Jean Huber

Voltaire narrating a fable

Huber started painting without having had any training. He was a talented observer, and his first works were of horses and scenes of hunting, of birds in particular. In 1783 he published in the "Mercure de France" a "Note on the Way of Steering Balloons, based on the Flight of Birds of Prey", then in 1784, "Observations on the Flight of Birds of Prey" (Geneva 1784) with 7 plates designed by him. He was working on a "History of Birds of Prey" when he died.

Huber also had talents as a caricaturist which he used on a number of occasions, and particularly against Liotard. He visited Voltaire at "Les Délices" in 1756 and became part of the Ferney set. He painted numerous pictures representing Philosophy, and dedicated a collection of his portraits to Catherine II of Russia.

He was with Voltaire for twenty years and was given the nickname of Huber-Voltaire. Voltaire wrote in 1772 to Madame du Deffand: "Since you have seen Monsieur Huber, he will do your portrait; he will do it in pastel, in oils, or in mezzotint. With scissors he will make a cutout sketch of you as a complete caricature. This is the way he ridiculed me from one end of Europe to the other."

In Geneva, he popularised the art of the silhouette, and worked without even making an initial sketch. His talent for cutouts allowed him to create the most complicated scenes of fights and chases; sometimes he would produce thick forests leaving distant plains and mountains to be imagined; his illustrations showed inimitable fine details. Most of his cutouts are in England, in private galleries. His "scenes of" made him famous, as well as his irreverent caricatures of Voltaire.

In 1761 a silhouette that Huber had created of Anne FitzRoy, Duchess of Grafton and her daughter was sent to Horace Walpole. This letter was to be the start of a correspondence of 455 letters.[4]

Huber produced various works in pastel, including his self-portrait which is in Lausanne museum. J J Rigaud wrote of him, "The reproduction of Voltaire's features was so familiar to Huber that he could draw his profile without having his eyes fixed on the paper, or with his hands behind his back, or even without scissors, by tearing a card. The joke of doing his dog with a profile of Voltaire, while giving it a crust of bread to eat, gave Huber almost as much fame as his serious works."