Jabbar Garyaghdioglu

He was born in the Seyidlar neighbourhood of Shusha to a family of a dyer. His stagename Garyagdioglu literally translates from Azeri as Son of Snow-Has-Fallen. According to an urban legend, Jabbar's father Meshadi Ismayil was an extremely reserved and taciturn man and as a result, would often be asked in an idiomatic way, common to Azeri: "Why are you so gloomy? Has the snow fallen?" Therefore, he was nicknamed Garyagdi (Anglicisation of qar yağdı - "snow has fallen").[3] Meshadi Ismail wanted to teach little Jabbar the craft of the dyer. However, this did not happen. His son, who dreamed of becoming a singer, never learned the craft of his father. In the second half of the 19th century, most residents of Shusha were engaged in trade and crafts. But there were many servants of faith. Meshadi Ismail himself was a strong believer. He, along with his sons, took part in religious ceremonies. Despite his father's plans, Jabbar did not take up his business and decided to become a singer. His older brother, an amateur folk singer, played an important role in young Jabbar's passion for music. In 1871–1876 Garyagdioglu attended school where he took vocal lessons, studied the theory of music and the Persian language. While still in his teens, he was accepted into the ensemble of the notable musician Sadigjan. Until age 20, he performed primarily in his native Karabakh, but soon he became famous in other parts of the South Caucasus, and later would make tours to Iran and Central Asia.[3]

From the beginning of the 1920s, Karjagdyoglu took an active part in the public life of the republic. The singer stood at the origins of the creation of the national conservatory and played an important role in the formation of new cadres. In addition to teaching, he was a consultant to the research room of Azerbaijani music at the Conservatory. Jabbar Karjagdyoglu was a supporter of the transposition of mugams to notes and in this work assisted the composer Fikret Amirov. The singer for a long time was the soloist of the Azerbaijan State Philharmonic named after Muslim Magomayev. Over more than half a century of creative way khanende collected more than 500 folk songs and musical fragments. Uzeyir Hajibeyov and Muslim Magomayev put on more than 30 songs of his songs. The singer has greatly assisted Rheingold Gliere in studying Azerbaijani folk music. Bulbul records the voice of Jabbar Karjagdyoglu In 1934, with the assistance of Jabbar Karjagdyoglu, the research room of Azerbaijani music, headed by Bulbul, recorded about 300 folk songs and tesnifs. Jabbar Karjagdyoglu sang these songs, and Bulbul recorded them on a phonvalik. Said Rustamov, over 50 songs have been translated and published in a separate book in Azerbaijani and Russian languages. May 30, 1934 in Tbilisi hosted the Olympics of the art of the peoples of Transcaucasia. It was attended by 1,900 people representing 17 nationalities. 74-year-old Jabbar Karjagdyoglu was awarded the first prize. File: Jabbar Qaryaqady, Qurban Pirimov and Qılman Salahov.ogv Jabbar Karjagdyoglu performs the mugam "Eyraty". Gurban Pirimov accompanies him on the tare, on the kemanche - Gulman Salakhov In 1939, three Tesniffa ("Leili", "Shirin" and "Sarandj Tesnifi") were recorded on the verses of Nizami Ganjavi from the voice of Jabbar Karyagdy Kara Karaev. Jabbar Karjagdyoglu lived to a very old age, sang to the last days of his life. At the age of seventy-two he sang one of the most difficult parts of mugam "Uzzal", accompanied by tar player Gurban Pirimov. Jabbar Karjagdyoglu died on 20 April 1944 at the age of 83 years.