Ice Cream Dream

With a production oriented to the New Jack Swing sound, in the song Lyte talks about her preference for men, metaphorically comparing them to ice cream cone "Dark, handsome, six feet tall/Thirty-one flavors, I believe he’s got ‘em all." Ice Cream Dream has more sexual lyrical content than their previously released singles "Forget the chase--I'm prepared to get a taste/Licky here, licky there cuz I like it/Too much to eat--so I guess I'll bite it."[4]

In 2018 Jam & Lewis spoke to Okayplayer about some of their most prominent production work, commenting on the song:

"The inspiration for all the songs on that soundtrack really came from the dialogue of the movie. (...) If you listen to the Mo' Money soundtrack, Damon Wayans talks about 'my ice cream dream.' He was talking about Stacey Dash. She was the actress who played his girlfriend in the film. He was talking about that, and we just thought, 'Okay. Ice Cream Dream. We like the way that sounds.' That was the idea behind the song. Then, we knew that we wanted to have, not only R&B, but we wanted to have some rap on the album. At the time, MC Lyte was one of our favorite rappers, and she was someone who Janet [Jackson] really loved also. When Janet talked, we would always listen. She'd go, 'Lyte would sound great on this.' It was like, 'Okay.' because Janet was involved with the song, "The Best Things in Life Are Free" with Luther Vandross from the same album. That was where the idea of using Lyte came from. Then, the idea was to just make something that was a hip-hop track, so that we could have a songbook. We recorded some of that at the Apollo Theater. We recorded Lyte’s vocal at the Apollo Theater. There was some show that was happening, and we were able to get her and Big Daddy Kane, and maybe someone else, but I remember those sessions all happened at the Apollo Theater which was pretty cool. Lyte loved it right away. She said, 'I love this track, it’ll work really well for the movie.' That's a record I haven't talked about [before] but I love that record. I love the track. I love Lyte on it."[5]

The song also has Lisa Keith, who had previously collaborated as backing vocalist on songs by Herb Alpert, Janet Jackson, and The Human League, singing on her hook.[5][6]

In his book Reflecting Black: African-American Cultural Criticism (1993), academic and author Michael Eric Dyson described the song as "a delicious ode to erotic desire" in which Lyte "seductively embellishes a conceit drawn from quotidian experience".[7]

In 2013 Cedric Muhammad would analyze the trajectory of Jam & Lewis for Forbes magazine, in which he would describe the song as "risque" and ask "how perfect is Lisa Keith’s voice in chorus?"[6]

In 2017, in a retrospective review of the soundtrack album, Todd Stereo Williams of The Boombox considered Lyte's song "One of her most underrated cuts", highlighting as in its artistic maturation "she wasn't afraid to embrace R&B" even though made her first appearance as a battle rapper in the 80s.[8]

Credits are taken from the liner notes.[9]

• Executive-Producer – Nat Robinson
• Mastered By – Dennis King (D.K.)
• Producer, Written-By – Audio Two (tracks: A2 to B2), King Of Chill (tracks: A1)
• Programmed By, Engineer, Music By [Music Performed By] – Audio Two
• Written-By – MC Lyte