Hosi Vasunia
Hosi Hormusji Vasunia (October 8, 1939 – August 10, 2005), known popularly as Hosi Vasunia, was an Indian theatre personality and film and television actor. He acted in the English theatre in Bombay (now, Mumbai); he also appeared in Gujarati plays and in Hindi films and television. He was part of the flourishing of drama in Mumbai in the 1970s and 1980s and 1990s and continued the long tradition of Parsi theatre in India.[1][2][3]
Hosi Vasunia | |
---|---|
Born | Kobe, Japan | October 8, 1939
Died | August 10, 2005 65) Mumbai, India | (aged
Occupation | Actor |
Career
Hosi Vasunia grew up in Mumbai and attended St. Xavier's School and Sydenham College.[4][5]
Vasunia credited a Spanish Jesuit priest in his school St. Xavier's for introducing him to the theatre.[5] An early appearance for Vasunia was in Princes (1970), a play written by Gieve Patel and directed by Pearl Padamsee. The play was reviewed as "a moving portrait of the dying fortunes of a proud Parsi family", and the cast also included Pearl Padamsee herself, Yasmin Richmond, Alyque Padamsee, and Erna Vatchaghandy.[6] Vasunia's first line in that play was "Chicken, top chicken!"[7][8] In 1971, Vasunia appeared in Cyrus the Great in a role (Cyrus' commander-in-chief) for which he received the first of many favourable reviews ("excellently portrayed"), in this case by the drama critic of the Times of India.[9]
The play that established Vasunia's arrival on the English stage in Bombay was Ah! Norman (adapted from Norman, Is That You? by Ron Clark and Sam Bobrick). Sam Kerawala, who later became a close friend and frequent collaborator, recommended Vasunia to the director Adi Marzban after recalling Vasunia's performance in a play from his Sydenham College days. Marzban cast him in Ah! Norman, and Vasunia's career was launched.[4] Ah! Norman enjoyed a great success (over 100 performances) and was revived several times.[10][11] That play, first performed in Mumbai in 1972, is "credited with having created a new theatre-going audience in the city".[12] Marzban was an early mentor for Vasunia, who appeared under his direction in several plays. Some years after Vasunia's death, he and Marzban were both remembered in the Hindustan Times as "two iconic Mumbai directors".[13]
Vasunia appeared in Loot, by Joe Orton, in 1971.[14] The play was revived, in 1984, with the film actor Amjad Khan acting alongside Vasunia.[15] The play returned to the Mumbai stage, a decade and more later, after the deaths of Amjad and Hosi, in a bilingual English and Hindi version.[16] Imtiaz Khan, Amjad's brother, remained the director across the different versions of the play.
Vasunia appeared regularly with Ruby Patel in a string of plays in the 1970s and 1980s. According to the director Vivek Vaswani, they acted together in “15 consecutive hits”.[17] Vasunia also collaborated with Burjor Patel, Ruby's husband, and they together co-produced a number of successful plays under the banner "Hosi Vasunia Productions". Their first play was Don't Drink the Water, which was staged in 1979 and based on a script by Woody Allen; the production was directed by Pearl Padamsee.[18][19]
Although Vasunia was famous for comedy, he was responsible for "serious" theatre including such plays as All the King's Men (in which he was directed by Alyque Padamsee), Whose Life Is It Anyway?, Mass Appeal, Saint Joan, and Agnes of God.
One of Vasunia's last roles was opposite Sabira Merchant in The Rummy Game. The play, directed by Kerawala, was adapted by Bachi Karkaria from D. L. Coburn's Gin Game and was staged in Dubai, London, Antwerp, Dusseldorf, Paris, Chicago, and New York as well as numerous cities in India.[20] The play was revived in 2010 as The Game, with Alyque Padamsee in Vasunia's role.[21]
Vasunia appeared in only a handful of films and preferred the theatre to film. According to Bhawana Somaaya, the editor of Screen, "Yash Chopra had offered him roles in his various films but he didn’t take them up."[22]
In 1989, Vasunia and Ronnie Screwvala founded the Dynasty Culture Club, which offered a range of entertainment such as theatre, cinema, music, and dance.[23] The Club put on regular events for members, who were charged an annual subscription. Vasunia, however, left the venture after some two years.[24] Screwvala also acted alongside Vasunia in several plays and spoke later of Vasunia's "good and tough and resilient side... Whatever the adversity there was always a smile on his face... He had the ability to constantly motivate people".[4]
Vasunia was closely associated for many years with the National Centre for the Performing Arts (N.C.P.A.) in Mumbai. He was a consultant to the organization, and many of his plays were staged in its theatres.[4]
Vasunia was also a consultant to the Indian Express group and the producer of its annual Screen Awards for excellence in Indian cinema.[22][25]
Stage
Actor
- Princes[26][6]
- Cyrus the Great[9]
- Ah! Norman
- Loot[14]
- Move Over Mrs[27]
- The Subject Was Roses[28]
- My Darling Daughter[29]
- Never Too Late[30]
- Cactus Flower[31]
- Don't Drink the Water[32]
- Deathtrap[33]
- A Flea in Her Ear[34][18]
- Prisoner of Second Avenue[35]
- Red Hot Lover of Bombay[35]
- A Thousand Clowns[36]
- All the King's Men[37]
- Mass Appeal[38]
- Whose Life Is It Anyway?[39][18]
- Mary Mary[40][41]
- Saint Joan[42]
- Caught on the Hop[43]
- Are You Lonesome Tonight?[44][45]
- Lend Me a Tenor[46]
- Biloxi Blues[46]
- Tribute[47]
- Charley's Aunt[48][49]
- Tribute to Busybee[50]
- Power Play[51][52]
- Anything Goes[53]
- Tempt Me Not (based on Vasant Sabnis' Vichcha Majhi Puri Kara, विच्छा माझी पुरी करा)[54][55]
- It Runs in the Family[56]
- Can't Pay Won't Pay[57][58]
- The Verdict[59]
- Don't Dress for Dinner[60]
- Begum Sumroo[61][62]
- The French Cuckoo (based on An Absolute Turkey, an English version of George Feydeau's Le Dindon)(actor, producer, director)[63][64]
- Barefoot in Mumbai (actor and director)[65]
- Funny Thing Called Love (based on Vasant Kanetkar's Prema, Tujha Rang Kasa?, प्रेमा, तुझा रंग कसा?)[66][67]
- Once I Was Young . . . Now I'm Wonderful[68][69]
- The Graduate[70]
- The Rummy Game[71][72]
- The Sunshine Boys[73]
Producer
Hosi Vasunia was the producer or co-producer of the following plays.
- Don't Drink the Water[32]
- Deathtrap[33]
- A Flea in Her Ear[18]
- Prisoner of Second Avenue[35]
- Red Hot Lover of Bombay[35]
- All the King's Men[74]
- Mass Appeal
- Whose Life Is It Anyway?[39][18]
- Mary Mary[40][41]
- Saint Joan[42]
- Caught on the Hop[43]
- Agnes of God[75]
- Cats[76]
- Are You Lonesome Tonight?[44][45]
- Lend Me a Tenor[46]
- As You Love It (scenes from Shakespeare)[77]
- Tribute[47][78]
- Last Tango in Heaven[79]
- Charley's Aunt[48][49]
- Love Letters[80]
- Power Play[81]
- Anything Goes[53]
- Run For Your Wife[82]
- The Happy Prince[83]
- Death and the Maiden[84]
- It Runs in the Family[56]
- Can't Pay Won't Pay[58]
- The Verdict[59]
- The Sound of Music[85]
- Steel Magnolias[86]
- My Fair Lady[87]
- Don't Dress for Dinner[60]
- Blithe Spirit[88][89]
- The French Cuckoo[63]
- Art[90][91]
- Trip the Light Fantastic![92]
- The Rummy Game[71][72][93]
- The Sunshine Boys[73]
Filmography
Television
References
- Marfatia, Meher (14 Aug 2015). "Parsis once dominated English theatre". mint. Retrieved 4 September 2022.
- Maqsood, Zofeen (2 December 2017). "Is Parsi Theater on the Verge of Extinction?". Little India. Retrieved 4 September 2022.
- Vaidyanathan, P. V. (Winter 2003). "On stage and screen". FEZANA Journal. 16 (4): 75–76. Excerpted from "The Dream Merchants", The Indian Express, August 29, 2003.
- Gandhi, Parinaz M. (7 January 2006). "Theater's Sunshine Boy". Parsiana.
- Doctor, Geeta (March 1991). "Audiences want to be entertained". Parsiana. 13 (9): 108–110.
- ""Princes" a moving perceptive play". The Times of India. 24 April 1970. p. 6.
- "The World's A Dining Table". Upper Crust. Retrieved 17 September 2022.
- Padamsee, Alyque, with Arun Prabhu (1999). A Double Life: My Exciting Years in Theatre and Advertising. New Delhi: Penguin India. p. 263.
{{cite book}}
: CS1 maint: multiple names: authors list (link) Online here. - "Cyrus the great seen as a great ruler". The Times of India. 28 August 1971. p. 5.
- Baradi, Hasmukh (2004). Lal, Ananda (ed.). The Oxford Companion to Indian Theatre. New Delhi: Oxford University Press. p. 563.
- Patel, Burjor (2 March 1987). "Bombay's King of Laughter". The Times of India. p. 17.
- Gokhale, Shanta (2003). Mehrotra, Arvind Krishna (ed.). A History of Indian Literature in English. London: Hurst and Company. p. 347. Retrieved 13 September 2022.
- Sharma, Aasheesh (13 July 2014). "The irresistible love for adult comedies". The Hindustan Times. Retrieved 18 September 2022.
- "Deadpan humour makes "Loot" an entertainer". The Times of India. 12 November 1971. p. 5.
- "Enterntainment: Dance, Drama, Music". The Times of India. 24 October 1984. p. 2.
- Chakrabarti, Sujata (29 June 2010, updated 21 November 2013). 'Loot' returns to Mumbai, DNA India. Retrieved 18 September 2022.
- Phulan, Vikram (18 May 2020). "Ruby Patel, first lady of the Parsi Gujarati stage". The Hindu. Retrieved 8 September 2022.
- Patel, Burjor (19 April 2014). "Runaway hits, fragile egos: Highs and lows in artiste's life". DNA India. Retrieved 8 September 2022.
- Patel, Burjor (5 April 2014). "Setting a trend of weekend English theatre in Bombay". DNA India. Retrieved 18 September 2022.
- Karkaria, Bachi (14 August 2005). "When the curtain calls". The Times of India. p. 18. Archived from the original in August 2005. Retrieved on 17 September 2022.
- Talati-Parikh, Sitanshi (27 August 2010). "Of Age and Time". sitanshi talati-parikh. Retrieved 18 September 2022. Also published in Verve magazine, Nerve, August 2010.
- Anand, Swati (11 August 2005). "Ain't no sunshine when he's gone: Actor Hosi Vasunia dead". The Indian Express. Retrieved 12 September 2022.
- "Revue". The Times of India. 18 February 1989. p. A8.
- Torquato, Ronita (4 July 1992). "Culture on subscription". The Times of India. p. A2.
- Somaaya, Bhawana (14 August 2005). "He was special and he knew it". www.expressindia.com. Archived from the original on 16 September 2022. Retrieved on 16 September 2022
- "Classified Ads". The Times of India. 8 April 1970. p. 5.
- "Classified Ad". The Times of India. 24 September 1973. p. 2.
- "Entertainment (Dance, Drama, Music)". The Times of India. 29 March 1974. p. 2.
- "Darling, Adi has done it again!". The Times of India. 10 January 1977. p. 6.
- "'Never Too Late' provides gorgeous fun". The Times of India. 24 October 1977. p. 4.
- "Near-professional production of "Cactus Flower"". The Times of India. 12 December 1978. p. 4.
- Mathew, M. V. (10 September 1979). "Hilarity unlimited: Woody Allen play". The Times of India. p. 4.
- ""Deathtrap" intriguing entertainment". The Times of India. 20 January 1980. p. 4.
- de Noronha, Leslie (25 June 1981). "A Flea In Her Ear: Drama Review". The Times of India. p. 3.
- "Entertainment: Dance, Drama, Music". The Times of India. 9 December 1981. p. 4.
- "Entertainment: Dance, Drama, Music". The Times of India. 23 January 1982. p. 4.
- "Entertainment: Dance, Drama, Music". The Times of India. 5 February 1984. p. 4.
- "Entertainment: Dance, Drama, Music". The Times of India. 11 July 1986. p. 2.
- "Entertainment". The Times of India. 23 June 1982. p. 6.
- "Entertainment: Dance, Drama, Music". The Times of India. 21 November 1983. p. 2.
- "That's Entertainment: Dance, Drama, Music". The Times of India. 14 December 1983. p. 6.
- Gangadhar, V. (26 December 1983). "Honest attempt to recreate a legend". The Times of India. p. 3.
- "Entertainment: Dance, Drama, Music". The Times of India. 11 April 1985. p. 2.
- "That's Entertainment: Theatre". The Times of India. 31 October 1986. p. 3.
- Rahman, M. (28 February 1987). "Musicals take over English language theatre in Bombay". India Today. Retrieved 13 September 2022.
- "Entertainment: Theatre". The Times of India. 30 September 1987. p. 6.
- Kapoor, Nanhee (30 July 1989). "Exuberant performance by Vasunia". The Times of India. p. 17.
- Merchant, Jiten (25 March 1990). "Conventional, clean and funny". The Times of India. p. 17.
- "That's Entertainment: Theatre". The Times of India. 17 August 1990. p. 9.
- "By a humorist, on a humorist". The Times of India. 8 April 1991. p. 8.
- Sharma, Partap (2 June 1991). "The Crowning Game". The Times of India. p. A6.
- Merchant, Jiten S. (28 June 1991). "Laboured schizophrenia". The Times of India. p. 8.
- "Theatre". The Times of India. 24 January 1992. p. 10.
- Merchant, Jiten S. (25 March 1993). "True to the spirit of folk tradition". The Times of India. p. 10.
- "Natarang Pratishthan Brochure Catalogue". Natarang Pratishthan. Retrieved 6 September 2022.
- "Theatre". The Times of India. 26 November 1993. p. 10.
- Merchant, Jiten S. (23 February 1995). "Wit and vitriol". The Times of India. p. 10.
- "Theatre". The Times of India. 24 February 1995. p. 28.
- "Who we are". Balancing Act Productions. Retrieved 6 September 2022.
- "Event Index". The Indian Express. 8 May 1997. Retrieved 5 September 2022.
- "Nautch girl's bent of mind". The Indian Express. 19 June 1997. Retrieved 5 September 2022.
- Chowdhury, Nandita (4 August 1997). "Begum Sumroo promises to be a play for all seasons". India Today. Retrieved 16 September 2022.
- Assomull, Sujata (15 July 1998). "A flirtatious farce". The Indian Express. Retrieved 5 September 2022.
- "Theatre". The Times of India. 7 August 1998. p. A7.
- Kalra, Nonita (14 July 1999). "Casting a spell". The Indian Express. Retrieved 5 September 2022.
- "ie". The Times of India. 21 October 2001. pp. A10.
- Gahlot, Deepa (27 October 2005). "Playwrights galore". The Times of India. p. A7.
- "Mahabanoo Mody-Kotwal presents an evening of laughs in Delhi". India Today. 23 July 2001. Retrieved 16 September 2022.
- Shedde, Meenakshi (11 March 2001). "We have a better time after 40 than people half our age". The Times of India. p. 5.
- Gahlot, Deepa (28 August 2004). "Play on, Mumbai". The Times of India. p. A11.
- Gahlot, Deepa (15 November 2001). "The Rummy Game -- theatre at its best". The Times of India. pp. A5.
- Merchant, Sabira (11 August 2005). "Death of a Theatreman". The Times of India. p. 5.
- The Times of India, 10 June 2005, p. A9, and 1 July 2005, p. A8.
- "Entertainment: Dance, Drama, Music". The Times of India. 6 February 1984. p. 2.
- Gangadhar, V. (16 August 1986). "Slick performance enlivens 'Agnes . . .'". The Times of India. p. 5.
- "That's Entertainment: Theatre". The Times of India. 22 August 1986. p. 3.
- "Entertainment: Theatre". The Times of India. 18 April 1988. p. 6.
- "Entertainment: Theatre". The Times of India. 5 January 1989. p. 18.
- "That's Entertainment: Theatre". The Times of India. 9 June 1989. p. 17.
- "Classified Ad". The Times of India. 27 September 1991. p. 11.
- "Entertainment". The Times of India. 12 June 1991. p. 18.
- "Classified Ad". The Times of India. 30 August 1992. p. 6.
- "For the Children, By the Children". The Times of India. 5 December 1992. pp. A3.
- "Entertainment: Theatre". The Times of India. 11 February 1993. p. 22.
- Marfatia, Meher (16 July 1995). "'Handling any classic is a challenge'". The Times of India. p. 11.
- "Must see, Must do: Theatre". The Times of India. 17 November 1995. p. A8.
- "Curtain rises (advertisement)". The Times of India. 24 August 1996. p. 7.
- Zaveri, Saloni (20 November 1997). "Daring to CARE". The Times of India. p. A6.
- "Pick of the week". The Indian Express. 26 November 1997. Retrieved 5 September 2022.
- Mitter, Swapna (28 January 1998). "Loved that scene, now pass the ravioli". The Times of India. p. A1.
- "Must see, Must do". The Times of India. 27 February 1998. p. A7.
- "Hosi Vasunia Productions' Trip the Light, Fantastic!". The Poona Music Society. Retrieved 21 September 2022.
- "Entertainment". The Times of India. 9 November 2001. p. A14.
- "That's Entertainment: Theatre". The Times of India. 19 February 1982. p. 4.
- "Entertainment: Dance, Drama, Music". The Times of India. 18 November 1986. p. 4.
Sources
India Today magazine, https://www.indiatoday.in/.
The Indian Express, https://indianexpress.com/
Parsiana magazine. The publication is archived at https://www.parsiana.com/ (subscription required).
The Times of India, https://timesofindia.indiatimes.com/. The digital archive may be consulted at ProQuest Historical Newspapers (subscription required).
Gokhale, Shanta, “The Dramatists”, in A. K. Mehrotra (ed.), A History of Indian Literature in English. London: Hurst and Company, 2003.
Lal, Ananda (ed.), The Oxford Companion to Indian Theatre. New Delhi: Oxford University Press, 2004.
External links
- Hosi Vasunia at IMDB