Zainul Abedin

Zainul Abedin was born in Kishoreganj on 29 December 1914.[7] Much of his childhood was spent near the scenic banks of the Brahmaputra River. The Brahmaputra would later appear in many of his paintings and be a source of inspiration all throughout his career. Many of his works framed Brahmaputra and a series of watercolors that Zainul Abedin did as his tribute to the river earned him the Governor's gold medal in an all-India exhibition in 1938. This was the first time when he came under spotlight and this award gave Zainul Abedin the confidence to create his own visual style.[8]

In 1933, Zainul Abedin was admitted to the Government School of Art in Calcutta (now Government College of Art & Craft, Kolkata, India). Here for five years he learned British/ European academic style and later he joined the faculty of the same school after his graduation. He was the first Muslim student to obtain first class distinction from the school.[9] He was dissatisfied with the oriental style and the limitations of European academic style and this led him towards realism. In 1948, with help from a few colleagues, he founded an art institute in Dhaka. Back then, there were no art institutes in the city. Soon after, it went on to be considered the best art institute in Pakistan during its early years. He worked in the Pakistani government for a while.[10] He taught at the institute and among his students was Pakistani artist Mansur Rahi.[11] He also taught Bangladeshi artists such as Monirul Islam[12] and Mohammad Kibria.[13]

After completing his two years of training from Slade School of Fine Art in London, he began a new style, the 'Bengali style', where the main features were: folk forms with their geometric shapes, sometimes semi-abstract representation, and the use of primary colors. But he lacked the sense of perspective. Later he realized the limitations of folk art, so he went back to the nature, rural life and the daily struggles of man to make art that would be realistic but modern in appearance.[14][15]

Jainul Abedin Gallary

Among all the contemporary works of Zainul Abedin, his famine sketches of the 1940s are his most remarkable works. His famine painting set which, exhibited in 1944, brought him even more critical acclaim. The miserable situation of the starving people during the Great Famine of Bengal in 1943 touched his heart. He made his own ink by burning charcoal and used it on cheap, ordinary packing paper. He depicted those starving people who were dying by the road-side.[1] Zainul Abedin not only documented the famine, he also revealed the famine's sinister face through the skeletal figures of people fated to die of starvation. [16]

Zainul Abedin depicted this inhuman story with very human emotions. These drawings became iconic images of human suffering. These sketches helped him find his way in a realistic approach that focused on the human suffering, struggle and protest. He was more socially aware focusing on the working class and their struggles.[17] The Rebel Cow marks a high point of that style. This particular brand of realism combines social inquiry and the protest with higher aesthetics. He was an influential member of the Calcutta Group of progressive artists and was friends with Shahid Suhrawardy and Ahmed Ali of the Progressive Writers' Movement.[18] He made modernist paintings of Santhal people. Notable among them is "Two Santhal Women".[19]

He visited Palestinian camps in Syria and Jordan in 1970 and made 60–70 paintings of the refugees there.[20] He also painted the 1970 Bhola cyclone that devastated East Pakistan.[10]

He was involved in the Bengali Language Movement of East Pakistan.[2] Zainul Abedin was involved in the Bangladesh liberation war movement. He was at the forefront of the cultural movement to re-establish the Bengali identity, marginalized by the Pakistan government. In 1969, Zainul Abedin painted a scroll using Chinese ink, watercolor and wax named Nabanna. This was to celebrate the ongoing non-cooperation movement.[8]

In 1974 he received Honorary Doctor of Letters degree from the University of Delhi, India.[21] In 1975, he founded the Folk Art Museum at Sonargaon in Narayanganj, and Zainul Abedin Sangrahashala, a gallery of his own works in Mymensingh.[22] In 1982, 17 of the 70 pictures housed in Zainul Abedin Sangrahashala were stolen. Only 10 were later recovered. His famous painting "Study of a Crow" (Ink Wash) in the collection of Professor Ahmed Ali is listed in the book Arts in Pakistan by Jalaluddin Ahmed, 1952, including an exclusive monologue on him published by FOMMA, Karachi, along with his many Famine Series paintings of 1943.

Grave of Zainul Abedin

Zainul Abedin was married to Jahanara Abedin.[7] He developed lung cancer and died on 28 May 1976 in Dhaka. Two faces was his last painting, completed shortly before his death.[1] He was buried beside the Dhaka University Central Mosque.[23]

Sculpture of Shilpacharya in the premises of Folk Art Museum

In 2009, a crater on the planet Mercury was named Abedin after the painter.[24] His birthday was celebrated in Bangladesh, with a festival in University of Dhaka and children's art competition in Shilpacharya Zainul Abedin Sangrahashala (art gallery).[25][26][27] An academic building of the University of Rajshahi, has recently been named after him which is the home to its fine arts faculty. His sketch was auctioned at auction house Bonhams.[28] Zainul Abedin Museum in Mymensingh, Bangladesh is dedicated to his work.

In December 2014, Bangladeshi various socio-cultural organisations have arranged elaborate birth centenary programmes throughout the country.[23] On 29 December 2019, Google celebrated his 105th birthday with a Google Doodle.[29]

• 
  Bangladesh Liberation war, 1971
• 
  Sculpture based on the painting The Struggle
• 
  Zainul Abedin Sculpture, Sonargaon
• 
  Struggle of Bullock, sculpture in Sonargaon 02

Wikimedia Commons has media related to Zainul Abedin.

• Painting by Shilpacharjya Zainul Abedin
• Zainul Abedin @ Gallery Jolrong
• Islam, Syed Manzoorul (2012). "Abedin, Zainul". In Islam, Sirajul; Jamal, Ahmed A. (eds.). Banglapedia: National Encyclopedia of Bangladesh (Second ed.). Asiatic Society of Bangladesh.