Idlewild (Outkast album)

Idlewild is the sixth and final studio album by American hip hop duo Outkast. It was released on August 22, 2006, by LaFace Records and served as the soundtrack album to the duo's musical film of the same name, which was released that same month. Containing themes relating to the music industry, the album also featured songs not included in the film while incorporating jazz, blues, swing, and soul styles in its music.

Idlewild
Studio album and soundtrack album by
ReleasedAugust 22, 2006
Genre
Length77:52
Label
Producer
Outkast chronology
Speakerboxxx/The Love Below
(2003)
Idlewild
(2006)
Singles from Idlewild
  1. "Mighty O"
    Released: June 6, 2006
  2. "Morris Brown"
    Released: August 15, 2006
  3. "Idlewild Blue (Don'tchu Worry 'Bout Me)"
    Released: September 12, 2006
  4. "Hollywood Divorce"
    Released: November 7, 2006
  5. "The Train"
    Released: December 19, 2006

The album debuted at number two on the US Billboard 200 chart, selling 196,000 copies in its first week. It achieved minimal international charting and produced five singles that attained moderate Billboard chart success. Despite mixed criticism towards its unconventional musical style and loose thematic structure, Idlewild received positive reviews from most music critics upon its release. The album has been certified platinum in sales by the Recording Industry Association of America for shipments of one million copies in the United States.

Background

Though less a soundtrack and more of a companion album, the Idlewild album features seven songs from the Idlewild film: "Chronomentrophobia", "Makes No Sense at All", "PJ and Rooster", "Greatest Show on Earth", "When I Look in Your Eyes", and, from the end credits, "Morris Brown". Two snippets of film dialogue are also included on the album as interludes. The rest of the songs performed in the film were included on the earlier OutKast LPs Big Boi and Dre Present...Outkast and Speakerboxxx/The Love Below. In an interview for Billboard, Big Boi stated "This is an OutKast album. It isn't like a soundtrack where we go get this person or that person".[1]

According to PopMatters critic Tim O'Neil, Idlewild's music was "not merely contemporary hip-hop, but a unique hybridization of modern hip-hop with vintage big-band jazz and Delta blues."[2] Jess Harvell from Pitchfork observed imitations of hot jazz and jump blues songs throughout the record,[3] while New York Post writer Dan Aquilante said the album mixed hip hop, jazz, blues, swing, and soul music, as OutKast "chronicled African American musical history with original tunes that transcend race and time".[4]

Release and reception

Professional ratings
Aggregate scores
SourceRating
Metacritic72/100[5]
Review scores
SourceRating
AllMusic[6]
The A.V. ClubB[7]
Entertainment WeeklyB[8]
The Guardian[9]
MSN Music (Consumer Guide)A[10]
NME[11]
Pitchfork6.7/10[3]
Rolling Stone[12]
Slant Magazine[13]
Spin[14]

Idlewild's release was delayed several times in 2005 before being released in 2006.[1] In its first week, the album charted at number two on the Billboard 200 and sold 196,000 copies in the United States.[15] The album dropped to the number seven in its second week, selling an additional 78,000 units.[16] On September 26, 2006, it was certified platinum by the Recording Industry Association of America, having shipped one million copies in the US.[17] In Canada, it was certified gold by the Canadian Recording Industry Association.[18]

Idlewild received generally positive reviews from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 72, based on 30 reviews.[5] Q called it "a dazzling album",[19] while Ben Williams of New York found it "entertaining and surprisingly consistent".[20] The Guardian's Alexis Petridis wrote that it "bulges with brilliant ideas... Ambitious but flawed, at turns stunning, maddening and confusing".[9] Rob Sheffield from Rolling Stone compared Idlewild to Prince's Parade (1986), while praising its "deeply eccentric richness" and calling it "so suave on the surface, it takes a few spins to absorb how radical it is".[12] Although she felt it lacked cohesion and a "clear message", Ann Powers of the Los Angeles Times found the album "sonically challenging and lyrically wide-ranging", including songs for "contemplation and booty-shaking".[21] Writing for MSN Music, Robert Christgau called Idlewild "a joyous mishmash" and praised each OutKast-member's distinct performance: "from the mainstream hip-hop Big Boi articulates with so much muscle to the retro swing Andre sings just fine, they sound happy to parade their mastery".[10] Uncut described it as "Stylish and substantial, it's a deft masterpastiche that dissolves history for its own entertainment".[5] Mojo stated, "Every time you think you've got Idlewild figured out, it zips off in a totally unexpected new direction".[5]

According to NME critic Dan Martin, other critics might have found Idlewild to be "a bit long and uneven and self-indulgent".[11] In a negative review for the Chicago Sun-Times, Jim DeRogatis viewed the album as unfocused and stated, "it's all about heavy-handed, faux Scott Joplin ragtime piano; showy but lame Cab Calloway horn arrangements; fake Rudy Vallee crooning (courtesy of Benjamin's nasal, off-key whine) and ultra-hammy vaudeville shucking and jiving".[22] The Washington Post's J. Freedom du Lac noted a "creative schism" in the duo and wrote, "For all of its flashes of greatness – the brassy marching-band rap of 'Morris Brown', the psychedelic hip-hop flashback 'Train', the Stevie Wonder-inspired acoustic blues number 'Idlewild Blue (Don'tchu Worry 'Bout Me)' – the staggeringly eclectic 'Idlewild' includes too much filler and too many outright stink bombs to deserve a place alongside the best pop offerings of 2006, let alone 'Aquemini', et al".[23] Preston Jones from Slant Magazine called it "frustrating, uneven, and strained ... an interesting failure".[13] Spin magazine's Charles Aaron called it "a perplexing album", despite how it "grasps for a distinctive sound, departing almost entirely from rap per se" in favor of music from "the jazz/jump blues from the film's '30s/40's demimonde, as well as shades of Prince's most fitfully eclectic periods".[14]

Track listing

Writing and production credits for Idlewild adapted from liner notes.[24] All tracks produced by André 3000, except where noted.

No.TitleWriter(s)Producer(s)Length
1."Intro"  2:12
2."Mighty 'O'"Organized Noize4:16
3."Peaches" (featuring Sleepy Brown and Scar)
  • Patton
  • Marvin Parkman
  • Mike Hardnett
  • P. Brown
  • Preston Crump
  • Murray
  • Wade
  • Terrence Smith
Organized Noize3:10
4."Idlewild Blue (Don'tchu Worry 'Bout Me)"Benjamin 3:24
5."Infatuation (Interlude)"  0:48
6."N2U" (featuring Khujo)
Organized Noize3:40
7."Morris Brown" (featuring Scar and Sleepy Brown)
  • Benjamin
  • Patton
  • T. Smith
 4:24
8."Chronomentrophobia"Benjamin 2:12
9."The Train" (featuring Sleepy Brown and Scar)
Big Boi4:09
10."Life Is Like a Musical"Benjamin 2:14
11."No Bootleg DVDs (Interlude)"  0:50
12."Hollywood Divorce" (featuring Lil Wayne and Snoop Dogg) 5:23
13."Zora (Interlude)"  0:16
14."Call the Law" (featuring Janelle Monáe)
4:51
15."Bamboo & Cross (Interlude)"  0:55
16."Buggface"
2:45
17."Makes No Sense at All"Benjamin 2:53
18."In Your Dreams" (featuring Killer Mike and Janelle Monáe)
  • Patton
  • Robinson
  • P. Brown
  • Murray
Organized Noize3:34
19."PJ & Rooster"
  • Benjamin
  • Patton
 4:27
20."Mutron Angel" (featuring Whild Peach)
  • Patton
  • D. Brown
  • Crenshaw
Whild Peach4:18
21."Greatest Show on Earth" (featuring Macy Gray)Benjamin 3:06
22."You're Beautiful (Interlude)"  0:29
23."When I Look in Your Eyes"
  • Benjamin
  • Kendricks
Kevin Kendricks2:43
24."Dyin' to Live"Benjamin 2:07
25."A Bad Note"
  • Benjamin
  • Kendricks
 8:47
Total length:77:52

Notes

  • In the album booklet, the producer for "A Bad Note" is listed as Johnny Vulture, which actually stands as a nickname for André 3000.

Sample credits

Personnel

Credits for Idlewild adapted from AllMusic.[25]

  • Kory Aaron – assistant engineer
  • Malik Albert – engineer, audio production
  • Victor Alexander – drums
  • Vincent Alexander – assistant engineer
  • Kori Anders – engineer, assistant engineer, mixing assistant
  • André 3000 – executive producer, guitars, piano, arranger, keyboards, programming, vocals, background vocals, producer, drum programming
  • Bamboo – vocals
  • Warren Bletcher – assistant engineer, mixing assistant
  • Steven Boos – drums
  • Jeff Bowden – keyboards
  • Leslie Brathwaite – mixing
  • David "Whild" Brown – background vocals
  • Myrna "Peach" Brown – vocals
  • Sleepy Brown – vocals, background vocals
  • Ralph Cacciurri – engineer
  • Chris Carmouche – engineer, mixing, audio production
  • Preston Crump – bass
  • Cutmaster Swift – scratching
  • Regina Davenport – A&R
  • Sean Davis – engineer, audio production
  • Dookieblossumgame – vocals
  • Tom Doty – mixing assistant
  • Eddie Ellis – conductor
  • Gary Fly – engineer, assistant engineer, mixing assistant
  • Jerry Freeman – cornet, horn, horn arrangements
  • John Frye – audio production, engineer, mixing
  • Joi Gilliam – vocals, background vocals
  • Macy Gray – vocals
  • Bernie Grundman – mastering
  • Robert Hannon – engineer, assistant engineer
  • Mike Hardnett – guitar
  • Tuesday Henderson – percussion
  • John Holmes – engineer, assistant engineer, mixing assistant, audio production
  • Aaron Holton – assistant engineer
  • Hot Tub Tony – background vocals
  • Josh Houghkirk – mixing assistant
  • Chris Jackson – engineer
  • Kevin Kendricks – piano, keyboards, horn arrangements, producer
  • Debra Killings – bass, vocals, background vocals
  • Chuck Lightning – arranger, producer
  • Lil Wayne – vocals
  • Ryan McDaniels – assistant engineer
  • Janelle Monáe – arranger, vocals, background vocals, producer
  • Morris Brown College Gospel Choir – instrumentation
  • Vernon Mungo – engineer
  • Christian Jones - guitar
  • Wyatt Oates – assistant engineer
  • Organized Noize – programming, producer, drum programming
  • Marvin "Chanz" Parkman – keyboards
  • Mike Patterson – bass, guitar
  • Antwan Patton – executive producer
  • Josh Phillips – assistant engineer
  • Neil Pogue – mixing
  • Chris Rakestraw – mixing assistant
  • Dave Robbins – bass, keyboards
  • Albey Scholl – harmonica
  • Rob Skipworth – assistant engineer, mixing assistant
  • Skreechy Peachy – vocals, background vocals
  • Terry Smith – background vocals
  • Snoop Dogg – vocals
  • Matthew Still – audio production, engineer, assistant engineer
  • Phil Tan – mixing
  • Denise Trorman – art direction, design
  • Uncoolgirlz Choir – background vocals
  • Johnny Vulture – producer
  • David Whild – guitar, background vocals
  • Melissa Zampatti – vocals

Chart positions

Certifications

Region CertificationCertified units/sales
Canada (Music Canada)[50] Gold 50,000^
United States (RIAA)[51] Platinum 1,000,000^

^ Shipments figures based on certification alone.

References

  1. Mitchell, Gail (November 15, 2005). "Outkast's 'Idlewild' Bumped To Next Year". Billboard. Retrieved May 10, 2010.
  2. PopMatters review
  3. Harvell, Jesse (August 21, 2006). "Review: Idlewild". Pitchfork Media. Retrieved October 10, 2009.
  4. "'IDLEWILD': THE ALBUM". New York Post. 2006-08-20. Archived from the original on 2019-12-05.
  5. "Idlewild (2006): Reviews". Metacritic. Retrieved July 9, 2009.
  6. Kellman, Andy. "Review: Idlewild". Allmusic. Retrieved October 10, 2009.
  7. Rabin, Nathan (August 30, 2016). "OutKast: Idlewild". The A.V. Club. Retrieved February 27, 2023.
  8. Kot, Greg (August 25, 2006). "Review: Idlewild". Entertainment Weekly. Retrieved October 10, 2009.
  9. Petridis, Alexis (August 18, 2006). "Review: Idlewild". The Guardian. Retrieved October 10, 2009.
  10. Christgau, Robert (December 2006). "Consumer Guide: Idlewild". MSN Music. Archived from the original on 2009-11-21. Retrieved October 10, 2009 via robertchristgau.com.
  11. Martin, Dan (August 18, 2006). "Review: Idlewild". NME. Retrieved October 10, 2009.
  12. Sheffield, Rob (August 23, 2006). "Review: Idlewild". Rolling Stone. Retrieved October 10, 2009.
  13. Jones, Preston (September 4, 2006). "Review: Idlewild". Slant Magazine. Retrieved July 30, 2010.
  14. Aaron, Charles (September 2006). "Review: Idlewild". Spin. No. 99.
  15. Hasty, Katie. "Danity Kane Sidesteps OutKast To Claim No. 1". Billboard. Retrieved May 10, 2010.
  16. "Dylan Earns First No. 1 Album Since 1976". Billboard. September 6, 2006. Retrieved November 4, 2018.
  17. "Gold & Platinum – Searchable Database: Idlewild". Recording Industry Association of America. Archived from the original on 25 May 2012. Retrieved May 9, 2010.
  18. "Search Certification Database: Idlewild". Canadian Recording Industry Association. Archived from the original on January 26, 2010. Retrieved February 28, 2023.
  19. "Review: Idlewild". Q. No. 124. October 2006.
  20. Williams, Ben (September 7, 2006). "The men who would be Prince". New York. Retrieved May 10, 2010.
  21. Powers, Ann (August 23, 2006). "Review: Idlewild". Los Angeles Times. Archived from the original on May 17, 2010.
  22. DeRogatis, Jim (August 20, 2006). "Not wild for Outkast's 'Idle'". Chicago Sun-Times. Retrieved May 10, 2010 via jimdero.com.
  23. du Lac, J. Freedom (August 22, 2006). "Review: Idlewild". The Washington Post. Retrieved May 10, 2010.
  24. OutKast – Idlewild (CD, Album). Discogs.com. Retrieved on 2011-04-29.
  25. Credits: Idlewild. Allmusic. Retrieved on 2010-05-10.
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  27. "Austriancharts.at – Outkast – Idlewild" (in German). Hung Medien.
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  30. "Outkast Chart History (Canadian Albums)". Billboard.
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  32. "Outkast: Idlewild" (in Finnish). Musiikkituottajat – IFPI Finland.
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  42. "Official Albums Chart Top 100". Official Charts Company.
  43. "Outkast Chart History (Billboard 200)". Billboard.
  44. "Outkast Chart History (Top R&B/Hip-Hop Albums)". Billboard.
  45. "Outkast Chart History (Top Rap Albums)". Billboard.
  46. "Outkast Chart History (Soundtrack Albums)". Billboard.
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