Irene Iddesleigh

Irene Iddesleighnote is a romantic drama novel written by Amanda McKittrick Ros. Its publication in 1897 was financed by Ros's husband as a gift on their tenth wedding anniversary.[1] The plot centers around an adopted Canterbury noblewoman named Irene's affair with her tutor. It has been widely considered one of the worst books of all time since its publication, and has been panned by critics for its excessive purple prose and poorly-constructed plot.

Irene Iddesleigh
First edition
AuthorAmanda McKittrick Ros
CountryIreland
LanguageEnglish
Genreromance
Set inKent and New York, 1890s
Published1897
PublisherW&G Baird
Media typePrint: octavo
Pages189
823.8
LC ClassHQ734 .M355
Followed byDelina Delaney 

Plot

Noble Sir John Dunfern makes a sudden decision to marry Irene Iddesleigh, an orphan adopted by a nobleman. Despite her being in love with her tutor, Oscar Otwell, she marries Dunfern and has a son, Hugh. While Irene assuages Sir John's early suspicions of her infidelity, he later finds love letters she received from Oscar dated after the marriage. He flies into a frightful rage and imprisons Irene in his manor, intending for her to remain in captivity for the rest of her life. About a year later, Oscar and one of her maids help her to escape. Oscar cannot return to the job he previously had, since his boss is acquainted with Dunfern. Oscar and Irene quietly sell the house they had previously on loan and elope to Dobbs Ferry, New York.

Dunfern is devastated, but finds solace in Hugh, and sends him to the school Oscar previously worked at. He then learns from Oscar's former boss that Irene and Oscar had married. While Dunfern previously felt remorse for his treatment of Irene and intended to include her in his will, he cuts her out entirely upon learning of the marriage.

Meanwhile, Irene and Oscar's marriage is strained. Convinced they could live entirely off the money he got for selling their Canterbury house for the rest of their lives, Oscar does not see fit to get a job until he and Irene are on the brink of total ruin, and descends into alcoholism. When he is fired from his new job, he comes home and beats Irene, who then leaves him and becomes a duenna. Oscar comes to regret abusing Irene, but cannot find her. He then drowns himself, leaving a note for Irene apologizing and begging her to return to Sir John in England.

As Irene returns to England, Sir John lies on his deathbed. He sends for Hugh so that he can tell him about Irene's wrongdoings. However, when Hugh arrives, Dunfern has lost his speech capabilities. Mysteriously, he then regains them; after telling Hugh the truth about his mother, he reveals that he had originally planned to release Irene on the day she escaped.

Irene arrives shortly after Dunfern's death, and expresses grief and remorse while visiting his grave. When Hugh realizes that the mourner at his father's grave is Irene, he condemns her and orders her to leave for good. Having no money and no place to live, Irene commits suicide.

Critical reception

Irene Iddesleigh received extremely poor reviews from critics. Mark Twain called it "one of the greatest unintentionally humorous novels of all time";[2] whereas the well-known literary group Inklings turned the novel into a game to see who could read one of Ros's works, namely this one, for the longest without breaking out in laughter.[3] In Epic Fail, Mark O'Connell wrote "Ros’ prose amounts to a sort of accidental surrealism. There is an intention toward metaphor—a lunge in the general direction of the literary—but an obvious misunderstanding of how such things work (and often, for that matter, how syntax works)." O'Connell emphasized that "Ros’ writing is not just bad, in other words; its badness is so potent that it seems to undermine the very idea of literature, to expose the whole endeavor of making art out of language as essentially and irredeemably fraudulent—and, even worse, silly."[4] Robert H. Taylor stated that the novel "is so bad that it is very endearing. [Ros] didn't know anything about grammar or syntax, and she didn't care a rap about the meaning of words, but she loved jeweled prose."[5]

"The book", wrote Barry Pain, in 1898, "has not amused. It began by doing that. Then, as its enormities went on getting more and more enormous in every line, the book seemed something titanic, gigantic, awe-inspiring. The world was full of Irene Iddesleigh, by Mrs. Amanda McKittrick Ros, and I shrank before it in tears and in terror." Ros responded to this remark with a foreword titled "Criticism of Barry Pain on Irene Iddesleigh". In this foreword, she attacks "this so-called Barry Pain" for "criticis[ing] a work the depth of which fails to reach the solving power of his borrowed, and, he'd have you believe, varied talent." Going, on, she says she cares nothing "for the opinion of half-starved upstarts, who don the garb of a shabby-genteel, and fain would feed the mind of the people with the worthless scraps of stolen fancies."[4]

Don Howard of the Salt Lake Telegram said of the book in 1927, "Just to say what the story is all about is, to say the least, extremely vague, as far as any excuse for its telling can be ascertained." He describes the writing style as "hav[ing] the merit of concealing thought and plot, and the mind rocks along through its pages in delirium", and closes the article with "The book, from the pen of an English workman's wife, is rather a unique literary curiosity, which is its only value to the reader."

The satirical literary criticism podcast 372 Pages We'll Never Get Back reviewed Irene Iddesleigh in 2021.[6]

Notes

1.^ The pronunciation /ˈrn ˈɪdzl/ eye-REE-nee IDZ-lee is most likely intended; "eye-ree-nee" was the common Victorian English pronunciation and would fit the pattern of rhyming names used by Ros: Delina Delaney, Helen Huddleson; while "idzly" is the pronunciation used by the Earls of Iddesleigh.[7][8][9][10][11]

References

  1. Dirda, Michael (22 August 2018). "Book World: What's the worst novel ever? It might be this 19th-century train wreck". Washington Post via Gale.
  2. Corwin, Miles (June 2009). "Words to Remember". Smithsonian Magazine. Retrieved 19 December 2020.
  3. Gorman, AG; Mateer, LR (2009). "Amanda McKittrick Ros and the Inklings". Mythlore. 28 (1/2 (107/108)): 77–85. JSTOR 26815463.
  4. O’Connell, Mark (23 January 2013). "Who Was the Worst Novelist In History? Maybe Amanda McKittrick Ros". Slate Magazine. Retrieved 18 December 2020.
  5. "Bound Up with Books: The Story of the Robert Taylor Collection". The Princeton University Library Chronicle. 72 (2): 439–453. 2011. doi:10.25290/prinunivlibrchro.72.2.0439. JSTOR 10.25290/prinunivlibrchro.72.2.0439.
  6. "Episode 109 – Book 18: Irene Iddlesleigh – 372 Pages We'll Never Get Back". 15 October 2021. Retrieved 12 June 2023.
  7. Morris, Susan (20 April 2020). Debrett's Peerage and Baronetage 2019. eBook Partnership. ISBN 9781999767051 via Google Books.
  8. Corporation, British Broadcasting (29 October 1939). "Broadcast English ...: Recommendations to Announcers ..." British Broadcasting Corporation via Google Books.
  9. Cresswell, Julia (5 November 2008). Naming Your Baby: The definitive dictionary of first names. A&C Black. ISBN 9780713683134 via Google Books.
  10. Osborn, Susan (29 November 1999). What's in a Name?. Simon and Schuster. ISBN 9780671025557 via Google Books.
  11. Baby Names. Dorling Kindersley Limited. 1 October 2010. ISBN 9781405370943 via Google Books.
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