James Andrew Phillips

James Andrew Phillips is an associate professor of philosophy at the University of New South Wales. He is known for his research on philosophy of art, the philosophy of film and performance, and Martin Heidegger's thought.[1][2][3][4][5][6]

James Phillips
EraContemporary philosophy
RegionWestern philosophy
SchoolContinental
Main interests
Aesthetics
Political Philosophy
Cinema Studies

Life

After receiving his MA in Comparative Literature and Critical Theory from Monash University, he studied as a Ph.D. student in philosophy in both Austria and Germany and finished his doctorate under Jeff Malpas at the University of Tasmania. Phillips has been a visiting fellow at the Institute of Advanced Studies in the Humanities (University of Edinburgh) and National Humanities Center in North Carolina.

Bibliography
  • Phillips JA, and JR Severn, (eds.), 2021, Barrie Kosky's Transnational Theatres, Springer.
  • Phillips JA, 2019, Sternberg and Dietrich: The Phenomenology of Spectacle, Oxford University Press
  • Phillips JA, (ed.), 2008, Cinematic Thinking, Stanford University Press, Stanford
  • Phillips JA, 2007, The Equivocation of Reason: Kleist reading Kant, Stanford University Press
  • Phillips JA, 2005, Heidegger's Volk: Between National Socialism and Poetry, Stanford University Press
  • Phillips JA, 2009, 'Beckett's Boredom', in Essays on Boredom and Modernity, edn. 1, Rodopi, Amsterdam

See also

References
  1. A review of "Heidegger's Volk: Between National Socialism and Poetry" by Andrew Padgett
  2. Time and Memory in Freud and Heidegger: An Unlikely Congruence by James Phillips
  3. My Own Private Swabia. On the Idiocy of Heidegger's Nationalism by Robert Ian Savage
  4. Heidegger and National Socialism: New Contributions to an Old Debate by Robin Celikates
  5. A review of "The Equivocation of Reason: Kleist Reading Kant" by Robert E. Norton
  6. A review of "Heidegger's Volk: Between National Socialism and Poetry" by Hans Sluga
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