Henrik Malberg
Henrik Malberg (1873–1958) was a Danish actor of theater and Danish cinema who played his most noted role at the age of 80—the stoic authoritative farm owner in the Carl Theodor Dreyer classic film Ordet.
Henrik Malberg | |
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Born | Henrik Martin Marinus Malberg 4 December 1873 |
Died | 28 September 1958 84) | (aged
Years active | 1896–1958 |
Career
Henrik Martin Marinus Malberg was born in Aarhus Denmark on 4 December 1873. Originally trained as a mechanic, Malberg made his stage debut at the Århus Teater in 1896. Malberg worked with a touring company for several years but between 1902 and 1905 he was based with the Aarhus Theater. While playing the role of Arv in Masquerade, Malberg was noticed by the Danish actor Olaf Poulsen who brought him to Copenhagen. For the next five years, Malberg was the principal actor at the Dagmar Theater in Copenhagen. In 1910, he became director for a Danish touring company, then once again returned to the Dagmar (1912–1914) and afterwards, the Alexander Theater (1914–1917). In his later years, Malberg was employed at the Royal Danish Theatre in Copenhagen.[1]
Malberg made his screen debut in the 1910 silent film, The Picture of Dorian Gray. He appeared in several more films during the silent era for the major Danish directors of the period: George Schnéevoigt, Emanuel Gregers, Holger-Madsen and Lau Lauritzen, Sr. He also performed in three Fy & Bi comedies. Then in 1930, Malberg performed the lead role in the first purely Danish sound film as the priest in the crime mystery Præsten i Vejlby. A man of large stature and booming voice, Malberg was primarily a stage performer, and his film performances are described as imposing and theatrical.[1] It was not until he was 80 years old that Malberg played his most memorable role—as the farm owner Morten Borgen in the classic Carl Th. Dreyer film Ordet (The Word). Malberg credited Dreyer with teaching him the art of film acting.
When for so many years one stood on a large stage, a huge square, and shouted lines over the audience, one must learn to tone it down and find a quieter form in front of the camera. Dreyer taught me that. He is a magnificent director - he demands a lot, but also gives a lot.
— Henrik Malberg at age 80, Ekstra Bladet 1954[2]
Afterward Malberg travelled around Denmark to teach and to perform for school children. At the age of 84, he toured 55 Copenhagen area schools and a dozen in Jutland, giving a two-hour performance at each.[1]
I am actually in such good shape, that I dream of performing on stage for my 85th birthday.
— Henrik Malberg, Politiken, 1958[2]
Malberg died two months before his 85th birthday after falling from a ladder. During his long career, Malberg appeared in 21 films. Malberg also cowrote two stage plays: Bolettes Brudefærd (with Orla Bock) and Gamle Postgaard (with Axel Frische). Malberg performed in the 1938 movie version of Bolettes Brudefærd with his brother Peter Malberg and Bodil Ipsen. Malberg was an honorary member of the Danish Actor's Union for which he sat on the board for 36 years.[1]
Personal life
Malberg was the son of Peter Broch Malberg and Catrine Marie Schebye. His brother, Peter Malberg, was also an actor. Malberg married Anna Augusta Hansenmeyer on 11 May 1906. Malberg died on 28 September 1958. The address in Aarhus where Malberg was born houses a dinner theater.
Filmography
Year | Original title | English title | Role | Notes |
---|---|---|---|---|
1955 | Ordet | The Word | Morten Borgen | directed by Carl Th. Dreyer |
1942 | Med forenede kræfter | Propaganda film | ||
1938 | Bolettes brudefærd | Carpenter Kristiansen | based on Malberg's play | |
1938 | Kongen bød | Jeppe | ||
1937 | Kloge Mand, Den | The Clever Man | Shoemaker | |
1936 | Sol over Danmark | Sun Over Denmark | Pastor Nicolaj Jacobsen | |
1933 | Kobberbryllup | Handelsgartner Johansen | ||
1932 | Paustians Uhr | Paustian's Clock | Mayor | |
1931 | Præsten i Vejlby | The Vicar of Vejlby | Præsten Søren Quist | First Danish sound film |
1930 | Hr. Tell og søn | William Tell and Son | Uncle Jokum | Fy & Bi Film |
1929 | Højt paa en Kvist | Fy & Bi Film | ||
1925 | Grønkøbings glade gavtyve | Pat and Patachon are Millionaires | Bank director | Fy & Bi Film |
1924 | Der Mann um Mitternacht | The Man at Midnight | Knut Hammerdal | |
1921 | Det Største i Verden | Love that Lives | Thomas Ward | directed by Holger-Madsen |
1920 | Gudernes yndling | The Penalty of Fame | Pommel | |
1919 | Krigsmillionæren | The Parvenu | Jensen | directed by Emanuel Gregers |
1916 | Udenfor loven | Outside the Law | Brown | |
1914 | Tre indvendige Jomfruer | Three Maidens | ||
1914 | Lejla | Lejla | Horse trainer | |
1913 | Lille Klaus og store Klaus | Lille Klaus | ||
1910 | Dorian Grays Portræt | The Picture of Dorian Gray | ||
References
- Piil, Morten, Henrik Malberg, Danske Filmshuespillere, Gyldendal, (2001), pg. 294-295
- translated from Piil, Morten, Henrik Malberg, Danske Filmshuespillere, Gyldendal, (2001), pg. 294-295