Hellraiser: Bloodline

In 2127, Dr. Paul Merchant, an engineer, seals himself in a room aboard The Minos, a space station that he designed. As armed guards attempt to break through the door, Merchant manipulates a robot into solving the Lament Configuration, destroying the robot in the process. The guards break through the door and apprehend Merchant, who agrees to explain his motivations to their leader, Rimmer.

The film flashes back to Paris, France, 1796. Dr. Merchant's ancestor, Phillip LeMarchand, a French toymaker, makes the Lament Configuration on commission from the libertine aristocrat Duc de L'Isle. Unbeknownst to LeMarchand, L'Isle's specifications for the box make it a portal to Hell. Upon delivering the box to L'Isle, LeMarchand watches as he and his assistant Jacques sacrifice a peasant girl and use her flayed-off skin to summon a demon, Angelique, through the box. LeMarchand runs home in terror, where he begins working on blueprints for a second box which will neutralize the effects of the first. Returning to L'Isle's mansion to steal the box, LeMarchand discovers that Jacques has killed L'Isle and taken control over Angelique, who agrees to be his slave so long as he does not impede the wishes of Hell. The pair kill LeMarchand, and Jacques informs him that his bloodline is now cursed for helping to open a portal to Hell.

In 1996, LeMarchand's descendant, John Merchant, has built a skyscraper in Manhattan that resembles the Lament Configuration. Seeing an article on the building in a magazine, Angelique asks Jacques to take her to the United States so that she can confront him. When Jacques denies her request, Angelique kills him, as Merchant poses a threat to Hell. Angelique travels to the United States, where she fails to seduce Merchant. Discovering the Lament Configuration in the building's foundation, Angelique tricks a security guard into solving it, which summons Pinhead. The two immediately clash, as Pinhead represents a shift in the ideologies of Hell, which she left behind two hundred years ago: while Angelique believes in corrupting people through temptation, Pinhead is fanatically devoted to pain and suffering. Despite their conflicting views, the pair forge an uneasy alliance to kill Merchant before he can complete the Elysium Configuration, an anti-Lament Configuration that creates perpetual light and would serve to permanently close all gateways to Hell.

Angelique and Pinhead initially collaborate to corrupt Merchant, but Pinhead grows tired of Angelique's seductive techniques and threatens to kill Merchant's wife and child. Having grown accustomed to a decadent life on Earth, Angelique wants no part of Hell's new fanatical austerity, and she intends to force Merchant to activate the Elysium Configuration and destroy Hell, thus freeing her from its imperatives. However, Merchant's flawed prototype fails. Pinhead kills Merchant, but his wife opens Angelique's Lament Configuration, sending Pinhead and Angelique back to Hell.

In 2127, Rimmer disbelieves Dr. Merchant's story and has him locked away. Pinhead and his followers - now including an enslaved Angelique - have already been freed after Merchant opened the box. Upon learning of Dr. Merchant's intentions, they kill the entire crew of the ship, save for Rimmer and Dr. Merchant, who escape. Dr. Merchant reveals that the Minos is, in fact, the final, perfected form of the Elysium Configuration, and that by activating it, he can kill Pinhead and permanently seal the gateway to Hell.

Dr. Merchant distracts Pinhead with a hologram while he boards an escape pod with Rimmer. Once clear of the station, he activates the Elysium Configuration. A series of powerful lasers and mirrors create a field of perpetual light, while the station transforms and folds around the light to create a massive box. The light is trapped within the box, killing Pinhead and his followers, thus ending Pinhead's existence, this time, permanently.

• Doug Bradley as Pinhead. In the shooting script, Pinhead had a violently antagonistic relationship with Angelique. This was softened during editing and pick-ups, and a hinted sexual attraction between them was introduced.[5]
• Bruce Ramsay as Philippe "Toymaker" Lemarchand / John Merchant / Doctor Paul Merchant. Ramsay called Philippe an ambitious but good man who is seduced by Angelique's power. He described John as more self-aware and mature; Paul, he said, is weathered.[6]
• Valentina Vargas as Angelique / Peasant Girl. Vargas said she was reluctant to take the role because of nightmares about Pinhead, but she soon became interested in exploring her character's seductive and evil nature.[7] Originally a demon summoned through black magic who commissions the Lament Configuration, her origin was changed to be dependent on the box.[8]
• Kim Myers as Bobbi Merchant. Bobbi was written to mirror Larry from the first film, both of whom suspect their spouses of infidelity.[7]
• Adam Scott as Jacques, de L'Isle's assistant. Jacques initially had a smaller role, but he was rewritten and expanded upon when Angelique's origin changed.[9]
• Christine Harnos as Rimmer. Originally male, Rimmer was rewritten in a later draft after several female characters were streamlined out, including a descendant of Kirsty Cotton who would serve as Paul's love interest.[10]
• Charlotte Chatton as Genevieve Lemarchand. In the script, Genevieve is also depicted as more suspicious of her husband, whom she suspects to be having an affair. This was mostly removed during editing.[11]
• Mickey Cottrell as Duc de L'Isle. In the script, de L'Isle had a larger part, but some of his scenes were given to Jacques when Angelique's origin changed.[9] He is modeled after the Marquis de Sade and Gilles de Rais.[12]
• Jody St. Michael as Chatterer Beast, a Cenobite. The script describes it as pieced together from the remains of a dog and a man after a car accident.[10] St. Michael played the Chatter Beast as an animal.[13]
• Courtland Mead as Jack Merchant
• Mark and Michael Polish as Siamese Twins[14]

Kane identifies several themes in the film. The first, time, is evident in the film's non-linear narrative, which takes place in the past, present, and future. Kane compares the flashbacks told from the future with time travel stories. Though Paul does not travel through time, he succeeds in his task, Kane writes, because of his knowledge of the past, including his ancestors' plans and their failings. The characters frequently reference time in dialog, and clocks are a common background element, especially in Phillip's toy shop. In the space station, a countdown announces the time until the Elysium Configuration will kill Pinhead and his fellow Cenobites. Before he dies, Pinhead announces, "I am forever!"[21]

Toys and game-playing are a common theme in the film series, all of which feature the Lament Configuration, a mystical puzzle box created by a toymaker. Kane identifies these themes as "much more blatant" in Bloodline. In the original shooting script, demonic gamblers served Angelique. She plays sexual games with her victims, and Pinhead toys with mortals for amusement. Kane draws parallels to video games when John uses a computer to design the Elysium Configuration, and Kane compares the space station scenes to a shoot 'em up game in which Paul insists only he can win the endgame. Pinhead makes many references to game-playing, including when he kills John, and John's wife, Bobbi, references game-playing when she sends Pinhead back to Hell.[22]

Kane identifies sex, death, and adultery as frequently intertwined, though he says this is somewhat weakened in the theatrical cut. Angelique tempts the Lemarchand bloodline, and adultery results in their death. Due to cuts made during editing, Kane says this is most evident in Angelique's relationship with John; in the shooting script, Phillip's obsession with Angelique and the Lament Configuration more explicitly mirrored that of a marital affair. Kane writes that Paul avoids death by ignoring relationships and is rewarded with a relationship once he redeems his bloodline. Jacques orders Angelique to kill Phillip out of jealousy, and it is this same jealousy that later causes his death at Angelique's hands.[23]

According to Kane, many of the characters' relationships are based on slavery and bondage. Angelique is a slave to de L'Isle, then Jacques. When she rebels against the new austerity in Hell, she comes into conflict with Pinhead, who eventually puts her under his control. Pinhead himself is a slave to the will of Hell, though Kane says he exercises more independence than Angelique. The Lemarchand bloodline are slaves to the Lament Configuration; John, and, to a lesser extent, Phillip are also slaves to their obsession with Angelique. Mirror images feature prominently in the film, including the twin cenobite and literal mirrors that Angelique and Paul use. In Kane's analysis, Paul not only mirrors his ancestors but also Pinhead, whom he emulates to become stronger. Kane describes how darkness and light also show up in the film, sometimes literally, as when light kills Pinhead, and sometimes metaphorically, as when Angelique and Pinhead show elements of their underlying humanity.[24]

The score was composed by Daniel Licht and was released on March 19, 1996.[25] Kane wrote of it: "The whole score is powerful, blending unconventional instrumentation occasionally augmented by a chorus".[26] Kane highlighted the chase sequence music in the Chatter Beast's scenes.[26]

Bloodline was not screened for critics.[27] It was released on March 8, 1996, in the United States and Canada, where it grossed $4.5 million in its opening weekend and came in fifth place. At the end of its U.S. run, it grossed $9.3 million.[4] Bloodline was the final Hellraiser film to receive a theatrical release,[28] though it was released direct-to-video in the UK.[26] Following the film's release, questions of a sequel immediately rose. Atkins said he was uninterested in exploring more Hellraiser stories, as he could not see anywhere for the series to go creatively, but he recognized Miramax had a financial interest in keeping the series alive. Bradley said he was open to reprising his role, but Barker's reaction was more negative.[29]

Bloodline received negative reviews on release. Kane wrote that "reviewers lined up to criticize and condemn the movie".[35] On the review aggregator website Rotten Tomatoes, 24% of 17 critics' reviews are positive, with an average rating of 4.1/10.[36] Metacritic, which uses a weighted average, assigned the film a score of 21 out of 100, based on 10 critics, indicating "generally unfavorable" reviews.[37]

Variety called it "a pointless mess" without a likable protagonist. The reviewer further criticized the acting and said the grotesque special effects have become tiresome since the first film, except for the space-based effects.[38] Also criticizing the special effects, Richard Harrington wrote in The Washington Post that they are "decidedly gross but not particularly frightening".[39] Harrington said the film would need a "a far bigger budget and some real input from horrormeister Clive Barker" to realize its aspirations.[39] Stephen Holden of The New York Times wrote that the film is "incoherent and (except for Mr. Bradley's Pinhead) wretchedly acted".[40] Kevin Thomas of the Los Angeles Times wrote that if Barker himself had rewritten and directed the film, it might have worked; however, the writing is convoluted, and the film's atmosphere is "more repellent than intriguing".[27] Thomas praised the acting of Bradley, Cottrell, and Ramsay but called the rest of the cast "mediocre".[27] In rating the film one star out of four, TV Guide called it the most ambitious but worst of the film series.[41]

The film also received retrospective reviews. Reviewing the film on Blu-ray for Dread Central, Matt Serafini rated it 2.5/5 stars and wrote that the film was not respected by producers, ultimately causing it to become "a half-baked compromise" that does not live up to its interesting premise, ultimately degenerating into a generic slasher film in the climax. Serafini identified Vargas' role as wasted and said the thin material limits the supporting cast.[28] Also reviewing the film of video, Entertainment Weekly's J. R. Taylor gave it a letter grade of "B" and called it "actually rather interesting" despite its incoherent moments, which are made more tolerable when watched on DVD.[31] After watching a marathon of Hellraiser films, religion scholar Douglas E. Cowan called Bloodline his favorite. While acknowledging fan criticism, he identified the film's expanded mythology and religious themes as making it more interesting than previous installments. Cowan describes Pinhead's dismissive rejection of God's will as possibly symbolic of modern society's views on religion.[42] Katie Rife, who also watched the series in a marathon for a retrospective at The A.V. Club, called it "an entertaining mess". Rife wrote that fans passionately defend the film, and, despite its flaws, Bloodline never becomes boring.[43]

• List of films featuring space stations

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• Hellraiser: Bloodline at IMDb
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