Jay Scott (saxophonist)

Scott's family relocated to St. Thomas, Virgin Islands for work and he continued to seep in the music and culture of the Caribbean. His Anglican private school – All Saints – did not offer a full band for students. When Carnival time came and many of the other schools’ bands were featured in the annual parade, he ended up joining three other bands.

In 1968, the father again moved the family to Dothan, AL. When young Jay tried to join the Dothan High School band, he was told “no” by the Band Director given his long hair. Jay found other avenues for musical expression. He connected with some of the young black musicians and they played various clubs in the Bottom, the predominantly black area of Dothan. They particularly found a home at Buier’s Lounge. It was here where he found his sound which incorporated elements of funk, soul, rhythm and blues, and jazz. He was also known for intricate scale work which facilitated his solo playing.

After graduating from high school, Scott played saxophone with Mitch Goodson of MG and the K-PERS and they played Panama City beach on a regular basis. It was there that he was spotted by Sonny Turner. Sonny had recently left The Platters and was starting a solo career as Sonny Turner and Sound Unlimited; he hired Scott on the spot to go on tour and Scott traveled around the states. The band played Las Vegas a great deal and it was there that Scott was also hired to be in the house band for famous comedians playing the Strip like Rodney Dangerfield and Rich Little.

In the mid-70s, Scott returned to Dothan. His sister Laura introduced him to musicians in the area. Scott was hired by the band Satyr.

In 1977, Scott decided to move to Atlanta to find session work. His saxophone work was used by the southern rockers, Lynard Skynard on “What’s Your Name – Little Girl?” (1977), produced by the legendary Tom Dowd.

Scott was then discovered by a young producer, Steve Buckingham, who enlisted him to play on a new disco record coming out on Polydor, featuring the 1978 single, Alicia Bridges’ “I Love the Nightlife.” Scott's solo on that song caught the attention of many musical admirers. His sister Linda, who was living in New York City at the time, remembers when Scott performed at the famous East Village club, The Bottom Line, backing Alicia Bridges. She explained that Scott had also struggled with Bells Palsy throughout his life and had learned how to play through muscle weakness on one side of his face. Despite this, Scott was able to learn to play two saxophones simultaneously through intentionally isolating his muscles. Scott featured this technique during The Bottom Line show, and according to Linda, the New York City audience leapt to their feet, cheering.

When the Grammys were held in 1978, “I Love the Nightlife” was nominated for best song and Alicia Bridges performed the song at the ceremony. After Scott’s success with Alicia Bridges, he soon garnered the attention of other music producers and recorded the featured sax solo on various gold and platinum records at this time: Melissa Manchester’s “Whenever I Call You Friend” (1979); Dione Warwick’s “Easy Love” (1980); Paul Davis’ “He Sang Our Love Songs” (1980); and Kansas.

Scott also recorded with other Dothan artists like John Rainey Adkins, David Adkins (Sister Laura’s husband), and Rodney Justo who had gained commercial success in the late 70s with their band Beaverteeth. Scott was featured on their two RCA Victor albums: 1) the title track, “I’m Callin,” on Beaverteeth (1977) and “Stop that River in Your Eye” on Dam It (1978).

In the 1980s, Scott decided to move to Panama City Beach, permanently and continued to play for more than two decades on the Emerald Coast. Using backing tracks, he played solo gigs and led other band configurations, as well as played a great deal with the guitar player, Lowell Howell. He also began teaching in earnest and volunteered to teach children for free at the Martin Luther King Center. He ended up marrying a local guitar-player/singer, Pat in 1993, while he continued his musical endeavors.

Besides his saxophone playing, Scott was a soul singer and also a multi-instrumentalist – playing flute, congas, and piano. Yet, he also was plagued by various health problems, having been through a serious motorcycle accident which required a hip replacement. When Scott went in front of a judge to request Medicaid benefits for this hip replacement, the judge declared that being a musician was not a true profession and denied him benefits.

On September 3, 2009, Scott died suddenly of a heart attack at the age of 57.