Jason Eppink

In 2007, Jason Eppink created a series of boxes from foam core and diffusion gel that he placed over video billboards at the entrances to New York City subway stations, turning advertisements into abstract geometric art. Eppink published a video and diagrams to encourage others to continue and improve on the project.[2][3]

In late 2009, frustrated with a sidewalk perpetually covered by residue from a leaking drainage pipe, Jason Eppink and frequent collaborator Posterchild constructed a footbridge from recycled wood and installed it at the site of the leak. The bridge and the press it attracted embarrassed authorities into fixing the decades-old problem.[4]

In 2011, to poke fun at the increasing popularity of crowdfunding, Jason Eppink created a parody Kickstarter campaign to raise money so he could fund his friends’ Kickstarter campaigns.[5][6]

In 2012, Jason Eppink curated an installation of animated GIFs by members of Something Awful in response to a Photoshop challenge, “What tripped El Hadji Diouf?” Participants modified an animated GIF of the unpopular soccer player so he appeared to be tripped by a variety of sight gags and pop culture references. The 35 selected GIFs were displayed in a 50-foot-wide projection in the lobby of Museum of the Moving Image.[7][8] In 2015, the project appeared for the first time in the United Kingdom at the National Museum of Football, as part of the exhibition Out of Play - Technology & Football.[9]

In 2013, Jason Eppink curated an exhibition of short form video remixes that primarily use popular media as source material. The show examined genres and techniques that emerged online over the last ten years along with their historical precedents, proposing that remix is an increasingly common way of participating in shared cultural conversations. Exhibition sections included supercuts, recut trailers, and vidding.[10][11]

In 2014, Jason Eppink engaged members of Reddit[12] to identify frequently used reaction GIFs: animated GIFs posted in response to text in online forums and comment threads. Thirty-seven GIFs and their translations, provided by Redditors, were selected for the exhibition, which examined the increasingly popular use of the animated GIF as a form of non-verbal communication.[13][14]

In 2015, Jason Eppink curated an exhibition that addressed the phenomenon of internet cats as vernacular culture. The exhibition included a 20-year timeline of cats online; a quantified look at the popularity of cats and dogs on significant leisure websites; sociological, anthropological, and evolutionary explanations for the phenomenon; and an investigation into animals that perform similar roles on other national internets.[15][16]