Igbo highlife

Igbo highlife is a contemporary musical genre which combines highlife and Igbo traditional music. It first started off in the southeast region of Nigeria, during the 1920s in Lagos. The genre is primarily guitar-based music, with rare characteristic blend of horns and vocal rhythms.[1][2] Igbo highlife lyrics are sung mostly in Igbo with occasional infusion of Pidgin English.[3] One of the most influential composers and performers of the music is Chief Stephen Osita Osadebe whose career spanned over 40 years. Osadebe's discography comprises numerous popular songs including the 1984 hit "Osondi Owendi" which launched him on the world stage as a pioneer of the Igbo highlife genre.[4]

Igbo highlife
Stylistic origins
Cultural origins1870s, Ghana 1950s, Biafra/Nigeria
Typical instruments
Fusion genres
Other topics

Singer guitarist Oliver De Coque is considered "one of the prime exemplars of and chief innovators in contemporary Igbo popular music." Coque was responsible for the increasing popularity of Igbo highlife with a deeper perspective of Igbo sounds being translated on the guitar.[5] Among his best known hits are "Biri Ka Mbiri", "Ana Enwe Obodo Enwe", "Nnukwu Mmanwu" and "Identity", all of which were largely successful throughout the 1980s.[6] Other early performers in the genre who have made significant contributions to its development are, Ali Chukwuma, Bright Chimezie, Sir Warrior,[7] Celestine Ukwu,[8] Nico Mbarga, Oriental Brothers,[7] Isaac Rogana Ottah, Ikem Mazeli.[1]

Igbo highlife in the 21st Century
Flavour N'abania performing

From 2004 onwards, singers like Flavour N'abania, J. Martins, Bracket and Wizboyy saw even more success and acclaim for their renascent diverse styles, which, unlike earlier highlife, incorporate a wide range of neoteric influences outside of the West African music scene.[9][10] One typical example was N'abania's Uplifted album released through Obaino Music/2nite Entertainment in 2010. The album marked a change in musical direction compared to his debut effort as it exhibited a more urban feel encompassing a mixture of hip hop, R&B, techno, reggae, dancehall, and calypso.[11] Uplifted attained commercial success worldwide. In Africa, N'abania remained in high demand at concerts and on other social events.[12]

With the genre's rise in mainstream appeal, many emerging MCs particularly from around the South East and other neighbouring areas began integrating local highlife sounds. Acts such as Mr Raw (formerly Dat N.I.G.G.A. Raw), Slow Dogg, MC Loph and 2Shotz helped establish a much stronger link between indigenous rap, and the new highlife by providing verses to several hit songs and would often hire Igbo vocalists to sing the choruses of their own songs.[13][14][15] During 2011, J Martins made headlines around the continent and beyond when he collaborated with Cabo Snoop from Angola and Fally Ipupa from the Democratic Republic of Congo. The songs titled "Good Tym" and "Kele Papa" drew plenty of attention that year, and would later go on to become fan favorites. By 2012, J Martins had evolved into one of the most recognized West African, internationally known music stars. His soukous-tinged approach to record production further gained him additional fan following and respect.[9][16]

In March 2014, Phyno's introductory album No Guts No Glory was released. Featuring two high-profile appearances by N'abania contributing vocals to tracks "Multiply" and "Authe (Authentic)". The album has received generally positive reviews since its release. It earned Phyno a City People Entertainment Award nomination for Best Rap Album.[17]

See also

References
  1. "Ikem Mazeli". africaResource. 27 September 2008. Archived from the original on 6 October 2014. Retrieved 30 September 2014.
  2. "Video Abaraka Guitar Band of Nigeria (Nigeria) – Egwu Ndidi (80′s Evergreen Igbo Highlife!)". Peganabenga.com.br. 14 March 2014. Archived from the original on 28 June 2015. Retrieved 30 September 2014.
  3. "Igbo Highlife". Global Groove. 16 February 2012. Retrieved 30 September 2014.
  4. "Nigeria's Chief Stephen Osita Osadebe dead". United Press International. 19 May 2007. Retrieved 30 September 2014.
  5. Patterson, Karin. Expressions of Africa in Los Angeles Public Performance, 1781—1994. pp. 315–316. ISBN 0549407057.
  6. Harris, Craig. "King (Dr.) Chief Oliver de Coque". Allmusic. Retrieved 30 September 2014.
  7. "Dr. Sir Warrior + Oriental Brothers Band Vintage Hits Vol 1 (Nigeria) @ [256k]". globedia.com. 24 April 2011. Archived from the original on 6 October 2014. Retrieved 30 September 2014.
  8. "Discography of Celestine Ukwu (Celestine Obiakor)". African Music. 10 January 2008. Archived from the original on 6 August 2014. Retrieved 1 October 2014.
  9. Charles, Mgbolu (20 March 2012). "J Martins joins Now Muzik". Vanguard. Retrieved 3 October 2014.
  10. Nzom, Mukosolu (3 November 2012). "Our pain, our gains, our story – Bracket". Vanguard. Retrieved 3 October 2014.
  11. Muomah, Onyinye (23 May 2011). "Review Of Flavour N'abania Uplifted Album". Nigeria Films. Archived from the original on 17 July 2013. Retrieved 3 October 2014.
  12. Nda-Isaiah, Solomon; Abraham, Anthony (24 August 2013). "African Musicians Should Be Proud of Their Music – Flavour". Leadership. Retrieved 3 October 2014 – via AllAfrica.com.
  13. "Another Rap List: The 10 Most Talented Igbo Rappers List". Information Nigeria. 12 September 2013. Retrieved 4 October 2014.
  14. ""I am taking Igbo rap to the next level" – Phyno". Dailypost Nigeria. 8 May 2014. Retrieved 4 October 2014.
  15. "It is not easy to rap in Igbo –Mr. Raw". Daily Independent. Archived from the original on 6 October 2014. Retrieved 4 October 2014.
  16. "J Martins drops album number 3". Vanguard. 3 February 2012. Retrieved 9 October 2014.
  17. Okiche, Wilfred (3 May 2014). "Album review: Phyno's 'No guts, no glory' is the feel good album of the year". YNaija. Retrieved 4 October 2014.
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