James C. Watkins

James C. Watkins (1951 - ) was born in Louisville, Kentucky, in 1951 and raised in a farming family in Athens, Alabama.[1] He is a ceramic artist living in Lubbock, Texas who has worked with clay for over 40 years. He is known for his large scale double-walled ceramic vessels and laser cut porcelain substrate [2] tiles. He is recognized for his textured surfaces, created by using alternative firing techniques.[3] His porcelain substrate tiles are fumed Archived 2014-09-07 at the Wayback Machine [4] with stannous chloride and multi-fired using ferric chloride, gold and platinum luster to achieve colorful surfaces.[5]

James C. Watkins
Born (1951-05-28) May 28, 1951
NationalityAmerican
Known forCeramics, Pottery

Watkins gained recognition through his inclusion in the 1993 White House Collection of American Crafts,[6] which was curated by Michael Monroe, who was then the director of the Renwick Gallery of the Smithsonian Institution.[7] Watkins' work is held in 21 permanent collections, including the Clinton Library [8] in Little Rock, Arkansas, the Shigaraki Institute of Ceramic Studies [9] in Shigaraki, Japan, the Everson Museum [10] in Syracuse, New York, the Tweed Museum [11] in Duluth, Minnesota, and the Eiteljorg Museum [12] in Indianapolis, Indiana.[13] His work has been widely exhibited in 40 solo exhibitions and 164 group exhibitions.

Academic and instructional position

Watkins is a Paul Whitfield Horn Professor [14] Emeritus in the College of Architecture at Texas Tech University in Lubbock, Texas where he taught Architectural Ceramics and Architectural Drawing. The Horn Professorship is the highest honor that Texas Tech University bestows on members of its faculty. Horn Professorships are granted to professors in recognition of national and international distinction for outstanding research or other creative scholarly achievements.

Personal background

Watkins uses his experience of growing up in the rural south during the 1950s and 60s as a source of inspiration for his signature work. His mother and father were farmers. Watkins is the oldest of six children - three boys and three girls. He grew up in a time when large cast-iron pots were still used as an essential farming utensil.[15] His mother made soap, hominy and souse in the large black cast-iron pots. Watkins creates large double-walled ceramics forms that are inspired by the memory of helping his mother keep the fire burning hot around the cast-iron pots.[16]

Awards

Watkins has been honored for his contributions to the arts and teaching.

Education

Publications by James C. Watkins
  • Architectural Delineation Presentation Techniques and Projects 1st ed., James T. Davis, James C. Watkins; Published by Kendall/Hunt Publishing Company, 2000, 168 pages ISBN 0-7872-6231-5 (paperback)
  • Architectural Delineation Presentation Techniques and Projects 2nd ed., James T. Davis, James C. Watkins; Published by Kendall Hunt Publishing Company, 2001, 168 pages ISBN 0-7872-8850-0 (paperback) Find this book
  • Alternative Kilns & Firing Techniques, James C. Watkins, Paul Andrew Wandless; Published by Lark Books, a division of Sterling Publishing Company, 2004, 127 pages ISBN 1-57990-4556 (hardcover) ISBN 1-57990-952-3 (paperback) Find this book
  • Niedrigbrand, (German translation of Alternative Kiln & Firing Techniques), James C. Watkins, Paul Andrew Wandless; Published by Lark Books, a division of Sterling Publishing Company, 2005, 127 pages ISBN 3-936489-11-4 (hardcover) Find this book
  • Reflections Made of Memories, James C. Watkins; Distributed by Kendall/Hunt Publishing Company, 2019, 118 pages ISBN 978-1-7335071-0-3 (hardcover) Find this book

Publications about James C. Watkins' life and art
  • A Meditation of Fire The Art of James C. Watkins, by Kippra D. Hopper; Publish by Texas Tech University Press, 1999, 136 pages ISBN 0-89672-419-0 (hardcover) Find this book
James C. Watkins working in his studio.
Double-walled Caldron from the ("Fragility Series"), saggar fired, 20 in. high x 20 in. wide, photo by Jon Thompson.
Multi-fired porcelain substrate tile piece from the ("Reflections Series"), 12 in. high x 24 in. wide, photo by Denny Mingus.

References
  1. Ceramics Monthly, (Cover), "Pots Made of Memories", Autobiographic Essay, James Watkins, June/July/August 1992.
  2. PC SUBSTRATES:Laswe Scribing.
  3. China Ceramic Artist, "Notes on Alternative Firing Techniques" James Watkins, 2013.
  4. Fuming Archived 2014-09-07 at the Wayback Machine.
  5. New Ceramics (cover), The European Ceramics Magazine, James Watkins, September/November Issue 2013.
  6. White House Collection of American Crafts.
  7. Southern Living Magazine, Rogayle Frankin, "Artful Pottery, Texas Size", 2001.
  8. Clinton Library
  9. Shigaraki Institute of Ceramic Studies.
  10. Everson Museum
  11. Tweed Museum
  12. Eiteljorg Museum.
  13. Lubbock Magazine, Jerod Foster, January/February Issue, 2010.
  14. Paul Whitfield Horn Professorship.
  15. Clay Time, The Journal of Ceramic Trends & Techniques, Tony Meriono, "Art out of Frugality" 1998.
  16. The Studio Potter (cover), James Watkins, "Reflection on Legacy", Winter/Spring Issue 2014.
  17. Texas Tech University Museum Association.
  18. Houston Center for Contemporary Craft.
  19. Texas Commission on the Arts.
  • American Ceramics, Glen R. Brown. 2001.
  • The Studio Potter, James Watkins, "Remembrance", Summer/Fall Issue 1996.
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