The Immaculate Conception (Murillo, 1670)

The Immaculate Conception is an oil on canvas painting made by Bartolomé Esteban Murillo in the year 1670. It belongs to the collection of Museo Soumaya. The dimensions are 168 x 112 cm.[1]

Inmaculada Concepción (1670) by Bartlomé Esteban Murilo

The painting was identified as an autograph Murillo in the 1979 catalogue by Diego Angulo Íñiguez, Spanish art historian.[2] It belonged to the French marshal Horace François Bastien Sébastiani de La Porta, an officer who participated in Napoleon's invasion of Spain in 1807. The painting traveled with him back to Paris and remained there until Jean-Baptiste-Pierre Lebrun purchased it on the recommendation of his artist ex-wife Louise Élisabeth Vigée Le Brun, who also suggested he return it to Spain.[1]

References

Museo Soumaya (2015). Coleccion Museo Soumaya. Vol. 1. Fundacion Carlos Slim. p. 139.
"Diego Angulo Íñiguez".

Bartolomé Esteban Murillo
Immaculate Conceptions	San Vicente (c. 1640–1650) La Colasal (1645–1655) Esquilache (1645–1655) El Escorial (1660–1665) Museo Soumaya (c. 1670) Aranjuez (c. 1675) Los Venerables (c. 1678) Walpole (c. 1680)
Other religious works	The Vision of Fray Lauterio (c. 1640) Joseph and Potiphar's Wife (1640–1645) The Angels' Kitchen (1646) Saint Francis of Assisi at Prayer (c. 1645–1650) The Flight into Egypt (1647–1650) The Holy Family with a Little Bird (1650) Rebecca and Eleazar (1652) Our Lady of the Rosary (1650–1655) Saint Roderick (c. 1650–1655) The Vision of Saint Anthony of Padua (1656) The Good Shepherd (c. 1660) The Birth of the Virgin (1661) Dolorosa Madonna (1665) The Patrician's Dream (1665) Christ after the Flagellation (Boston) (c. 1665) Rest on the Flight into Egypt (c. 1665) Liberation of Peter (1665–1667) Saint Justa and Saint Rufina (c. 1666) Madonna and Child of the Napkin (c. 1666) Adoration of the Shepherds (c. 1668) Saint Thomas of Villanova Giving Alms (c. 1668) Saint Anthony with the Christ Child (1665–1666, 1668–1669) Saint Francis Embracing Christ on the Cross (1668–1669) Christ on the Cross (c. 1660–1670) Isaac Blessing Jacob (1665–1670) Christ Healing the Paralytic at the Pool of Bethesda (c. 1667–1670) The Return of the Prodigal Son (c. 1667–1670) Holy Family with the Infant Saint John the Baptist (c. 1668–1670) Christ after the Flagellation (Champaign) (c. 1670) Saint John of God Carrying a Sick Man (1672) The Miracle of the Loaves and Fishes (Murillo, Seville) (c. 1669–1674) Moses at the Rock of Horeb (c. 1669–1674) Abraham and the Three Angels (c. 1670–1674) Saint Elizabeth of Hungary Curing the Sick (1672) The Christ Child and the Infant John the Baptist with a Shell (1670–1675) Christ on the Cross (c. 1675, Metropolitan Museum of Art) Christ on the Cross (c. 1675, Prado) Christ on the Cross (c. 1677, Prado) Saint Thomas of Villanova Healing a Lame Man (c. 1675) Ecce Homo (c. 1672–1678) The Christ Child Distributing Bread to Pilgrims (1678) The Heavenly and Earthly Trinities (c. 1680) The Miracle of the Loaves and Fishes (Murillo, Edinburgh) (c. 1667–1682)
Genre works	The Young Beggar (1645–1650) Children Eating Grapes and a Melon (1645–1650) Boy with a Dog (1655–1660) Four Figures on a Step (c. 1655–1660) Two Women at a Window (1665–1675) The Little Fruitseller (c. 1670–1675) Children Eating a Tart (1670–1675) The Flower Girl (c. 1675–1680)
Portraits	Portrait of Diego Ortiz de Zúñiga (c. 1653) Portrait of Íñigo Melchor Fernandez de Velasco (1658-1659)
Museums	Casa de Murillo

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