Jess Mowry

Jess Mowry was born to an African-American father, and a Caucasian mother. When he was only a few months old, his mother abandoned him, though this may have been understandable since Mississippi law at that time forbade interracial marriage.[1] His father took Jess to Oakland, California, where he supported himself and his son by working as a crane operator, truck driver, and scrap-metal salvager. Jess's father was a voracious reader who introduced his son to books at a very early age. Jess Mowry attended a public school, but despite his love of reading, was not an above-average student. He dropped out of school at age thirteen, part way through the eighth grade. After leaving school, Mowry worked with his father in the scrap-iron business and, in his late teens, moved to Arizona to work as a truck driver and heavy equipment operator. He also lived and worked in Alaska as an engineer aboard a tugboat and as an aircraft mechanic on Douglas C-47 cargo planes.[2]

Returning to Oakland in the early 1980s, Mowry began working with kids at a youth center, reading to them and often making up stories because there were very few books to which inner-city youth could relate. Later, he began to write the stories.[3] In 1988, Mowry sent one of his stories to Howard Junker, editor of Zyzzyva magazine in San Francisco. Junker rejected the tale but asked to see more work, and published the second story Jess sent. Mowry bought a 1923 Underwood typewriter for eight dollars, and within a year, his work was appearing in literary magazines in the United States and abroad.

In 1990, Mowry's first collection of stories, Rats in the Trees, won a PEN Oakland/Josephine Miles Literary Award and was also published in the United Kingdom, Germany and Japan. In 1991, Mowry's first novel, Children of the Night, was published by Holloway House in Los Angeles. In 1992, his second novel, Way Past Cool, was published by Farrar, Straus & Giroux of New York.[4]Way Past Cool was also published in the United Kingdom, Italy, France, Germany, the Netherlands, Sweden, Denmark, Finland, and Japan. It was optioned for a film, for which Mowry co-wrote the screenplay. The film, under the same title, was produced by Redeemable Features in 2000 with director Adam Davidson and executive producers Norman Lear and Miloš Forman. Other novels followed, including Six Out Seven, Babylon Boyz, Bones Become Flowers, Skeleton Key, Phat Acceptance, and When All Goes Bright.

Mowry's characters and settings range from gun-toting gang kids in Oakland and Voodoo apprentices in New Orleans' French Quarter, to teenage airplane pilots and child soldiers in Africa. As Mowry’s puts it: "Almost all my stories and books are for and about Black kids who are not always cute and cuddly. My characters often spit, sweat, and swear, as well as occasionally smoke or drink. Just like their real-world counterparts, some are overweight, may look too Black, or are otherwise unacceptable by superficial [mainstream] American values. Like on-the-real kids, they often live in dirty and violent environments, and are forced into sometimes unpleasant lifestyles."

Jess Mowry emerged during the mid-1990s as one of America's most original and important—yet relatively unheralded—Black writers. His low profile is as much a matter of personal preference as of any lack of merit or of public interest in his writing. Mowry has declined to take the easy way, refusing to be seduced by fame or money into writing the kind of Black ghetto fiction that mainstream publishers seem to want. Instead, Mowry remains socially committed and aware; he prefers doing things his way as he works to improve the lives and self-image of black street kids.

Jess Mowry lives in Oakland.

Sources

• Airing Dirty Laundry - Ishmael Reed (Addison-Wesley Publishing Co. 1993)
• Atlanta Journal-Constitution, May 10, 1992
• Boston Globe Magazine, October 31, 1993
• Chicago Tribune, September 18, 1994
• CineSource Magazine, May 6, 2011
• Entertainment Weekly, October 25, 1991, April 24, 1992, May 21, 1993
• Essence, November, 1992
• Houston Chronicle, May 29, 1994
• Los Angeles Times, April 10, 1992, July 4, 1993
• Los Angeles Times Book Review, April 19, 1992, November 7, 1993
• Mother Jones (magazine), May/June 1992.
• New York Times, May 28, 1992
• New York Times Book Review, May 24, 1992, October 31, 1993
• Oakland Tribune, May 24, 1992, February 14, 1993
• People, June 22, 1992
• Sacramento Bee, November 10, 1993
• San Francisco Chronicle, March 3, 1992, March 5, 1992, April 12, 1992, October 24, 1993
• San Francisco Examiner, March 2, 1992
• San Francisco Focus, June, 1992
• San Jose Mercury News, October 3, 1993, October 19, 1993, December 18, 1994
• Something About The Author, Volume 109, ISBN 9780787632182 (Gale, 2000) - Volume131, ISBN 0-7876-4719-5 (Gale, 2002)
• The Boston Globe, May 11, 1992, October 17, 1993, November 7, 1993
• The Columbia Guide to Contemporary African American Fiction, 2005, ISBN 0-2311-24724
• The Nation, September 21, 1992
• The Source, December 1992, May 1994
• Variety, May 4, 1993

• Official website