Jennifer Hocking

Hocking began her career as a model by doing fashion shows, but eventually became a leading photographic model, basing her style on that of a leading American model, Anne St. Marie.[2] In 1956 Hocking was named London Model of the Year by The Daily Express.[3] Although she could present as aloof and sophisticated, she also had an approachable quality,[2] which enabled her modelling career to be most successful during the transitional period between the 1950s and the mid-1960s, as she resembled a young career woman rather than one of the haughty ladies favoured for 1950s fashion photography.[1]

Along with Paulene Stone, she became a favoured model of Terence Donovan and David Montgomery.[1] Brian Duffy photographed her with the author Frank Norman.[1] However, Hocking became aware that her maturity was working against her, as teenage models began to be more popular, and she ceased modelling.[1]

Hocking's first job after quitting modelling was as a stylist for Fashion, before being transferred to Harper's Bazaar and succeeding Molly Parkin as fashion editor.[1] She stayed on in 1970 when Harper's Bazaar merged with Queen to become Harper's & Queen.[1]

Whilst at Harper's & Queen, Hocking was challenged by the small budgets and tiny fashion department, but hired a young 21-year old Anna Wintour as her editorial assistant as she was impressed by Wintour's precocious professionalism.[1] In 1974, Hocking was asked by the Fashion Museum, Bath to choose that year's defining looks for their Dress of the Year collection, for which she selected male and female knitted ensembles by Missoni.[4] A couple of years later, Hocking helped style Joanna Lumley for some episodes of The New Avengers.[1]

Following the decision of Harpers & Queen to try and challenge British Vogue's place at the top of the British fashion magazine hierarchy, Hocking decided to leave, and was succeeded by Min Hogg despite Wintour trying for the job.[1]

After leaving Harper's & Queen, Hocking became a fashion designer for Christopher Carr Jones's mail-order company, and then started up her own equivalent business.[1]

In the 1990s, Hocking resumed modelling as a professional mature model, and came to the attention of Mario Testino, who had been seeking out other models that had retired in the mid-1960s in order to develop the narrative of his photographs for Burberry.[1] Along with Tania Mallet, Hocking became one of Testino's favourite models as a representation of the "early-60s Englishness" that enhanced the Burberry brand.[1] In 2002, The New York Times described Hocking and Mallet as "grande dames" who looked as good in Burberry fashion as their co-star, the young and glamorous Elizabeth Jagger.[1][5]