James Johnson (English artist)

James Johnson (1803–1834) was an English architectural draughtsman, watercolourist and oil painter who was a member of the Bristol School of artists. He contributed nearly 50 drawings of scenes from Bristol, England to the topographical collection of George Weare Braikenridge.[1][2] The Braikenridge Collection makes Bristol's early 19th century appearance one of the best documented of any English city.[3][4] Johnson was also a painter of poetic landscapes in oil.[1]

James Johnson
People fill a shadowed street lined with shops and houses in a mixture of architectural styles, leading towards a sunlit church tower
Redcliffe Street, oil on canvas, c. 1825
Born1803
Downend, Bristol
Died1834
Bath, Somerset
NationalityEnglish
Known forArchitectural drawing, Watercolour, Oil painting

Johnson was born in 1803 at Downend near Bristol. His father was a publican. By 1819 he was producing drawings, and he exhibited a landscape at the Royal Academy in 1822.[1] In Bristol he participated in the evening sketching meetings of the Bristol School,[2] and in 1823 he collaborated with Francis Danby and Samuel Jackson in a lithography project.[5]

In 1824 Johnson was one of the organisers of the exhibition of local artists at the new Bristol Institution. However finding it difficult to sell his work he moved to London in 1825 - "starved out" of Bristol, according to John Eagles, a fellow member of the Bristol School. He exhibited landscapes at the Royal Academy again in 1825 and 1826.[1]

In 1826 he returned to Bristol and then moved to Bath, Somerset, where he became a teacher of drawing.[2] However he continued to produce Bristol drawings for Braikenridge, including some very fine watercolours of church interiors in 1828.[1] He died in Bath in 1834 after throwing himself from a window.[2]

The Braikenridge Collection is in the Bristol City Museum and Art Gallery.[6] The Tate Gallery has one of his romantic landscape oil paintings, The Tranquil Lake: Sunset Seen through a Ruined Abbey,[2] which has been called one of the finest landscapes of the Bristol School[1]

References
  1. Greenacre, Francis (1973). The Bristol School of Artists: Francis Danby and Painting in Bristol 1810–1840 (exhibition catalogue). Bristol: City Art Gallery, Bristol. pp. 165–169.
  2. Stoddard, Sheena (2001). Bristol before the Camera: The City in 1820–30. Bristol: Redcliffe. p. 107. ISBN 1-900178-68-0.
  3. Gomme, A.; Jenner, M.; Little, B. (1979). Bristol: an architectural history. London: Lund Humphries. p. 11. ISBN 0-85331-409-8.
  4. Foyle, Andrew (2004). Pevsner Architectural Guide, Bristol. New Haven: Yale University Press. p. 19. ISBN 0-300-10442-1.
  5. Matthew, H.C.G.; Harrison, Brian (2004). Oxford Dictionary of National Biography, Vol. 29. New York: Oxford University Press. p. 522. ISBN 0-19-861379-2.
  6. Stoddard, Sheena (2001). Bristol before the Camera: The City in 1820–30. Bristol: Redcliffe. p. 5. ISBN 1-900178-68-0.
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