Intermediate film system

The intermediate film system was a television process in which motion picture film was processed almost immediately after it was exposed in a camera, then scanned by a television scanner, and transmitted over the air. This system was used principally in Britain and Germany where television cameras were not sensitive enough to use reflected light, but could transmit a suitable image when a bright light was shone through motion picture film directly into the camera lens.[1] John Logie Baird began developing the process in 1932, borrowing the idea of Georg Oskar Schubert from his licensees in Germany, where it was demonstrated by Fernseh AG in 1932 and used for broadcasting in 1934.[2] The BBC used Baird's version of the process during the first three months of its then-"high-definition" television service from November 1936 through January 1937,[3] and German television used it during broadcasts of the 1936 Summer Olympics.[4] In both cases, intermediate film cameras alternated with newly introduced direct television cameras.

Intermediate film system for Remote Truck (1934), 1 - movie camera; 2 - film processor; 3 - washing bath; 4 - film drying compartment; 5 - telecine; 6 - monitor; 7 - video output; 8 - sewage; 9 - plumbing.

The exposed film, either 35mm or 17.5mm (35mm split in half, to save expense), travelled in a continuous band from the camera, usually atop a remote broadcast vehicle, into a machine that developed and fixed the image. The film was then run through a flying spot scanner (so called because it moved a focused beam of light back and forth across the image), and electronically converted from a negative to a positive image. Depending on the equipment, the time from camera to scanner could be a minute or less. An optical soundtrack was recorded onto the film, between the perforations and the edge of the film, at the same time the image was taken to keep the sound and image in synchronization.

The intermediate film system, with its expensive film usage and relatively immobile cameras, did have the advantage that it left a filmed record of the programme which could be rerun at a different time, with a better image quality than the later kinescope films, which were shot from a video monitor.

Television tubes developed by Farnsworth and Zworykin in the United States, and by EMI in England, with much higher sensitivity to light, made the intermediate film system obsolete by 1937. Film continued to be used for time-shifting and as a long-term storage until electronic video recorders were invented.

See also

References
  1. The alternative was to use a flying spot scanner, with a bank of photoelectric cells combining their strengths, but the darkened television studio required made it unsuitable for large casts or sets, or outdoor use.
  2. "The Second System," Television Comes to London. The method first appeared in a patent by Ralph Hartley and Herbert Ives in the USA in 1927.
  3. Unfortunately none of this film survives, as the BBC destroyed the film to recover the silver content. The film would have been a priceless record of the BBC's early television programming. As it is there is therefore virtually no extant record of the BBC high definition service of 1936–1939, apart from some film shot during production by one of the production crew. Currie, Tony (2004). A Concise History of British Television, 1930–2000. Kelly Publications. pp. 12–15. ISBN 1-903053-17-X.
  4. "Television in Berlin," Popular Wireless, Sept. 19, 1936. Berlin 1936: Television in Germany.
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