Heroes & Thieves

In January 2005, two months after the release of Harmonium, Carlton co-wrote three songs with production team The Matrix: "It's Now", "Summer Child" (alternatively titled "Tuesday") and "Underneath".[3][4] In May 2005, in a post on her official site's forum, Carlton said to her fans that she would be releasing a third album in 2006, although she added "most people will know it as my second!" because of a perceived lack of commitment to Harmonium at her then-current label, A&M Records.[5] During her Harmonium tour, Carlton debuted three new songs in June 2005 at The Living Room in New York City: "Put Your Hands on Me", "This Time" (co-written with Linda Perry) and "The One".[6] (For the release of the album, the title of "Put Your Hands on Me" was shortened to "Hands on Me" because Joss Stone has a song with the original title on her 2007 album, Introducing Joss Stone.[7]) When on tour with rock singer Stevie Nicks in 2005 and 2006, Carlton premiered the songs "Best Behavior"[8] and "All Is Well". (Nicks recorded backing vocals for the track "The One".[9])

According to Carlton, the album is "the best batch of songs I've ever written".[2] She described it as "pretty uplifting" and as having "a lot of layers ... [There are] very complex arrangements but everything just makes me feel good and not in a simplistic way." She also called it her most honest album, and the only one of hers that she considers "a body of work" as opposed to a collection of songs. "I think that shows", she said. "It really does feel like a real album."[20] Carlton says that the concept of the album is "about personal evolution and finding joy through hardships. Every song is like a different chapter in a book".[21] According to her, the lyrics are "far better written" and build on her greater life experience, which she says produces "a more interesting perspective through song" and lyrics more adults can listen to than previously, when she was writing from the point of view of a seventeen-year-old girl rather than "more of a fully formed person".[22]

Carlton said she was inspired by the atmosphere of her New York City loft apartment, including the view from her window, and by her thoughts during long walks around the Nolita neighborhood — "I was very inspired by the vibe here ... There really is a very deep, underlying connection between this space and my record."[23] Another inspiration was metaphors in German fairy tales such as Little Red Riding Hood, the theme of which she said she adapted for the album: "The moral of that story is to never stray from the beaten path or you'll get eaten by a wolf. And, of course, in the past few years, I've really strayed from the beaten path and reaped the rewards. Instead of being eaten by the wolf, I've tamed the wolf, and it does what I say."[24] The album was influenced by Carlton's breakup with its co-producer, Stephan Jenkins, and Carlton said that one of the reasons they remained friends was that "nothing took precedence over the music ... No matter what was going on in the emotional realm, all we cared about was the album. It created this kinetic environment that was kind of like Fleetwood Mac. It made for better music."[25]

Carlton said the song "Nolita Fairytale" is about her life in Nolita, and in her words, "the series of revelations I have had over the past few years."[9] She called the song "Heroes & Thieves" "a song about assessing, to put it in a dramatic way, the Heroes and Thieves in your life"; it is about her personal evolution, and her deciding how she wants to lead her life and the people with whom she wants to share it.[9] The fourth song, "My Best", has been described by Carlton as "one of the most level-headed responses to a broken relationship [...] no matter what crimes are committed in any relationship that fell apart, you kind of always keep your promise to that person, those people in your past. If you were to serendipitously cross paths with them again, you would always be the best version of yourself and offer them your best."[26] The track "The One", which features Stevie Nicks, was inspired by conversations Carlton had with Nicks about relationships and the search for one true love.[27] According to Irv Gotti, the ballad "Home" (which Carlton said she felt sad singing) was written about Stephan Jenkins, Carlton's partner at the time of its writing, although he added that "Vanessa's found home in her music, and home can be anything for people: a boyfriend, husband, child, mother ... what home can represent makes it such an enormous record. That record is very special to me."[24] The closing track, "More Than This", documents a relationship in which Carlton felt the other party "can never have enough. It's like if they don't want peace, it would just be peaceful. The song is saying how you could experience euphoria if, in this moment, you decided you didn't need any more than this. But I don't know ... Maybe it's hard to actively make that decision."[24]

According to the News-Times, the album was originally scheduled for release in early 2007.[28] Entertainment Weekly reported in June 2007 that the album was to be released on October 9, that the first single was "Nolita Fairytale", and that the second single may be "Hands on Me".[1] Heroes & Thieves is also Carlton's first album on the Universal Motown music label, after she parted ways with A&M Records in 2004. In a November interview with Vibe magazine, Irv Gotti said of the response to Carlton's signing with the predominantly R&B and hip hop label The Inc.:

It's all good. They'll see it over the course of time. They'll see that we're both music people and that basically the approach that we're taking with Vanessa's album is... This is the first album that I don't have any pressures on the first week of her release. The whole thing with albums like that – when you look at Corinne Bailey Rae [Corinne Bailey Rae], Amy Winehouse [Back to Black], Nickelback [All the Right Reasons] – all of these albums are albums that you could work for like 18 months or 24 months and that's what I wanted to do and create with Vanessa. It's funny to me. It's the first time where maybe in the 20th week of her release, we'll catch fire. (Laughs) Like, you don't get that in hip hop! You don't get that in R&B! (Laughs) But this is something I can get. She's a singer-songwriter like you wouldn't believe.[29]

It was reported in October 2007 that Carlton would embark on a concert tour, the Haunted Club Tour, from November 2 (Scottsdale, Arizona, U.S.) to November 24 (Montreal, Quebec, Canada).[30] Carlton said that a guitarist and a violinist would accompany her.[31] During the tour, she said that the music video for the second single, "Hands on Me", would be filmed in December, after which she would undertake a larger scale tour with a full band.[32] Also by December, she was playing a series of live shows in association with radio stations.[33] "Hands on Me" gained promotional support when it was prominently featured in promotional commercials for the CW show Gossip Girl. A stripped down version of the album track "More Than This" appears on the compilation Songs for Tibet.

Professional ratings

Aggregate scores
Source	Rating
Metacritic	79/100[35]
Review scores
Source	Rating
AllMusic	[36]
Billboard	[35]
Blender	[35]
The Boston Globe	Positive[37]
Entertainment Weekly	B[38]
PopMatters	8/10[39]
Slant Magazine	[40]

Heroes & Thieves received mostly positive reviews from music critics. At Metacritic, which assigns a "weighted average" rating out of 100 from selected independent ratings and reviews from mainstream critics, the album received a Metascore of 79/100, based on 8 reviews, indicating "generally favorable reviews."[35]

AllMusic's Stephen Thomas Erlewine praised the album, stating "Given (Harmonium's) sophomore slump, it's not entirely surprising that for her third album, 2007's Heroes & Thieves, she's elected for a compromise between the two extremes: embracing the soft pop that brought her fame without rejecting the confessionals that distinguished her second ... and it's a nice return to the strengths of her debut."[36]

Tony Sclafani of PopMatters rated the album an eight out of ten, commenting "Heroes & Thieves isn’t a perfect album and sometimes gets too idiosyncratic and precious for its own good. It’s already spawned its share of detractors, specifically reviewers who question whether Carlton has the vocal goods to pull off some of the more complicated numbers. I think her imperfect singing keeps her sounding human and give her props for not messing with a pitch correction program. And if you feel the same, well, maybe you too should start thinking you might have a problem with ‘Nessa addiction. See you at the next ‘Nessaholics meeting."[39]

Neil Drumming of Entertainment Weekly praised the album as well, stating "With a youthful voice and a predilection for flowery lyrics, the 27-year-old still comes off as an angst-afflicted teenager adapting her diary into song — even though she's now rhapsodizing about adult stuff like rent-controlled apartments (Nolita Fairytale) and temp work (Hands on Me). This can be surprisingly touching and personal, as on the exuberant title track, or simply pretentious, as on Come Undone, where she muses, I'm a sycophantic courtier with an elegant repost. However precious her poetry can be, Carlton always pins it to melodies that morph and expand evocatively. Heroes climaxes grandly in the soaring ballad Home, followed by the choral volcano that is More Than This. As sappy as this combination is, the orchestral one-two punch is also inescapably moving. And it's the kind of thing Carlton does best — no matter what label she's on." The reviewer later awarded the album a "B" rating.[38]

Slant Magazine's Sal Cinquemani gave the album a mixed review in their review, saying "Carlton's voice continues to mature (there's a gritty quality to her vocals on songs like "Fools Like Me," and the earthiness of guest Stevie Nicks's alto harmonies on the country-leaning "The One" tempers Carlton's more reedy lead vocal), but the material in general isn't exactly what you'd expect from an artist who left the nest in search of creative freedom and appreciation, making Heroes & Thieves somewhat less rewarding than her last album."[40]

Heroes & Thieves debuted at No. 44 on the U.S. Billboard 200, selling 18,200 copies in its first week of release.[41][42]

Credits adapted from Discogs[45]