Jason Klarwein

Klarwein born was born around 1976.[1]

In 1996 Klarwein began his professional career with a performance of The Glass Cage[2] and became a part of the company of Zen Zen Zo Physical Theatre during the period 1996 to 1999.[3] In 2002 he was in the inaugural intake of artists in the Queensland Theatre Company's Emerging Artists Program and received a Matilda Special Commendation as part of that ensemble of actors. That same year he was the winner of the Matilda Awards MEAA Award for Best Emerging Actor.[4] He has had roles in several Queensland Theatre Company productions and La Boite Theatre Company.[5]

He moved interstate and his role at the Belvoir in Capricornia under director Wesley Enoch[2] was the precursor of a later association at Queensland Theatre Company, where Enoch became Artistic Director and Klarwein featured as an actor in many of his productions and became resident director.

In 2009 he worked with the Sydney Theatre Company production of A Streetcar Named Desire. The play was directed by Liv Ullmann and starred Cate Blanchett and toured Washington and New York City.[5]

In 2014-2015 he was appointed the Resident Director with Andrea Moor at Queensland Theatre Company .[6][7]

In 2017 he starred in Once in Royal David's City in a joint production between Black Swan Theatre Company and Queensland Theatre Company. He was nominated for Best Male Actor in the 2017 Helpmann Awards.[8]

in 2017 a revamped version of The 7 Stages of Grieving toured a number of venues. The play, which is more than 20 years old, was written by Wesley Enoch, a playwright and artistic director, and Deborah Mailman, an actress; both are Indigenous Australians. This production stars the Indigenous actress Chenoa Deemal, and is directed by Klarwein.[9] The play was a production of Queensland Theatre and Grin & Tonic Theatre Troupe.[10] A review in The Australian cited on the Gardens Theatre, QUT said,

Ten seconds into Jason Klarwein's magnificent new production of The 7 Stages of Grieving, and you're hooked by the sense of history. Humble, decent and engaging, Deemal is the personification of the play's inclusive message: that what drives superficial anger is, in reality, an enduring sense of grief.[11]

Renowned Shakespearen director Michael Attenborough visited Australia in 2007 in a collaboration between London's Almeida Theatre, the Sydney Theatre Company and the Bundanon Trust arts complex in Shoalhaven."[12] Jessica Boyd, the granddaughter of artist Arthur Boyd who bequeathed the Shoalhaven property to the nation, approached Attenborough who brought four actors from the United Kingdom to work with five actors from Australia. Sydney Theatre Company artistic director Robyn Nevin chose Klarwein from auditions and work she had seen him perform elsewhere,

Our aim was to choose those we thought would most probably gain from the opportunity to work with a director like Michael - he has such specific knowledge of Shakespeare, having worked with the RSC Royal Shakespeare Company for such a long time. He is steeped in the traditions of Shakespearean language, and he brings that love and passion for Shakespeare with him.[13]

Attenborough finished his stint as artistic director of the Almeida Theatre in London in 2012 and contacted Klarwein in regard to his coming to Brisbane to stage a production.[14]

In 2014 the Queensland Government's $3 million Super Star Fund allowed the Queensland Theatre Company to bring Attenborough to Brisbane to direct a three week season of Macbeth starring Klarwein as Macbeth.[15]

Reviews of Klarwein performance included, in Stage Whispers, "Jason Klarwein (Macbeth) and Veronica Neave (Lady Macbeth) dominated the stage"[16] and from Aussie Theatre, "Jason Klarwein in the title role, portrayed the many facets of this complex character with charisma, strength, as well as vulnerability. The chemistry between Klarwein and Veronica Neave as Lady Macbeth was palpable."[17]

Klarwien was an associate member of Grin & Tonic theatre troupe, which tours throughout Queensland and spends several months each year playing lively Shakespeare programs for secondary students,[18] for over 15 years. In 2010 he became Artistic Director of the troupe.[19] Grin & Tonic present shows which include Shakespeare aimed at primary and secondary school children. They explore issues which fit into the school curriculum[20] and offer workshops for those seeking a career in some aspect of theatre.[21]

• Matilda Awards[22]

• 2002 Matilda Special Commendation for excellent body of work as part of the ensemble of actors in the emerging artists inaugural repertory program Queensland Theatre Company

• 2002 Matilda Awards Winner MEAA Award Best Emerging Actor

• 2003 Matilda Awards Commendation for performance in Half and Half

• 2003 Matilda Awards nominated Best Male in a Lead Role God is a DJ

• 2017 Helpmann Awards nominated for Best Male Actor in a Play Once in Royal David's City[8]

He is the elected representative (one of two) for Queensland on the National Performers Committee which meets to discuss issues affecting all performers.[23]

MEAA Board - Queensland Branch Board Member[24]

Klarwein has appeared in several short films, including Bad Ass Mono-Winged Angel (2001), Nothing Much (2012) and Ruby (2016). He has also appeared in episodes of Cybergirl (2001), Sea Patrol (2011) and Slide (2011).[32] He had a continuing role in the mini series Devil's Playground (2014) which won 5 awards from 10 nominations.[33]