Jean-Louis Rodrigue

Rodrigue has coached actors in films including: I, Tonya, Vice, Mary Queen of Scots, Love and Mercy (film), J. Edgar, W., Passion Fish, The Time Machine, Seabiscuit (film), and The Normal Heart (film). He collaborated with director Ang Lee and screenwriter David Magee in the development of the tiger movement for the film Life of Pi. Rodrigue choreographed the period movement for the film The Affair of the Necklace.

Since 2009, Rodrigue has conducted several workshops at the Berlinale Talent Campus program.[11] He was involved in the development of a new hands-on training programs for emerging actors, the Talent Actors Stage, for which 15-20 international actors are selected annually.[12]

Rodrigue has coached at several Los Angeles locations throughout his career. At the Geffen Playhouse, Rodrigue was the movement coach on Nine Parts of Desire in 2005[13] and on Long Day's Journey into Night in 2017.[14] He was awarded a fellowship grant from the Montalvo Arts Center to develop and direct a play adaptation of the novel, The Reader. He coached Chris Pine in The Lieutenant of Inishmore at the Mark Taper Forum. He also worked with Gulu Monteiro on The Bacchae at the Getty Villa.

Rodrigue has collaborated with Larry Moss on Daisy White's Sugar, The Syringa Tree at Playhouse 91 in New York and Bo Eason's Runt of the Litter at the 37 Arts Theater, N.Y. He has coached with Rita Maffei and Larry Moss in an Italian production of The Syringa Tree at the Teatro Stabile di Innovazione in Udine and at Il Piccolo Teatro di Milano, Italy.

Rodrigue integrates animal behavior and movement into his research and work. He is known for helping actors develop characters through animal movement studies. His primary areas of research are animal movement, behavior, morphology, nature perception, and human/animal connections. This interest was sparked by Leonardo da Vinci and Carlo Mazzone-Clementi.

While in Milano in 1957, Rodrigue's father introduced him to the scientific and artistic work of DaVinci. They would often go to the National Museum of Science and Technology to view the models of DaVinci's inventions . They also would visit the Veneranda Biblioteca Ambrosiana, the largest archive of Da Vinci's drawings of animals.

Later in his life while studying at the American Conservatory Theater in San Francisco, Jean-Louis studied with Mazzone-Clementi who introduced him to the application of animal behavior and movement to character development.