Harold and Maude

Harold Chasen is a young man obsessed with death. He stages elaborate fake suicides, attends funerals (usually for people that he doesn't know), and drives a hearse, all to the chagrin of his self-obsessed, wealthy socialite mother.[4] His mother sends Harold to a psychoanalyst, sets him up with blind dates, and buys him a luxury car, all schemes he subverts in his own way.

Harold meets 79-year-old Maude one day while at a random stranger's funeral Mass, and discovers that they share a hobby. Harold is entranced by Maude's quirky outlook on life, which is bright and delightfully carefree in contrast with his moribund demeanor. Maude lives in a decommissioned railroad car and thinks nothing of breaking the law; she is quite skilled at stealing cars and will swiftly uproot an ailing tree on public property to re-plant it in the forest. She and Harold form a bond and Maude shows Harold the pleasures of art and music (including how to play banjo), and teaches him how to make "the most of his time on earth."[4]

Meanwhile, Harold's mother is determined, against Harold's wishes, to find him a wife. One by one, Harold frightens and horrifies each of his appointed computer dates, by appearing to commit gruesome acts: self-immolation, self-mutilation, and seppuku. His mother tries enlisting him in the military by sending Harold to his uncle, who lost an arm serving under General MacArthur in the Second World War, but Harold deters the recruitment by staging a scene where Maude poses as a pacifist protester and Harold seemingly murders her out of militarist fanaticism.

As Harold and Maude grow closer, their friendship blossoms into a romance. Holding her hand, Harold discovers a number tattooed on her forearm, indicating Maude survived the Nazi death camps. Harold announces that he will marry Maude, resulting in disgusted outbursts from his family, analyst, and priest. Unbeknownst to Harold, Maude has been planning to commit suicide on her eightieth birthday. Maude's birthday arrives, and Harold throws a surprise party for her. As the pair dance, Maude tells Harold that she "couldn't imagine a lovelier farewell." When Maude reveals that she has taken an overdose of sleeping pills, and will be dead by midnight, Harold rushes Maude to the hospital. After learning of Maude's death, Harold is shown speeding down a country road, and sending the car off a seaside cliff. After the crash, the final shot reveals Harold standing calmly atop the cliff, holding his banjo and wearing colorful clothing for the first time in the film. After gazing down at the wreckage, he dances away to "If You Want to Sing Out, Sing Out".

• Ruth Gordon as Dame Marjorie "Maude" Chardin, a 79-year-old free spirit. Maude believes in living each day to the fullest, and "trying something new every day". Her view of life is so joyful that, true to the film's motif, it crosses a blurred, shifting line into a carefree attitude toward death as well. We know little of her past, but learn that as a young woman she was a radical suffragette who fought off police constables with her umbrella, was once married, lived in pre-war Vienna, and has a Nazi concentration camp tattoo on her arm.
• Bud Cort as Harold Parker Chasen, a young man who is obsessed with death. He drives a hearse, attends funerals of strangers and stages elaborate fake suicides. Through meeting and falling in love with Maude, he discovers joy in living for the first time.
• Vivian Pickles as Mrs. Chasen, Harold's opulently wealthy mother, is controlling, snooty and seemingly incapable of affection. Hoping to force him into respectability, Mrs. Chasen replaces Harold's beloved hearse with a Jaguar (which he then converts to a miniature hearse), and sets up several blind dates (more accurately, "bride interviews") for her son.
• Cyril Cusack as Glaucus, the sculptor who makes an ice statue of Maude and lends them his tools to transport a tree.
• Charles Tyner as General Victor Ball, Harold's uncle who lost an arm in the war and now pulls a hidden cord to make his wire prosthetic "salute". At Mrs. Chasen's request, he attempts to prepare Harold to join the armed forces. The effort is thwarted by a planned stunt in which Harold appears to "kill" Maude.
• Eric Christmas as the Priest.
• G. Wood as Harold's psychiatrist.
• Ellen Geer as Sunshine Doré, an actress, Harold's third blind date. She is one of the few arranged dates who take part in mimicking Harold's suicides, giving a histrionic rendition of Juliet's death scene.
• Judy Engles as Candy Gulf, Harold's first blind date, whom he scares off by apparently setting himself on fire.
• Shari Summers as Edith Phern, Harold's second blind date, whom he dissuades by pretending to cut off his hand.
• M. Borman as the Motorcycle Officer who stops Maude and Harold.[5]

Director Hal Ashby appears in an uncredited cameo, seen at a penny arcade watching a model train at the Santa Cruz Beach Boardwalk.

UCLA film school student Colin Higgins wrote Harold and Maude as his master's thesis. While working as producer Edward Lewis's pool boy, Higgins showed the script to Lewis's wife, Mildred. Mildred was so impressed that she got Edward to give it to Stanley Jaffe at Paramount. Higgins sold the script with the understanding that he would direct the film but he was told he wasn't ready, after tests he shot proved unsatisfactory to the studio heads. Ashby would only commit to directing the film after getting Higgins' blessing and then, so Higgins could watch and learn from him on the set, Ashby made Higgins a co-producer.[6] Higgins says he originally thought of the story as a play. It then became a 20-minute thesis while at film school. The film script was turned into a novel and then a play, which ran for several years in Paris.[7]

Ashby felt that the actress portraying Maude should ideally be European and his list of possible actresses included Peggy Ashcroft, Edith Evans, Gladys Cooper, and Celia Johnson as well as Lotte Lenya, Luise Rainer, Pola Negri, Minta Durfee, and Agatha Christie.[8] Ruth Gordon indicated that in addition she heard that Edwige Feuillère, Elisabeth Bergner, Mildred Natwick, Mildred Dunnock, and Dorothy Stickney had been considered.[9]

For Harold, in addition to Bud Cort, Ashby considered all promising unknowns, Richard Dreyfuss, Bob Balaban, and John Savage. Also on his list were John Rubinstein, for whom Higgins had written the part, and then-up-and-coming British pop star Elton John, whom Ashby had seen live and hoped would also do the music.[10]

Anne Brebner, the casting director, was almost cast as Harold's mother, when Vivian Pickles was briefly unable to do the role.[11]

A novelization by Higgins was released alongside the film; they differ in several respects, including the film's omission of certain scenes and characters. Other different details include the novel's version of Maude having white hair (unlike Ruth Gordon in the film) and introducing herself as "the Countess Mathilde Chardin," a different name and title than used in the film. In the novel, Maude's home is characterized as a "cottage" (unlike the retired railroad car Maude inhabits in the movie), and she and Harold briefly interact with Maude's neighbor, Madame Arouet, who is not present in the film. The novel includes an additional scene during the tree-planting expedition where Maude leads Harold in climbing to the top of a very tall pine tree to show him the view over the forest from near its summit.

Harold and Maude was released with a vague, text-only poster and very little marketing. The initial release was a box-office flop, but it gradually found success in repertory theatres and recouped its costs after several years.[12] According to Danny Peary, author of the Cult Movies series: "The film was a runaway cult favorite, and, most memorably, in Minneapolis, residents actually picketed the Westgate Theater, and tried to get the management to replace the picture after a consecutive three-year run."[13][14]

The music in Harold and Maude[33][34] was composed and performed by Cat Stevens. He had been suggested by Elton John to do the music after John had dropped out of the project.[35] Stevens composed two original songs for the film, "Don't Be Shy" and "If You Want to Sing Out, Sing Out" and performed instrumental and alternative versions of the previously released songs "On the Road to Find Out", "I Wish, I Wish", "Miles from Nowhere", "Tea for the Tillerman", "I Think I See the Light", "Where Do the Children Play?" and "Trouble" (all from his albums Mona Bone Jakon and Tea for the Tillerman). "Don't Be Shy" and "If You Want to Sing Out, Sing Out" remained unreleased on any album until the 1984 compilation Footsteps in the Dark: Greatest Hits, Vol. 2.

Additional music in the film is sourced from well known compositions. "Greensleeves" is played on the harp during dinner. The opening bars of Tchaikovsky's Piano Concerto No. 1 are heard during the scene of Harold floating face-down in the swimming pool. The Sunnyvale HS Marching Band plays "The Klaxon" by Henry Fillmore outside the church following a funeral.[36] A calliope version of the waltz "Over the Waves" by Juventino Rosas is played at the amusement park. Harold and Maude waltz together in her home to "The Blue Danube" by Johann Strauss II.

The soundtrack album charted at number 173 on the US Billboard 200 in July 2021.[37]

• List of American films of 1971

• Harold and Maude at IMDb
• Harold and Maude at AllMovie
• Harold and Maude at Rotten Tomatoes
• Harold and Maude at the American Film Institute Catalog
• ​Harold and Maude​ at the Internet Broadway Database
• Harold and Maude at the TCM Movie Database
• Guide to Harold and Maude filming locations
• Harold and Maude essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010, ISBN 0826429777, pp. 677-679
• "A Boy of Twenty and a Woman of Eighty"—An essay by Leticia Kent at the Criterion Collection