joachim Burthe | |
| 1927 | The Bordello in Rio | Ernst Verloost | |
| 1927 | Assassination | NadtDr. Themal | |
| 1927 | The Transformation of Dr. Bessel | Alexander, ihr Sohn | |
| 1928 | The Prince of Rogues | Hannes Bückler - Schinderhannes | |
| 1928 | The Sinner | Gaston | |
| 1928 | Pawns of Passion | Bruno Bronek, Maler | |
| 1928 | Villa Falconieri | Cola Graf Campana, Schriftsteller | |
| 1928 | Anastasia, the False Czar's Daughter | Iwan Wolkoff | |
| 1929 | Cagliostro | Cagliostro | |
| 1929 | Flucht in die Fremdenlegion | Georg Leitron | |
| 1929 | Hungarian Nights | Capt. Arpad Bartok | |
| 1929 | Poison Gas | Arnold Horn, ein Erfinder | |
| 1929 | It's You I Have Loved | Dr. Hubert Baumgart | |
| 1930 | Die Jugendgeliebte | Johann Wolfgang Goethe | |
| 1930 | Der Walzerkönig | Johann Strauß | |
| 1930 | Echo of a Dream | Puiu Faranga / Mironescu | |
| 1930 | Retreat on the Rhine | Oskar Graf von Rastenfeld | |
| 1931 | Ash Wednesday | Leutnant v. Linken | |
| 1931 | A Woman Branded | Dr.Kurt Rehmann - Ilses Verlobter | |
| 1931 | The Woman They Talk About | René Bennett | |
| 1931 | Alarm at Midnight | Kriminalkommissar Bremer | |
| 1932 | The Dancer of Sanssouci | Baron Cocceji | |
| 1932 | Tannenberg | Rittmeister von Arndt - Gutsbesitzer | |
| 1932 | Trenck | Freiherr von der Trenck | |
| 1933 | The Master Detective | Max Müller | |
| 1933 | Johannisnacht | Heinrich Radegast, Schriftsteller | |
| 1934 | At the Strasbourg | Ruedi Pfister, Sohn | |
| 1934 | You Are Adorable, Rosmarie | Frank Quick | |
| 1934 | Nocturno | Karl | |
| 1935 | The Private Life of Louis XIV | Philipp von Orleans, sein Bruder | |
| 1935 | The Saint and Her Fool | Graf Harro Thorstein | |
| 1936 | Schloß Vogelöd | Andreas, Leopolds Bruder | |
| 1936 | Heißes Blut | Tibor von Dénes | |
| 1936 | Dahinten in der Heide | Lüder Volkmann | |
| 1937 | Millionenerbschaft | Michael Korff | |
| 1938 | The Tiger of Eschnapur | Architekt Fürbringer | |
| 1938 | The Indian Tomb | Peter Fürbringer, Architekt | |
| 1939 | The Life and Loves of Tschaikovsky | Pjotr Iljitsch Tschaikowsky | |
| 1939 | Three Fathers for Anna | Dr. Bruck | |
| 1940 | Passion | Hans Strobel | |
| 1941 | Der Weg ins Freie | Detlev von Blossin - Antonias Mann | |
| 1943 | Back Then | Jan Meiners, Reichsanwalt | |
| 1944 | The Enchanted Day | Professor Albrecht Götz | |
| 1948 | Gaspary's Sons | Robert Gaspary | |
| 1951 | The Heath is Green | Lüder Lüdersen | |
| 1952 | At the Well in Front of the Gate | Georg Straaten | |
| 1953 | Come Back | Konrad Frisius | |
| 1953 | Ave Maria | Dietrich Gontard | |
| 1953 | When The Village Music Plays on Sunday Nights | Gutsbesitzer Ertl | |
| 1954 | Daybreak | Oberst Gaffron | |
| 1955 | The Ambassador's Wife | Christian Lundvall | |
| 1957 | Blaue Jungs | Brugger Carlos | (final film role) |
Bibliography
- O'Brien, Mary-Elizabeth. Nazi Cinema as Enchantment: The Politics of Entertainment in the Third Reich. Camden House, 2004.
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