Terminal Station (film)

While visiting her sister in Rome, Mary Forbes, an American housewife, has a month-long affair with Giovanni Doria, an Italian academic.

[5]

The film is based on the story Stazione Termini by Cesare Zavattini. Truman Capote was credited with writing the entire screenplay, but later claimed to have written only two scenes.[6] The film was an international co-production between De Sica's own company and the Hollywood producer David O. Selznick, who commissioned it as a vehicle for his wife, Jennifer Jones. The production of the film was troubled from the very beginning. Carson McCullers was originally chosen to write the screenplay, but Selznick fired her and replaced her with a series of writers, including Paul Gallico, Alberto Moravia and Capote.[6] Disagreements ensued between De Sica and Selznick, and during production, Selznick would write 40- and 50-page letters to his director every day, although De Sica knew no English. After agreeing to everything, De Sica has said, he simply did things his way.[6]

Montgomery Clift sided with De Sica in his disputes with Selznick, claiming that Selznick wanted the movie to look like a slick little love story, while De Sica wanted to depict a ruined romance. "Love relationships are ludicrous, painful, and gigantically disappointing. This couple loves each other but they become unconnected."[7]

During filming, Jones was distracted and saddened by the recent death of her former husband, actor Robert Walker, and badly missed her two sons, who were at school in Switzerland.[8] She had been married to Selznick less than two years at that point, and they were having difficulties in the marriage.

The original 1953 Italian release of the film ran 89 minutes, but it was later re-edited by Selznick down to 64 minutes. This was too short to qualify it as a feature film, so Selznick hired singer Patti Page, and filmed her singing two Italian-themed songs on a soundstage with James Wong Howe and attached this unrelated "overture" footage to the beginning of the film, before the credits, giving it a technical running time of 72 minutes.[9] He also added additional close-ups and insert shots of Jones and Clift, directed by Oswald Morris. Selznick released this version in the United States as Indiscretion of an American Wife[10] (and as Indiscretion in the UK).

Clift declared that he hated the picture and denounced it as "a big fat failure."[8] Critics of the day agreed, giving it universally bad reviews.[6] The Buffalo Evening News reviewer thought the production “beautifully photographed and technically tip top,” but was less happy with the plot and its unfolding: “Mr. Clift….shows distinct signs, unintentional of course, of wishing the train for Milan and Paris would pull out with Jennifer Jones and release him from the picture. There is much interest…in perusing the station populace….but a station is a poor field d’amour, as many a sailor knows….There is irony in the oogles they receive under arrest but the obvious lady’s obvious innocence allows no great tension as to the outcome. One is really more worried about the fate of Miss Jones’ fur coat, entrusted to a porter.”[11] The two versions have been released together on DVD by The Criterion Collection. A 1998 remake of the film was made for television under the title Indiscretion of an American Wife.

• Nomination for the Grand Prix of 1953 International Film Festival in Cannes (Vittorio De Sica).
• Nomination for the 1955 Academy Award for Best Costume Design in black and white (Christian Dior).

• O'rawe, Catherine (2021-02-19). "Italian neorealism and the 'woman's film': Selznick, De Sica and Stazione Termini". Screen. 61 (4): 505–524. doi:10.1093/screen/hjaa050. hdl:1983/61c5b89d-ebd7-4e16-9938-4daf732fb60a.

• Terminal Station at IMDb
• Terminal Station at AllMovie
• Terminal Station at the TCM Movie Database
• Indiscretion of an American Wife at the American Film Institute Catalog
• Indiscretion of an American Wife & Terminal Station an essay by David Kehr at the Criterion Collection