Ian Hunter (curator)

In 1978, Hunter co-founded the Artists' Co-op in Wellington with Barry Thomas, Ross Boyd, Terrence Handscombe, Eva Yuen, Stuart Porter, Gerard Crewdson, Mark Hantler, Gaylene Preston and others.[7][8] The co-op presented exhibitions and performances by Hunter, Yuen, Thomas, Pauline Rhodes, Andrew Drummond, Peter Roche, Linda Buis, David Mealing and free jazz groups..[9][10][11][8]

In late 1978 Ian Hunter, Barry Thomas, Eva Yuen, Ross Boyd and Terrence Handscombe had an exhibition entitled "Work" at the Academy of fine arts Wellington based around their Artists' co-op.[7]

In April and May 1979 Ian Hunter organised a contingent of Twenty two Artists' co-op and other NZ artists to travel to and participate in the 3rd. Sydney Biennale. This was an uninvited "rebel tour" that enabled the radical New Zealand artists' participation with QE2 Arts Council air fare subsidies.[12]

In 1981, Hunter initiated the idea of ANZART, which was to be an ongoing cultural dialogue between Australian and New Zealand artists. The organisation of the first trans-Tasman exchange in Christchurch was influenced by the inclusion of just two New Zealanders in the 1979 Biennale of Sydney. Hunter saw this as an "imbalance" he was keen to remedy.[13] Hunter always intended ANZART to have an ongoing commitment to sharing cultural developments and a further edition was held in Tasmania in 1983.[14] In 1984, the idea was extended to Edinburgh where it accompanied the major Colin McCahon exhibition I Will Need Words curated by Wystan Curnow at the Talbot-Rice Gallery at the University of Edinburgh.[15] In 1985, ANZART was presented in Auckland.[16]

Buoyed by the success of ANZART 1, in 1982 Hunter organised F1 New Zealand sculpture Project in a disused Thomson Lewis drinks factory (now Moore Wilson's) in Wellington's Te Aro district.[17] Running from 8 November to 2 December 1982, it presented installations, forums, film evenings, performances, seminars and a 'Grand Spaghetti Banquet'. Artists involved included Juliet Batten, Mary-Louise Browne, Andrew Drummond, Stuart Griffiths. Vivian Lynn, David Mealing, Nicholas Spill and Barbara Strathdee.[18] The Scottish art dealer Richard Demarco, who later showed New Zealand artists in Edinburgh and supported ANZART 3, also attended.[19]

Hunter moved to London in 1983 and was arts officer at the National Council for Civil Liberties until 1984 when he moved to Rossendale in Lancashire. In 1992, Hunter completed a practice-based PhD from Manchester Metropolitan University.[20] Hunter became increasingly involved with rural England[21] and acted as cultural policy consultant to the Rural Cultural Forum alongside free-lance consultancy work.[22]

In 1990, Hunter and his partner Celia Larner founded the Littoral Arts Trust with Hunter as artistic director. The trust was formed to respond to social, environmental, and economic change and to protect the civic status of the Lake District-based Metrzbarn that the German artist Kurt Schwitters had used as a studio.[23] Hunter set up the 'Kurt Schwitters in England' working party in 2000 to raise funds so the Littoral Arts Trust could purchase the land and buildings surrounding the Merzbarn.[24] In 2007, Hunter and Larner took over the stewardship of the barn and five years later, as Littoral Arts Trust, purchased the site.[25] Hunter was appointed visiting research fellow at the University of Cumbria in 2015 to work with the university in developing "the full potential of the Merzbarn" and its surroundings.[26] In 2018, Hunter and Larner were forced to put the land and Schwitters' Merzbarn up for sale.[27]

Hunter died at Cylinders in Ambleside on 26 February 2023.[1]