If/Then

After a developmental lab in April 2013, featuring Idina Menzel and directed by Michael Greif,[6] If/Then staged an out-of-town tryout at the National Theatre, Washington, D.C. from November 5 to December 8, 2013.[7] The musical began previews on Broadway at the Richard Rodgers Theatre on March 5, 2014, and officially opened on March 30.[8]

The Broadway production is directed by Greif, with choreography by Larry Keigwin, sets by Mark Wendland, costumes by Emily Rebholz, lighting by Kenneth Posner, and orchestrations by Michael Starobin. The original cast includes Menzel as Elizabeth, LaChanze as Kate, James Snyder as Josh, and Anthony Rapp as Lucas, along with Tamika Sonja Lawrence, Jenn Colella, Jerry Dixon, and Jason Tam.[8]

A national tour, with Menzel again in the starring role, began in Denver in October 2015.[4]

A South Korean production is set to play in Hongik Daehakro Art Center Grand Theater from December 8, 2022 to February 26, 2023.[9]

NOTE: An intermission is taken after "Surprise."

Elizabeth Vaughn returns to New York City to start her life over. She's thirty-eight, recently divorced, twelve years away from her beloved New York: a city planner who has only taught city planning and has never planned a city. On her first day back ("What If?"), she meets two friends in the park—Lucas, a friend from her undergrad years (and onetime lover, long ago, who now identifies as bisexual), and Kate, her spirited new neighbour. Lucas wants her to come with him to meet some of his fellow activists, gathering signatures at a table across the park. But Kate wants her to get coffee and listen to a sexy guy playing guitar nearby. Kate calls her "Liz"—the two of them having decided the previous night, over wine, that Elizabeth should have a new name for her new life. Lucas, for his part, likes "Beth".

We see her go both ways—with Kate, as "Liz", and with Lucas, as "Beth". Her lives diverge in that moment. And we follow them both.

† In the pre-Broadway production, this song is not performed; instead, "The Story of Dick and Jane", was performed by Kate and company
‡ In the pre-Broadway production, this song is moved and performed between "This Day / Walking By A Wedding" and "Hey Kid"
* In the pre-Broadway production, this song is not performed; instead, a different version of "No More Wasted Time", was performed by Kate and Anne

While at the National Theatre, Peter Marks, reviewing for The Washington Post praised Menzel, calling her "an earthy star with heavenly pipes"[10] but said the play makes "it difficult to determine at any given moment which of the stories of Elizabeth's fate we're in".[10] Marks noted that the show has the ingredients that it needs for success: "It's a winning blob, and it provides a lot of engaging elements, from Mark Wendland's becoming minimalist set, with rotating skeletons of city apartments and handsome retractable fire escapes, to Emily Rebholz's sleek and taste-drenched costumes. The score — a far sunnier composition than the songwriters worked out for their Pulitzer Prize-winning musical about mental illness, 'Next to Normal' — gives Tony-winner Menzel the power ballads in which her fans from 'Wicked' and 'Rent' will exult."[10]

The Broadway production received primarily mixed reviews, with the consensus being that the cast shone, but the score and book were still unclear. Ben Brantley of The New York Times gave a mixed review but stated that Idina Menzel "brings an anxious intensity to a featherweight part".[11] Mark Kennedy of ABC News said, "An uneven — maybe not completely finished — show opened Sunday at the Richard Rodgers Theatre with an intriguing, ambitious premise and a leading lady with a shockingly good voice, but a clumsy story and too few impressive songs".[12] Peter Marks of The Washington Post summed up his review with, "If/Then is an enjoyable, beautifully sung, at times deeply touching experience, built on a structure that never completely works."[13] Robert Hofler of The Wrap gave an optimistic review, comparing the show's non-traditional structure to Stephen Sondheim's Company, saying "Today, audiences seeing those classic shows understand perfectly what's going on. Audiences seeing them in the original productions – take it from me – were very confused and exasperated" and that "...it's an intriguing book, but one that Yorkey might tinker with beyond opening night, just as the books of 'Merrily We Roll Along' and 'Follies' went through many revisions after their respective Broadway premieres. In other words, see 'If/Then' now so you can have the fun of making comparisons to its future revivals, of which there will be many".[14] Elysa Gardner of USA Today was positive, writing, "Yorkey's book and lyrics match the probing compassion of Normal without indulging in that show's preciousness. The characters here are more accessible and likable, from James Snyder's rugged but tender Josh to Anthony Rapp's wry Lucas, Elizabeth's longtime friend. LaChanze brings infectious verve to the role of Kate, a lesbian schoolteacher who evolves from a stock comic-buddy type into a compelling individual. As for the leading lady, Menzel seems both grounded and energized by the opportunity to play a grownup who learns that there really are no ever-afters. There is poignance in that discovery, but a sense of liberation as well, and If/Then captures both to moving, invigorating effect."[15]

Despite mixed reviews, the show enjoyed strong box-office returns. During its first full week of performances, the show debuted in the top 10 with $931,268.[16] The show was highlighted by Entertainment Weekly as one of the hits of the 2013–2014 season.[17] By the last week of April the show was playing to over 97% capacity and was noted as one of the two highest-grossing new musicals.[18][19] In May, If/Then was noted by Variety as being one of "the spring openers that have shown box office strength all along," and was still bringing in over a million dollars at the box-office every week.[20] Also in May, Deadline Hollywood highlighted the fact that If/Then was defying the odds as one of the few original musicals to perform strongly in recent years, with most original musicals only lasting around a month. Deadline.com went on to comment on the strength of Menzel's name and fan-base as being behind the show's financial success.[21] Nevertheless, the production likely closed at a loss.[22]

While the show was on Broadway, James Snyder hosted a Broadway.com vlog titled Hey Kid showing what went on backstage. The series was originally expected to run for an eight episode single season, but was extended to 12 episodes due to popularity, before being extended again. It ended up running for three seasons, or 24 episodes, making it one of the longest-running Broadway.com vlogs ever.

• Official website
• ​If/Then​ at the Internet Broadway Database