Henri Béhar

Henri Béhar is a subtitler, film critic and journalist who is best known for his regular participation in the Cannes Film Festival and for his subtitling of many well-known films.

Life and career

Béhar was born to Jewish parents in Cairo and educated in Paris.[1] He has been North American correspondent for the French newspaper Le Monde.[1] He was familiar with Arabic, French, English and Italian from childhood and later learned German and Spanish.[1]

He first worked as a subtitler for Woody Allen on Zelig in 1983. He went on to subtitle more than 100 films from French and English. He worked extensively with Woody Allen, Atom Egoyan, Todd Field and Gus van Sant.[2] He has frequently chaired events at the Cannes Film Festival.[1]

Béhar has been widely interviewed about his subtitling practice. He has referred to subtitling as "playing 3-D Scrabble in two languages".[3] As a professional subtitler he sees subtitling as "a form of cultural ventriloquism, [...] the focus must remain on the puppet, not the puppeteer. Our task as subtitlers is to create subliminal subtitles so in sync with the mood and rhythm of the movie that the audience isn’t even aware it is reading. We want not to be noticed. If a subtitle is inadequate, clumsy, or distracting, it makes everyone look bad, but first and foremost the actors and the filmmakers. It can impact the film’s potential career."[3]

Films subtitled

Béhar has subtitled more than a hundred French- and English-language films.[1][2][3]

References
  1. Rickey, Carrie (3 March 1999). "Not Lost In Translation The Folks Who Write Film Subtitles Don't Expect Prizes. The Challenge Is Its Own Reward. They Need A Good Grasp Of Slang And A Keen Ear, So Gi's Won't Scream thanks For Onrushing Tanks". The Philadelphia Inquirer.
  2. Kohn, Eric. "How Do You Subtitle a Movie at Cannes? Henri Behar Explains All | IndieWire". www.indiewire.com. Retrieved 2016-09-17.
  3. Behar, Henri (October 25, 2004). "Lost in Translation". Retrieved 2016-09-17.

Further reading
  • Béhar, Henri. "Cultural Ventriloquism." Subtitles: On the Foreignness of Film. Ed. Atom Egoyan and Ian Balfour. Cambridge: MIT Press, 2004. 79-86
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.