Hear Word!
Hear Word! or Hear Word! Naija Woman Talk True is a play by Ifeoma Fafunwa. It tis a collection of monologues, songs and dance based on true-life stories of Nigerian women’s struggle for equality, safety, and access to opportunities and leadership. The play has been seen by over 120,000 live audience members and positively reviewed by the New York Times and the Boston Globe.
Hear Word! | |
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Genre | Stage Play |
Created by | Ifeoma Fafunwa |
Written by | Ifeoma Fafunwa, Tunde Aladese, Wole Oguntokun, Mojisola Ajibola and Ijeoma Ogwuegbu. |
Starring |
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Original language | English |
Production | |
Running time | 90 minutes |
Production company | iOpeneye Limited |
The play premiered in Lagos, Nigeria in 2014[1] at the Musical Society of Nigeria (MUSON) Centre[2] and had its international debut at Harvard University in Cambridge, Massachusetts.[3]
Hear Word! is the first Nigerian play to be staged at the American Repertory Theatre.[4]
Description
'Hear Word! Word! is produced by iOpenEye Africa Foundation, and sometimes in partnership with international theaters, global and local nonprofit organisations and leading corporations in Nigeria.
The play runs for 90 minutes and is delivered by a cast of 10 female performers, 3 male percussionists and 1 female director.[3] It is agitprop theater and can be performed without a set or in a site-specific location.[5] The cast will sometimes do street storms, performing the show unannounced in markets, bus stops and university campuses.[6]
The show targets real issues affecting the lives of women and which limit their potential for independence, leadership and meaningful contribution to society.
At the end of each show, audiences can participate in a moderated open dialogue session, which includes the actors and local gender issues stakeholders.
Plot
The play starts off with lighthearted and somewhat humorous monologues depicting everyday situations where women navigate a patriarchal world in which they are marginalized: groping, harassment, exclusion etc. including scenes which boldly highlight ways in which women themselves contribute to their own marginalization.
This lightheartedness soon gives way to a section of vivid monologues portraying harmful ways in which women are victimized, devalued, and oppressed: including molestation, child marriage, rape, sex trafficking, and domestic violence.
This painful section is punctuated by a shrill call to action in the form of a chant in Yoruba which ushers in an exhilarating and refreshing second half of the play with powerful portraits of resistance, triumph and celebration. The play concludes with a piece that re-captures the different themes in the play, and a direct appeal to audiences to get engaged, take action, and become part of the solution.
Background
Hear Word! is derived from a Nigerian Pidgin-English phrase, which means "Listen and Comply".[7] The play was created and co-written by Ifeoma Fafunwa, a Nigerian playwright, producer and director. In 2001, she began writing, curating and documenting real-life stories from women across Nigeria, as well as her own personal stories, some of which ended up in the play, Hear Word![8]
The play presents an intimate view into the obstacles that Nigerian women face, including stories of domestic violence, absence of women from positions of power, resilience and resistance, shattering the culture of silence, overturning the status quo, abuse, disrespect, bravery, sisterhood and joy.[7]
The play was inspired by The Vagina Monologues and For Colored Girls Who Have Considered Suicide.
Reviews
Hear Word! has now been viewed by over 120,000 live audience members across Africa, Europe and the United States.[9][10] After touring across Nigeria, the show debuted internationally at Harvard University then went on to showcase internationally at renowned theatres such as Frascati Theater (Amsterdam), The Public theater (New York), The Thalia Theater (Hamburg), Segerstron Centre for the Arts (Costa Mesa), and the Edinburgh International Festival.[11][12]
In 2018, Hear Word! sold out to a diverse audience at American Repertory Theater.[13][14] The production was featured as the event opener for the United Nations 2018 Commission for the Status of Women in March 2018.[15]
The Harvard Crimson in its review of the play, praised its ability to address the pain of abuse and harassment, stating that it was achieved flawlessly due to the masterful script and to the actresses who handle the conflicting feelings with care.[16]
Boston Globe as describes the play as "a call for female solidarity and empowerment".[17] Ben Brantley of the New York Times wrote "The brightness radiating from its all-female cast has the glare and heat of a raging bonfire."[18] Sahara Reporters pronounces it as "deeply entertaining as it is profoundly philosophical."[19]
Reception
On 31 December 2018, the cast and crew of Hear Word! were hosted to a 'meet & greet' by Air France at the Murtala Mohammed Airport in Lagos, airport patrons were treated to a flash-mob performance and photo-ops with cast members.[20]
In January 2019 the play debuted at New York’s premiere off-Broadway - the Public Theater, and was described by Theater Mania as a "jubilant act of artistic exorcism".[21] A review in the New York Times stated "By the end of "HEAR WORD! Naija Woman Talk True," from the Nigerian company iOpenEye Ltd., the brightness radiating from its all-female cast has the glare and heat of a raging bonfire."[5]
Hear Word! has also premiered at the Segerstrom Center in Costa Mesa, California the Thalia Theater in Hamburg, Germany[22] and the Royal Lyceum Theater at the Edinburgh Festival in Scotland in August, 2019.[7] And also at 2022 West Africa Tour (Accra, Abuja, Ibadan, Lagos), Elevation Church, and Leaders of Faith & Culture.
Inspired by Hear Word!, in collaboration with Theater de Namur (Namur) and Theater Varia (Belgium), Ifeoma worked with everyday women, actors and translators to develop the play titled Écoute – a showcase of inequality and gender-based violence in everyday Belgian society.
Hear Word! was performed for the wives of governors of the 36 States of Nigeria in Aso Rock.
It has been performed in many African cities including Lagos, Accra, Benin City, Enugu, Abeokuta, Nsukka, Ibadan, Abuja, Makoko, Ife, Addis Ababa, Monrovia and internationally in cities like Cambridge, Hamburg, Edinburgh, New York, Boston, Costa Mesa, Hartford, Amsterdam.
The show has been performed in Schools and Universities including; University of Lagos, University of Ibadan, University of Ife, University of Nigeria, Nsukka, University of Ibadan, University of Ife, Connecticut State University, Harvard University, St. Gregory’s College, Holy Child College, Children’s International School
In 2020 and 2021, the EU and British Council through the ROLAC program supported shows in Abuja and Lagos.
In 2022, the show went to five cities across West Africa. The initiative was supported by the Ford Foundation.
References
- Peter, Uche (31 December 2015). "Etisalat –Sponsored Hear Word! Returns To Stage". Nigerian Voice. Lagos, Nigeria. Retrieved 6 April 2020.
- Alakam, Japhet (7 March 2018). "Ifeoma Fafunwa's Hear Word preaches change on stage". Nigerian Voice. Lagos, Nigeria. Retrieved 6 April 2020.
- "Hear Word! Naija WOman Talk True". American Repertory Theatre. Boston, United States. 14 April 2016. Retrieved 6 April 2020.
- Onyemaechi, Ijeoma (22 January 2018). "Acclaimed Nigerian play, Hear Word!, goes to Harvard". The Cable Newspaper. Lagos, Nigeria. Retrieved 6 April 2020.
- Brantley, Ben (7 January 2019). "Theater Review: Under the Radar". The New York Times. Boston, United States. Retrieved 7 April 2020.
- Falade, Tomi (23 March 2019). "Ifeoma Fafunwa's Hear Word! 10 Women, One Director". Daily Independent Newspaper. Lagos, Nigeria. Retrieved 6 April 2020.
- Iopenye (19 August 2019). "Hear Word! Naija Woman Talk True". Edinburgh International Festival. Edinburgh, Scotland. Retrieved 6 April 2020.
- Williams, Holly (10 August 2019). "Playwright Ifeoma Fafunwa: 'It was permission, all of a sudden, to speak'". The Guardian UK Newspaper. Edinburgh, Scotland. Retrieved 6 April 2020.
- "Hear Word! stage play to tour Lagos, New York, California and Hamburg » YNaija". YNaija. 2018-11-17. Retrieved 2023-10-11.
- Onikoyi, Ayo (November 20, 2022). "'Hear Word' stage play set to tour 5 cities across West Africa". Vanguard.
- "Ifeoma Fafunwa". americanrepertorytheater.org. Retrieved 2023-10-11.
- "Ifeoma Fafunwa". Radcliffe Institute for Advanced Study at Harvard University. Retrieved 2023-10-11.
- Amadi, Osa (4 February 2018). "Hear Word! Naija Women Talk True! sold out at Harvard's ART". The Vanguard Newspaper. Lagos, Nigeria. Retrieved 6 April 2020.
- Ohai, Chux (16 March 2018). "Cast of Hear Word! call for social change". punchng.com. Lagos, Nigeria. Retrieved 12 October 2021.
- Guerda, Yasmina (9 March 2018). "Nigerian women artists unite at UN to change perceptions of women and Africa". The UN News Website. Lagos, Nigeria. Retrieved 6 April 2020.
- Damas, Aline (7 February 2018). "'Hear Word!': An Empowering Reflection on Women and Nigeria". The Harvard Crimson. Harvard, USA. Retrieved 5 October 2021.
- Hartigan, Patti (January 24, 2018). "Onstage, Nigerian women speak a truth that sets them free". BostonGlobe.com. Retrieved 2023-10-23.
- "Hate, Hope and Healing at Under the Radar". The New York Times. January 7, 2019.
- "Ifeoma Fafunwa's Hear Word And Levels of Adultery In Nigeria By Nimi Wariboko". saharareporters.com. Retrieved 2023-10-23.
- "EVENTSAir France hosts Meet & Greet with Cast of Hear Word for its Passengers at Lagos Airport". bellanaija.com. Lagos, Nigeria. 2 January 2019. Retrieved 12 October 2021.
- Fujishima, Kenji (4 January 2019). "Under the Radar 2019: Hear Word! Naija Woman Talk True". Theeatre Mania. New York, United States. Retrieved 6 April 2020.
- "The "Hear Word!" Stage Play Returns". ThisDay Newspaper. Lagos, Nigeria. 12 January 2019. Retrieved 7 April 2020.