J. D. Foster

J. D. Foster started his career in Central Florida, playing bass with numerous Orlando, Gainesville, and Saint Augustine musicians. He lived in Los Angeles throughout most of the 1980s playing with Dwight Yoakam, Jim Lauderdale, Rosie Flores, Pete Anderson and many other country artists. He started his major label recording career as bassist in L.A. with Dwight Yoakam in 1986. His work with Yoakam earned three platinum albums, saw tours all across America and Europe, as well as appearances on Austin City Limits, Solid Gold,[1] The Tonight Show with Johnny Carson, The Grammys,[2] and various music videos.[3][4]

During these years Foster also appeared "sidelining" in several TV shows and feature films. In this capacity he worked with artists including: T. G. Sheppard, Ben Vereen, Janie Fricke, Robert Blake, Drew Barrymore, and Madonna in the film Vision Quest.

Foster relocated to Austin, Texas in 1988. There he joined The True Believers with Alejandro Escovedo. He also worked with Escovedo & Jon Dee Graham in the Make Believers. Foster played with Ronnie Lane in his Texas version of Slim Chance and appeared in Rupert Williams' documentary The Passing Show: The Life and Music of Ronnie Lane (2006), where he is interviewed about this association. [5] During his Austin tenure, Foster started a band with Danny Barnes and Rich Brotherton, The Barnburners, releasing one recording. He and Brotherton also played regularly with songwriter David Halley. Foster and Halley performed together in different productions of Bad Girls Upset By the Truth, a musical play by Jo Carol Pierce.[6] During this time he worked on recordings with The Silos and tour dates with Lucinda Williams, among others.

Foster moved to New York City in 1991 and began working with artists in the improvisational scene and has worked closely with Marc Ribot on many projects through the years. He toured the US, Europe, and Japan with Ribot's noise combo Shrek, appearing at events such as the Saalfelden Jazz Festival.[7] Foster again toured Europe and Japan with Green on Red in the early 1990s. They performed on European television, at major venues and rock festivals, including the London Fleadh, Glastonbury Festival, and Roskilde Festival.

In 2004–2005, Foster toured and recorded with Patty Griffin joining her on the Sweet Harmony Traveling Revue tour alongside Emmylou Harris, Buddy Miller, Gillian Welch, and David Rawlings. He also performed with Griffin on Austin City Limits and Late Night with David Letterman.[8] Foster worked on Laura Cantrells' 2005 release[9][10] before he joined Calexico in the following year. In 2006, he produced the Calexico album Garden Ruin.[11] For the album, his choices for production were "very adventurous in details — using unusual percussion, or wanting to bring in instruments like banjo ukuleles, bass melodica, electric mandolin, and tenor guitar."[12] Foster played bass on T-Bone Burnett's album Tooth of Crime (2008) as well as appearing in the Signature Theatre production of the play in the 1996–1997 season at the Lucille Lortel Theatre.

In 2010, Foster formed The Slummers with Dan Stuart, Antonio Gramentieri, and Diego Sapignoli. They released their debut album Love of the Amateur and toured Europe a year later. In the second half of 2013, Foster worked with the Ithaca-based songwriter Anna Coogan to record a co-written collection of songs for a new album.[13] Foster had produced Coogan's first solo album The Nocturnal Among Us in 2009.[14] The duo performed dates in Germany, Netherlands, London, and New York City in 2014. They were joined by drummer Brian Wilson aka Willie B. (Johnny Dowd) on several dates. In October 2014, Foster and Coogan released the album Birth of the Stars on Elevate Records.

Foster often performs in the house band of the Radio Free Song Club with David Mansfield and Dave Schramm.[15]

J. D. Foster joined the 17 Hippies in Berlin to take part in the production of Phantom Songs (2011).[16]

In recent years Foster has been working extensively with Italian musicians and is strongly associated with the up-and-coming "Palermo Sound."[17] An Italian record review states: "Tra l'altro Storia Di Una Corsa denota chiaramente un sound moderno ma non per questo in linea con quello prevedibile e gettonato dai progetti musicali più pacchiani e quotati del momento. Determinanti, in tal senso, sono stati i gusti, le scelte, di chi questo disco l'ha prodotto a livello artistico senza tralasciare alcunché: JD Foster, appunto. "[18]