Henry Inman (painter)

He was born at Utica, New York, to English immigrant parents who were among the first settlers of Utica.[2] His family moved to New York City in 1812.[1]

Beginning in 1814 and continuing for the next seven years, he was an apprentice pupil of John Wesley Jarvis in New York City, along with John Quidor.[3][4]

He was the first vice president of the National Academy of Design. He excelled in portrait painting, but was less careful in genre pictures. Among his landscapes are Rydal Falls, England, October Afternoon, and Ruins of Brambletye. His genre subjects include Rip Van Winkle, The News Boy, and Boyhood of Washington. His portraits include those of Henry Rutgers and Fitz-Greene Halleck in the New York Historical Society. He also painted portraits of Angelica Singleton Van Buren, Bishop White, Chief Justices Marshall and Nelson, Jacob Barker, William Wirt, Audubon, DeWitt Clinton, Richard Varick, Martin Van Buren, Francis L. Hawks, and William H. Seward.[2]

• 
  William Henry Seward around 1844
• 
  Seward's wife Frances Adeline Seward

Thomas L. McKenney assigned Inman, who was an accomplished lithographer, the task of copying more than a hundred oil paintings of Native American leaders by Charles Bird King to translate into a printed book, the History of the Indian Tribes of North America.[5] The oil paintings are now in the collections of White House, the Joslyn Art Museum, Harvard Art Museums, and the Amon Carter Museum of American Art, among others. In the Metropolitan Museum, New York, are his Martin Van Buren, The Young Fisherman, and William C. Maccready as William Tell.[6]

During a year spent in England in 1844–1845, he painted Wordsworth, Macaulay, John Chambers, Sir William Stewart, Baronet of Blair and other celebrities.[7]

At the time of his death, he was engaged on a series of historical pictures for the Capitol at Washington. He was also president of National Academy of Design.[8]

Among his pupils was the portraitist and still-life painter Thomas Wightman.

In 1822, Inman was married to Jane Riker O'Brien (1796–1873). Together, they were the parents of:[1]

• Mary Lawrence Inman (1826–1860), who married Smith Cutter Coddington (1812–1868) in 1844.
• John O'Brien Inman (1828–1896), who was also a painter.[1][9][10]
• Mary Lucy Inman (1828–1907), who married William Vail (1815–1880)
• Henry Inman, Jr. (1837–1899),[11][12] a writer who married Eunice Churchill Dyer (1842–1922) in 1862.[13]

Inman died on January 17, 1846, after returning from England to America due to failing health.[8]

• Paintings by Henry Inman
• 
  Portrait of David Vanon (c. 1832–33)
• 
  Portrait of Angelica Singleton Van Buren (c. 1842), White House Collection
• 
  Portrait of Sequoyah (c. 1830), National Portrait Gallery (United States)
• 
  Portrait of Clara Fisher (c. 1828), Indianapolis Museum of Art
• 
  Portrait of a Woman (c. 1825), Brooklyn Museum
• 
  Portrait of No-Tin (Wind) (c. 1832–33), Los Angeles County Museum of Art
• 
  Portrait of Cornelia Rutgers Livingston (c. 1833), New Britain Museum of American Art
• 
  Portrait of Mrs. William Samuel Johnson (c. 1823), Yale University Art Gallery
• 
  Dismissal of School on an October Afternoon (1845), Museum of Fine Arts, Boston

• This article incorporates text from a publication now in the public domain: Gilman, D. C.; Peck, H. T.; Colby, F. M., eds. (1905). New International Encyclopedia (1st ed.). New York: Dodd, Mead. {{cite encyclopedia}}: Missing or empty |title= (help)

Wikimedia Commons has media related to Henry Inman.

• Art and the empire city: New York, 1825–1861, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Inman (see index)
• Gallery of Henry Inman's works, Art Authority
• Henry Inman collection at the New-York Historical Society