Helen Potter

Helen Potter was a performer, platform reader, and impersonator closely associated with the Lyceum circuit and the New York Chautauqua in particular. Her performance career with the two institutions spanned the 1870s and 1880s, before she retired in 1890. Potter's impersonations, while preceded by the likes of Fanny Kemble and Mary Scott-Siddons, serves as direct inspiration for actors such as Hal Holbrook and Emlyn Williams.[1] Potter is most well known for her impersonations "of well-known actors and lecturers, giving extracts from their principal plays or lectures".[2] famously of Susan B. Anthony, John B. Gough, and Abraham Lincoln.

This article is about the American impersonator. For the English author Helen Beatrix Potter, see Beatrix Potter.
Potter's portrait in the 1891 book, Helen Potter's Impersonations

Potter was noted for her talent of being able to accurately impersonate both men and women, and for the theatrical nature of her impersonations when compared to the less flavorful performances which generally permeated the Lyceum and the Chautauqua circuits.

Career
Potter impersonating Susan B. Anthony

Potter began her platform career as a reader, until, under the advisement of James Redpath, she began to do impersonations. In 1873, Potter studied at the Normal Art Training School in Boston. While there, Redpath called on her to recite for him. Years later, an account of the conversation was published in Talent after Potter had become famous.

"'No one wants readings or recitations,' [said Redpath] "but if some one could give what I call 'ten lectures in one,'--that is, take a ten-minute extract from the text of ten of our best lectures and give it one evening-- it would make a hit. I have proposed it to several readers, but none of them seem to be able to 'catch on.'"

"Nothing further was said on the subject, but Miss Potter "caught on" immediately. The suggestion opened up great possibilities to her. ... It was presently borne in upon her that to give accurate imitations in costume of the people whose text she used would give added force to its presentation."[3]

Although Potter was noted for her theatricality, critics made a clear distinction between Potter's performances and the impersonations of vaudeville.

References
  1. Gentile, John S. (1989). Cast of One. Champaign-Urbana: University of Illinois Press. pp. 42–44, 81.
  2. Wright, A. Augustus (1906). Who's Who in the Lyceum. Philadelphia: Pearson. p. 150.
  3. Smith, Paul, G. (1906). "Helen Potter". Talent.{{cite news}}: CS1 maint: multiple names: authors list (link)
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