Hong Sang-soo
Hong Sang-soo (홍상수, born 25 October 1960) is a South Korean film director and screenwriter. An acclaimed and prolific filmmaker, Hong is known for his slow-paced films about love affairs and everyday dilemmas in contemporary South Korea.
Hong Sang-soo | |
---|---|
Born | Seoul, South Korea | 25 October 1960
Occupation(s) | Film director, screenwriter |
Years active | 1996–present |
Spouse |
Unnamed
(m. 1985, separated) |
Children | 1 |
Korean name | |
Hangul | |
Hanja | |
Revised Romanization | Hong Sang-su |
McCune–Reischauer | Hong Sangsu |
IPA | [ɸʷo̞ŋ sʰa̠ŋ.sʰu] |
Early life
Hong's parents owned the film production company Cinetel Soul.[4] Hong took the entrance exam and entered the theater department at Chung-Ang University. He then studied in the United States, where he received his bachelor's degree from the California College of Arts and Crafts and his master's at the School of the Art Institute of Chicago.[5][6][7]
Career
Hong made his directorial debut in 1996 with The Day a Pig Fell into the Well. Woman is the Future of Man (2004) was his first film to screen in the main competition at the Cannes Film Festival.[4]
Hong's films have also screened in the main competition of the Berlin International Film Festival, the Venice Film Festival, and the Locarno Film Festival.[8] They are also regularly screened in non-competitive festivals, such as the New York Film Festival and the Toronto International Film Festival.
Hong received the Prix Un Certain Regard at the 2010 Cannes Film Festival for Hahaha. In 2013, he won the Silver Leopard Award for Best Director for Our Sunhi, and, in 2015, the Golden Leopard for Right Now, Wrong Then, both at the Locarno Film Festival. Most recently, his 2020 film The Woman Who Ran won the Silver Bear for Best Director at the 70th Berlin International Film Festival,[9] while The Novelist's Film (2022) won the Silver Bear Grand Jury Prize at the 72nd Berlin International Film Festival.[10]
Film style
Hong's films often treat themes of domestic realism, with many of the scenes set on residential streets, cafes, hotels, schools, and in the stairwells of apartment buildings.[4] Characters in the film are seen walking around the city, drinking soju, and having sex. The main characters are often movie directors or actors, and scenes typically consist of a single shot, often beginning and ending with a camera zoom. The budgets for his movies average about $100,000.[8]
Hong is often spontaneous when shooting, delivering the day's scene on the morning of the shoot and changing the story on set.[4] He rarely prepares scripts in advance. Hong instead begins with a basic guideline and writes his scenes on the morning of the filming day, making changes throughout the day.[8] He starts the filming day at 4 a.m. when he begins to write the dialogue for that day's shoot.[6] Hong also develops close relationships with the actors over alcohol and cigarettes and sometimes shoots scenes while the actors are intoxicated.[11]
Hong's style has been compared to Eric Rohmer's, with some arguing that some of his films deliberately allude to Rohmer's.[12]
Personal life
In 2016, Hong was reported to be having an extramarital affair with actress Kim Min-hee, who appeared in his 2015 film Right Now, Wrong Then.[13] Hong admitted to the affair in March 2017, at the Seoul premiere of On the Beach at Night Alone. He filed for divorce from his wife in December 2016, but the court rejected his request in June 2019, insisting that only the injured party, Hong's wife, could initiate a legal separation.[14][15]
Filmography
Feature films
Year | English Titile | Credited as | Notes | |||||
---|---|---|---|---|---|---|---|---|
Director | Writer | Producer | Composer | Editor | Cinematographer | |||
1996 | The Day a Pig Fell into the Well | Yes | Yes | No | No | No | No | |
1998 | The Power of Kangwon Province | Yes | Yes | No | No | No | No | |
2000 | Virgin Stripped Bare by Her Bachelors | Yes | Yes | No | No | No | No | |
2002 | On the Occasion of Remembering the Turning Gate | Yes | Yes | No | No | No | No | |
2004 | Woman Is the Future of Man | Yes | Yes | No | No | No | No | |
2005 | Tale of Cinema | Yes | Yes | Yes | No | No | No | |
2006 | Woman on the Beach | Yes | Yes | No | No | No | No | |
2008 | Night and Day | Yes | Yes | No | No | No | No | |
2009 | Like You Know It All | Yes | Yes | No | No | No | No | |
2010 | Hahaha | Yes | Yes | Executive | No | No | No | |
Oki's Movie | Yes | Yes | Yes | No | No | No | ||
2011 | The Day He Arrives | Yes | Yes | Executive | No | No | No | |
2012 | In Another Country | Yes | Yes | Yes | No | No | No | |
2013 | Nobody's Daughter Haewon | Yes | Yes | Yes | No | No | No | |
Our Sunhi | Yes | Yes | Yes | No | No | No | ||
2014 | Hill of Freedom | Yes | Yes | Yes | No | No | No | |
2015 | Right Now, Wrong Then | Yes | Yes | No | No | No | No | |
2016 | Yourself and Yours | Yes | Yes | Yes | No | No | No | |
2017 | On the Beach at Night Alone | Yes | Yes | Yes | No | No | No | |
Claire's Camera | Yes | Yes | Yes | No | No | No | ||
The Day After | Yes | Yes | Yes | Yes | No | No | ||
2018 | Grass | Yes | Yes | Yes | No | No | No | |
Hotel by the River | Yes | Yes | Yes | No | No | No | World premiere at the 2018 Locarno Film Festival | |
2020 | The Woman Who Ran | Yes | Yes | Yes | Yes | Yes | No | World premiere at the 2020 Berlin International Film Festival |
2021 | Introduction | Yes | Yes | Yes | Yes | Yes | Yes | World premiere at the 2021 Berlin International Film Festival |
In Front of Your Face | Yes | Yes | Yes | Yes | Yes | Yes | World premiere at the 2021 Cannes Film Festival | |
2022 | The Novelist's Film | Yes | Yes | Yes | Yes | Yes | Yes | World premiere at the 2022 Berlin International Film Festival |
Walk Up | Yes | Yes | Yes | Yes | Yes | Yes | World premiere at the 2022 Toronto International Film Festival | |
2023 | In Water | Yes | Yes | Yes | Yes | Yes | Yes | World premiere at the 2023 Berlin International Film Festival |
In Our Day | Yes | Yes | Yes | Yes | Yes | Yes | World premiere at the 2023 Cannes Film Festival[16] and screening at the 2023 BIFF in "Icon". |
Short films
Year | English Title | Segment | Credited as | ||||
---|---|---|---|---|---|---|---|
Director | Writer | Producer | Cinematographer | Editor | |||
2009 | Jeonju Digital Project: Visitors | Lost in the Mountains | Yes | Yes | No | No | No |
2011 | List | — | Yes | Yes | No | No | No |
2013 | Venice 70: Future Reloaded | 50:50 | Yes | Yes | No | No | No |
2021 | Hong Sangsoo — Winner of the Silver Bear for Best Screenplay | — | Yes | Yes | Yes | Yes | Yes |
Letter to the New York Film Festival | — | Yes | Yes | Yes | Yes | Yes | |
2022 | Small Flower | — | Yes | Yes | Yes | Yes | Yes |
Awards
Korean Awards
- 1996 - 17th Blue Dragon Film Awards: Best New Director for The Day a Pig Fell into the Well
- 1996 - 16th Korean Association of Film Critics Awards: Best New Director for The Day a Pig Fell into the Well
- 1998 - 19th Blue Dragon Film Awards: Best Director; Best Screenplay for The Power of Kangwon Province
- 2000 - 1st Busan Film Critics Awards: Best Screenplay for Virgin Stripped Bare by Her Bachelors
- 2006 - 9th Director's Cut Awards: Best Director for Woman on the Beach
- 2008 - 28th Korean Association of Film Critics Awards: Best Screenplay for Night and Day
- 2010 - 19th Buil Film Awards: Best Director for Hahaha
- 2013 - 14th Busan Film Critics Awards: Special Jury Prize for Our Sunhi
- 2014 - 23rd Buil Film Awards: Best Director for Our Sunhi
- 2015 - 2nd Wildflower Film Awards: Best Director, Narrative Films for Hill of Freedom
- 2017 - Busan Film Critics Awards: Grand Prize for On the Beach at Night Alone
- 2017 - Busan Film Critics Awards: Grand Prize for The Day After
- 2018 - 5th Wildflower Film Awards: Best Director, Narrative Films for The Day After
- 2022 - Busan Film Critics Awards: Grand Prize for In Front of Your Face[17]
International Awards
- 1996 - 15th Vancouver International Film Festival: Dragons and Tigers Award for The Day a Pig Fell into the Well
- 1997 - 42nd Asia Pacific Film Festival: Best New Director for The Day a Pig Fell into the Well
- 1997 - International Film Festival Rotterdam: Tiger Award for The Day a Pig Fell into the Well
- 1999 - Singapore International Film Festival: NETPAC-FIPRESCI Special Mention for The Power of Kangwon Province
- 1999 - Santa Barbara International Film Festival: Burning Vision Award for The Power of Kangwon Province
- 2000 - 45th Asia Pacific Film Festival: Best Screenplay for Virgin Stripped Bare by Her Bachelors
- 2000 - 13th Tokyo International Film Festival: Special Jury Prize for Virgin Stripped Bare by Her Bachelors
- 2002 - 47th Asia Pacific Film Festival: Best Director for On the Occasion of Remembering the Turning Gate
- 2003 - Seattle International Film Festival: Emerging Masters Showcase Award
- 2007 - 22nd Mar del Plata International Film Festival: Best Director for Woman on the Beach
- 2010 - 63rd Cannes Film Festival: Prix Un Certain Regard for Hahaha
- 2011 - 40th International Film Festival Rotterdam: Return of the Tiger Award for Oki's Movie
- 2013 - 66th Locarno International Film Festival: Best Director for Our Sunhi
- 2015 - 68th Locarno International Film Festival: Golden Leopard for Right Now, Wrong Then
- 2016 - 64th San Sebastián International Film Festival: Best Director for Yourself and Yours
- 2017 - Jerusalem Film Festival: Best International Film for On the Beach at Night Alone
- 2017 - LA Film Festival: World Fiction Award for On the Beach at Night Alone
- 2018 - Gijón International Film Festival: Winner for Hotel by the River
- 2018 - Gijón International Film Festival: Best Screenplay for Hotel by the River
- 2020 - 70th Berlin International Film Festival: Silver Bear for Best Director for The Woman Who Ran
- 2021 - 71st Berlin International Film Festival: Silver Bear for Best Screenplay for Introduction[18]
- 2021 - Gijón International Film Festival: Special Jury Award for In Front of Your Face
- 2022 - 72nd Berlin International Film Festival: Silver Bear Grand Jury Prize for The Novelist's Film[19]
Notes
- Honors are given at the Korean Popular Culture and Arts Awards, arranged by the Korea Creative Content Agency and hosted by the Ministry of Culture, Sports and Tourism.[20][21] They are awarded to those who have contributed to the arts and South Korea's pop culture.[22]
References
- Shin Su-ji (18 November 2016). "Director Files for Divorce Over May–September Romance". Chosunilbo. Retrieved 16 April 2022.
- "Director Hong Sang-soo fails to settle divorce, going to court". Hancinema.net. 20 December 2016. Retrieved 16 April 2022.
- "칸영화제 초청받은 洪常秀감독". Yonhap news agency (in Korean). 20 April 1998.
- Carew, Anthony (2015). "Expectedly unexpected: Repetition and understatement in the films of Hong Sang-Soo". Metro Magazine: Media & Education Magazine (186): 82–87. ISSN 0312-2654. OCLC 7128543000.
- "Alum's Film Wins Top Prize at Jerusalem Film Festival". School of the Art Institute of Chicago. Retrieved 21 March 2020.
- Lopate, Phillip (7 December 2017). "The Discreet Charm of Hong Sang-soo". The New York Review of Books. Retrieved 19 November 2019.
- ""Hill of Freedom"". SFFILM. Retrieved 6 March 2020.
- Rapold, Nicolas (17 May 2017). "Films of Hong Sang-soo Capture Pleasures and Pratfalls of Attraction". The New York Times. Retrieved 19 November 2019.
- Meza, Ed (29 February 2020). "'There Is No Evil' Wins Golden Bear at Berlin Film Festival". Variety. Retrieved 3 March 2020.
- Lattanzio, Ryan (16 February 2022). "Berlin Film Festival 2022 Awards: 'Alcarràs' Wins Golden Bear, Claire Denis, Hong Sang-soo Take Top Prizes". IndieWire. Retrieved 18 February 2022.
- Marshall, Colin (11 June 2013). "The Films of Sangsoo Hong". Quarterly Conversation. Retrieved 19 November 2019.
- Marco Grosoli, "Moral Tales from Korea: Hong Sang-Soo and Eric Rohmer", Acta Universitatis Sapientiae, Film and Media Studies 3 (2010), 95–108.
- Kim, Kristen Yoonsoo (26 April 2019). "In the Maze of Love: Hong Sang-soo and Kim Min-hee's Intricate Tales of Romance". The Nation. ISSN 0027-8378. Retrieved 11 February 2020.
- "Court dismisses filmmaker Hong Sang-soo's divorce suit". Korea Times. 14 June 2019. Retrieved 11 February 2020.
- Agent France Press (14 June 2019). "Film Director Cannot Divorce Wife Over Affair, Rules Court". NDTV.com. Retrieved 11 February 2020.
- Frater, Patrick (18 April 2023). "Hong Sang-soo's Directors Fortnight Closing Film 'In Our Day' Picked up by Finecut (EXCLUSIVE)". Variety. Retrieved 19 April 2023.
- Lee Jung-min (29 November 2022). "제23회 부산영화평론가협회상 대상에 '당신얼굴 앞에서" ['In front of your face' at the 23rd Busan Film Critics Association Awards] (in Korean). Yonhap News. Retrieved 29 November 2022 – via Naver.
- "Korean director Hong Sang-soo wins best screenplay for 'Introduction' at Berlin film fest". Korea Times. 5 March 2021. Retrieved 7 March 2021.
- Lee Jae-hoon (17 February 2022). "홍상수, 베를린영화제 4번째 은곰상…김민희 "감동적"(종합)" [Hong Sang-soo, the 4th Silver Bear Award at the Berlin Film Festival... Kim Min-hee "Inspiring" (Comprehensive)]. Newsis (in Korean). Naver. Retrieved 17 February 2022.
- Hicap, Jonathan (18 October 2018). "BTS, Red Velvet win at Korean Popular Culture and Arts Awards". Manila Bulletin. Archived from the original on 18 October 2018. Retrieved 31 May 2021.
- Yeo, Yer-im (25 October 2018). "BTS gets award upon their return home". Yonhap News Agency. Archived from the original on 7 November 2018. Retrieved 31 May 2021 – via Korea JoongAng Daily.
- Lee, Sang-won (25 October 2016). "Korean Popular Culture and Arts Awards announces winners". The Korea Herald. Archived from the original on 29 September 2018. Retrieved 31 May 2021.
- 대중문화예술상 2011년 [2011 Popular Culture and Arts Awards]. Korea Creative Content Agency (in Korean). Archived from the original on 12 July 2020. Retrieved 31 May 2021.