Jennifer Weiner

Weiner has been a vocal critic of what she sees as the male bias in the publishing industry and the media, alleging that books by male authors are better received than those written by women, that is, reviewed more often and more highly praised by critics. In 2010, she told The Huffington Post, "I think it's a very old and deep-seated double standard that holds that when a man writes about family and feelings, it's literature with a capital L, but when a woman considers the same topics, it's romance, or a beach book – in short, it's something unworthy of a serious critic's attention. ... I think it's irrefutable that when it comes to picking favorites – those lucky few writers who get the double reviews AND the fawning magazine profile AND the back-page essay space AND the op-ed ... the Times tends to pick white guys."[10] In a 2011 interview with The Wall Street Journal blog Speakeasy, she said, "There are gatekeepers who say chick lit doesn’t deserve attention but then they review Stephen King."[11] When Jonathan Franzen's novel Freedom was published in 2010 to critical acclaim and extensive media coverage (including a cover story in TIME[12]), Weiner criticized what she saw as the ensuing "overcoverage,"[13] igniting a debate over whether the media's adulation of Franzen was an example of entrenched sexism within the literary establishment.[14][15][16] Though Weiner received some backlash from other female writers for her criticisms,[17] a 2011 study by the organization VIDA bore out many of her claims,[18][19] and Franzen himself, in an interview with The Daily Telegraph, agreed with her: "To a considerable extent, I agree. When a male writer simply writes adequately about family, his book gets reviewed seriously, because: 'Wow, a man has actually taken some interest in the emotional texture of daily life', whereas with a woman it’s liable to be labelled chick-lit. There is a long-standing gender imbalance in what goes into the canon, however you want to define the canon."[20]

As for the label "chick lit", Weiner has expressed ambivalence towards it, embracing the genre it stands for while criticizing its use as a pejorative term for commercial women's fiction. "I’m not crazy about the label," she has said, "because I think it comes with a built-in assumption that you’ve written nothing more meaningful or substantial than a mouthful of cotton candy. As a result, critics react a certain way without ever reading the books."[4] In 2008, Weiner published a critique on her blog of a review by Curtis Sittenfeld of a Melissa Bank novel.[21] Weiner deconstructs Sittenfeld's review, writing, "The more I think about the review, the more I think about the increasingly angry divide between ladies who write literature and chicks who write chick lit, the more it seems like a grown-up version of the smart versus pretty games of years ago; like so much jockeying for position in the cafeteria and mocking the girls who are nerdier/sluttier/stupider than you to make yourself feel more secure about your own place in the pecking order."[22]

In November 2019, Weiner participated in the harassment and abuse of Brooke Nelson, a college student who was mentioned in her local newspaper as saying she thought that author Sarah Dessen's YA novels were not suitable for the Common Read program run by Northern State University, Aberdeen, and that she had advocated for the inclusion of civil rights attorney Bryan Stevenson's memoir, Just Mercy, instead.[23] In a series of since-deleted tweets, Weiner described Nelson's opposition to Dessen's inclusion in the Common Reads program as "catty and cruel",[24] part of "systemic discrimination" against young women, and linked it to coverage of gymnastics doctor Larry Nassar's repeated sexual assaults on young women.[25][26] She later stated that she had "zero regrets" regarding these remarks.[26] When the story was reported in Jezebel,[27] The Guardian,[24] the Washington Post,[28] and Slate,[29] Weiner reportedly regretted her actions.[30]

In Her Shoes (2002) was made into a major motion picture in 2005 with Cameron Diaz, Toni Collette and Shirley MacLaine. She also made a cameo appearance in this film.[31]

After signing a development deal with ABC Family in 2008,[32] Weiner wrote a pilot for a half-hour sitcom with producer Jeff Greenstein (Desperate Housewives), originally called The Great State of Georgia and starring a plus-sized young woman who aspires to be a Broadway star.[33] In 2010, the network ordered the show to series (renamed State of Georgia), and it went on to air 12 episodes in the summer of 2011. On September 16, Weiner announced the show's cancellation via Twitter.[34]

Weiner made her TV debut on The Tony Danza Show in 2005, reappearing in 2006. She made a cameo appearance as herself in the Younger episode "The Jade Crusade" in 2016.

• Good in Bed (2001) – Chronicles the experiences of Candace Shapiro, a Jewish journalist from Philadelphia. The plot of the story revolves around the distress that comes from leading an unstable love life while trying to balance a professional career. Candace learns the positive benefits of being independent during tough times in her life. Weiner often acknowledges the influence that her personal history played in her first official novel.[37]
• In Her Shoes (2002) – Published in September 2002, In Her Shoes tells the story of two sisters who have nothing in common, except their shoe size, and a grandmother neither of them ever knew. USA Today says the book “will make you laugh and possibly cry.” In October 2005, the novel was turned into a major motion picture, starring Cameron Diaz, Toni Collette and Shirley Maclaine.[38]
• Little Earthquakes (2004) – This book contains the story of a newscaster, Ayinde, who moves to Philadelphia following her husband who is an NBA player for the 76ers. She becomes friends with Becky and Kelly and together they created an unbreakable sisterhood bond.[39]
• Goodnight Nobody (2005) – This story follows the story of Kate Klein who relocates her family and herself to Upchurch, Connecticut. She lives the suburban mom lifestyle and later spends her time starting an investigation, along with two of her friends, about the death of Kitty Cavanaugh.[40]
• The Guy Not Taken (2006) – This is a collection of eleven separate stories from Weiner. The stories cover many subject areas, from a teenage girl coping with the loss of her father, to a widow opening up her home to a pair of homeless girls.[41]
• Certain Girls (2008) – Certain Girls is the sequel to Good In Bed. Released in April 2008, it begins where Cannie, the heroine of Good In Bed left off with her debut novel becoming an overnight bestseller.[42]
• Best Friends Forever (2009) - Two childhood friends named Valerie Adler and Adelaide "Addie" Downs are reunited when Valerie believes she accidentally ran over the star football player at their high school reunion.[43]
• Fly Away Home (2010)
• Then Came You (2011)
• The Next Best Thing (2012)
• All Fall Down (2014)
• Who Do You Love (2015) – This story is about two young children who meet in a hospital and are forced to part ways. Thinking that they will never see each other again, they move on with their lives, only to later end up in the presence of each other, where they must decide if their love can keep them together.[44]
• Mrs. Everything (2019)
• Big Summer (2020)
• That Summer (2021)

• Disconnected (2013)
• Recalculating (2011)
• Swim (2012)
• The Half Life (2010)
• A Memoir of Grief (2012)
• Good Men (2013)

• Hungry Heart: Adventures in Life, Love, and Writing (2016)[3]

• “Victoria’s Secret Finally Set Its Angels Free. Better Late Than Never.” (New York Times, June 17, 2021)[45]