House Party New Orleans Style

House Party New Orleans Style (subtitled The Lost Sessions, 1971–1972) is a compilation album by the American musician Professor Longhair, released in 1987. The tracks were originally intended for Atlantic Records; the recording sessions were among Professor Longhair's first after his live show comeback in the early 1970s.[2][3]

House Party New Orleans Style
Compilation album by
Released1987
Recorded1971, 1972
StudioDeep South Recorders, Ardent Studios
GenreBlues, R&B, jazz
LabelRounder Records[1]
ProducerQuint Davis
Professor Longhair chronology
Mardi Gras in New Orleans
(1982)
House Party New Orleans Style
(1987)
Mardi Gras in Baton Rouge
(1991)

The album won a Grammy Award, in the "Best Traditional Blues Recording" category.[4]

Production

The album was produced by Quint Davis.[5][6] The songs were recorded in 1971 and 1972; they were stored in the vaults of Bearsville Records before being released in 1987.[7] Snooks Eaglin played on all of the tracks; Ziggy Modeliste played on a handful.[8] The album includes some of Professor Longhair's lesser known material.[9]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic[10]
Robert ChristgauA−[8]
The Encyclopedia of Popular Music[11]
MusicHound Blues: The Essential Album Guide[6]
The Penguin Guide to Blues Recordings[3]
The Rolling Stone Album Guide[9]

The New York Times wrote that "these are among the liveliest, truest records the Professor ever made, among other things the prototype of the kind of pianism found on Little Richard's early rock records."[7] Robert Christgau opined that "Fess's wobbly vocals and careening piano apotheosized [New Orleans'] crazy independence the way Allen Toussaint's did (if not does) its pop affability."[8]

The Washington Post listed the album as one of the best of 1987, calling it "an infectious mid-career look at Longhair's rumbaesque piano (and Zig Modeliste's propulsive drumming)."[12] The Toronto Star deemed it "a resilient and hungry work that ranks as one of Longhair's best records, an instant collectible."[13]

AllMusic wrote that "Eaglin's flashy, inventive solos were excellent contrasts to Longhair's rippling keyboard flurries and distinctive mix of yodels, yells, cries and shouts."[10] The Penguin Guide to Blues Recordings determined that "the rhythm sections are outstandingly funky, and Snooks Eaglin, then also making his return to the limelight, plays at the height of his inventiveness."[3]

Track listing

No.TitleLength
1."No Buts and No Maybes" 
2."Gone So Long" 
3."She Walk Right In" 
4."Thank You Pretty Baby" 
5."501 Boogie" 
6."Tipitina" 
7."Gonne Leave This Town" 
8."Cabbagehead" 
9."Hey Little Girl" 
10."Big Chief" 
11."Cherry Pie" 
12."Junco Partner" 
13."Every Day I Have the Blues" 
14."'G' Jam" 
15."Dr. Professor Longhair" 

References

  1. Dicaire, David (November 5, 2015). "Blues Singers: Biographies of 50 Legendary Artists of the Early 20th Century". McFarland via Google Books.
  2. Aswell, Tom (September 23, 2010). "Louisiana Rocks!: The True Genesis of Rock and Roll". Pelican Publishing via Google Books.
  3. The Penguin Guide to Blues Recordings. Penguin Books. 2006. p. 530.
  4. "Professor Longhair". GRAMMY.com. November 23, 2020.
  5. Komara, Edward; Lee, Peter (July 1, 2004). "The Blues Encyclopedia". Routledge via Google Books.
  6. MusicHound Blues: The Essential Album Guide. Visible Ink Press. 1998. p. 298.
  7. Rockwell, John (February 1, 1987). "RECORDINGS; TRACING LITTLE RICHARD TO THE SOURCE" via NYTimes.com.
  8. "Robert Christgau: CG: Professor Longhair". www.robertchristgau.com.
  9. The Rolling Stone Album Guide. Random House. 1992. pp. 564–565.
  10. "House Party New Orleans Style - Professor Longhair | Songs, Reviews, Credits | AllMusic" via www.allmusic.com.
  11. Larkin, Colin (2006). The Encyclopedia of Popular Music. Vol. 6. MUZE. p. 669.
  12. Joyce, Mike (1 Jan 1988). "Critics Choice: The Top Ten Times Five". The Washington Post. p. N13.
  13. Quill, Greg (14 Aug 1987). "Roots traditionalists play it safe". Toronto Star. p. E9.
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